The narrator’s remarks about the poor state of the roads in Russia reflect his conflicted feelings about the country itself. Clearly, the run-down roads disappoint the narrator and, in many ways, his view of his home country is negative, something that is also reflected in his commentary on the actions of characters like Eugene and Lensky. Still, the narrator has pride in Moscow, which represents a side of the country not yet under the influence of Western culture to the degree that St. Petersburg is. He dreams of a future when the roads are better—when Russia redirects its focus back toward its cultural roots. The implication here is that in its enthusiasm to embrace Western tradition, Russia has let its own culture deteriorate—and it will continue to rot unless the country reassesses its priorities.