Day slowly turns to night as Ethan Brand returns to his lime kiln after years spent searching for the Unpardonable Sin. Over the course of the night, villagers come to gawk at the strange man who claims to have committed the Unpardonable Sin himself, and whom they believe to be in league with the Devil. The lime kiln uses fire to turn marble into quicklime, in a reliable, manmade shortcut of natural processes. And Ethan Brand’s quest—because it emphasized intellectual knowledge over human connection—has turned the simple, loving man into a gloomy, aloof figure without concern for other people’s lives or souls.
Even up to the last moment of the burn, Bartram (who took over the kiln after Brand left) worries that his entire batch of lime might be ruined by improper handling. The labor-intensive process of burning lime requires immense heat to turn marble into lime, which is a valuable substance that (among other uses) creates the mortar that secures bricks together in building. But instead of finding in the kiln’s flames—and his ruminations on sin while it burned—a way to join himself with others, the solitary Brand instead came to desire a godlike knowledge of sin. In his relentless quest for this knowledge, Brand manipulated other people into committing the sinful acts he thought his research demanded. In coming to see himself as superior to everyone else and in losing his empathy for others, Brand lost his connection with humanity and hardened his heart. Just as the kiln transforms marble into lime, Brand’s willingness to lead others into sin transformed him from a man into the Devil in human form. Having destroyed his humanity and his soul, Brand finally destroys his body by throwing himself into the kiln, and his earthly remains become a few pounds of minerals that enrich Bartram’s lime batch. By situating Brand’s conversion alongside the process of lime burning, the story acknowledges the benefits of human transformation—through manufacture or through education—but also warns about its inherent risk of destruction.
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Transformation Quotes in Ethan Brand
There was an opening at the bottom of the tower, like an oven-mouth, but large enough to admit a man in a stooping posture, and provided with a massive iron door. With the smoke and jets of flame issuing from the chinks and crevices of this door, which seemed to give admittance into the hill-side, it resembled nothing so much as the private entrance to the infernal regions, which the shepherds of the Delectable Mountains were accustomed to show pilgrims.
Within the furnace were seen the curling and riotous flames, and the burning marble, almost molten with the intensity of heat; while without, the reflection of the fire quivered on the dark intricacy of the surrounding forest, and showed in the foreground a bright and ruddy little picture of the hut, the spring beside its door, the athletic and coal-begrimed figure of the lime-burner, and the half-frightened child, shrinking into the protection of his father’s shadow.
And, indeed, even the lime-burner’s dull and torpid sense began to be impressed by an indescribable something in that thin, rugged, thoughtful visage, with the grizzled hair hanging wildly around it, and those deeply sunken eyes, which gleamed like fires within the entrance of a mysterious cavern. But, as he closed the door, the stranger turned towards him and spoke in a quiet, familiar way, that made Bartram feel as if he were a sane and sensible man, after all.
Laughter, when out of place, mistimed, or bursting forth from a disordered state of feeling, may be the most terrible modulation of the human voice. The laughter of one asleep, even if it be a little child,—the madman’s laugh,—the wild, screaming laugh of a born idiot,—are sounds that we sometimes tremble to hear, and would always willingly forget.
But where was the heart? That, indeed, had withered,—had contracted,—had hardened,—had perished! It had ceased to partake of the universal throb. He had lost his hold of the magnetic chain of humanity. He was no longer a brother-man, opening the chambers or the dungeons of our common nature by the key of holy sympathy, which gave him a right to share in all its secrets; he was now a cold observer, looking on mankind as the subject of his experiment, and, at length, converting man and woman to be his puppets, and pulling the wires that moved them to such degrees of crime as were demanded for his study.
So little Joe ran up the hillock, and stood by his father’s side. The marble was all burnt into perfect, snow-white lime. But on its surface, in the midst of the circle,—snow-white too, and thoroughly converted into lime,—lay a human skeleton, in the attitude of a person who, after long toil, lies down to repose. Within the ribs—strange to say—was the shape of a human heart.
“Was the fellow’s heart made of marble?” cried Bartram, in some perplexity at this phenomenon. “At any rate, it is burnt into what looks like special good lime, and, taking the all the bones together, my kiln is half a bushel richer for him.”
So saying, the rude lime-burner lifted his pole, and, letting it fall upon the skeleton, the relics of Ethan Brand were crumbled into fragments.