The way Amir ends up at the end of the play, alone and having lost his entire livelihood, is the result of several different factors. The way he and the other South Asian American characters in the play were treated speaks to both the casual racism and the systemic Islamophobia that’s commonplace in U.S. society. This certainly played a role in Amir’s downfall, as being constantly misunderstood, judged, and discriminated against took a toll on him. But ultimately, Amir’s decisions were his own, and the way his resentment exploded into violence against Emily is a testament to how damaging shame and repressing one’s identity can be. In the end, Amir is left with nothing but Emily’s portrait of him, which portrays him as an ethnic outsider trying to assimilate into affluent white culture. Amir’s searching gaze as he stares at the painting suggests that he’s still trying to figure out who he really is, and what his place is in American society. That the play ends on this note implies that this is a question all ethnic and religious minorities are forced ask themselves—one that doesn’t have an easy answer.