Goodbye to Berlin
by Christopher Isherwood
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Decadence Theme Icon
LitCharts assigns a color and icon to each theme in Goodbye to Berlin, which you can use to track the themes throughout the work.
Decadence Theme Icon
Decadence Theme Icon

Christopher Isherwood’s semi-autobiographical novel Goodbye to Berlin highlights the decadent culture of Berlin’s nightlife in the late 1920s and early 1930s, juxtaposing the culture of creativity, artistry, and relaxed social norms that characterized Germany’s urban scene in the years before Hitler’s rise to power. During the early part of his time in Berlin, Christopher and his friends constantly go out to nightclubs, drinking and partying late into the night. Christopher and Sally spend their days talking about art and seeking ways to maximize this pleasure-filled life by finding wealthy patrons and, in Sally’s case, lovers. In this way, they reject a conventional life of domesticity. This party culture categorized Berlin during the Weimar Republic, when Germans embraced international Jazz Age influences and relaxed social policies ushered in by the new Republic regime.

Though Christopher himself enjoys this culture, the novel takes a critical look at some of the characters’ political indifference toward the rise of fascism. Eventually, after the economic instability within the era caused massive frustration and devastation for Germans, the fascism of the Nazi party came to replace the relaxed social policies of the Weimar Republic. After Hitler takes over Germany, when Christopher and his friend Fritz Wendel take a farewell tour of the Berlin dives where they spent their nights, they find the nightlife culture to be a shell of its former grandeur. The Berlin that drew artists to create has died, squashed by the antisemitic, homophobic fascism that promised to restore Germany to its former economic glory. In this way, the novel mourns the loss of a vibrant and indulgent culture to fascism. At the same time, Goodbye to Berlin serves as a cautionary tale, subtly critiquing how Berlin’s pre-war decadence causes many of the novel’s party-going, free-spirited characters to be politically indifferent. In retrospect, then, the novel seems to suggest that Berlin’s decadent pre-war culture enabled many to deny or downplay the looming threat that fascism posed to their society and to the world at large.

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Decadence ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Decadence appears in each chapter of Goodbye to Berlin. Click or tap on any chapter to read its Summary & Analysis.
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Decadence Quotes in Goodbye to Berlin

Below you will find the important quotes in Goodbye to Berlin related to the theme of Decadence.

Chapter 2: Sally Bowles Quotes

Sally’s German was not merely incorrect; it was all her own. She pronounced every word in a mincing, specifically “foreign” manner. You could tell that she was speaking a foreign language from her expression alone.

Related Characters: Christopher Isherwood (speaker), Sally Bowles
Page Number and Citation: 28
Explanation and Analysis:
Sally Bowles is arguably the most important character in the novel aside from Christopher. Mutual friend Fritz Wendel introduces Christopher to Sally one day, and she and Christopher are inseparable from then on. Sally, like Christopher, is an English expat in Berlin pursuing her art. Throughout the novel, she seeks lovers with money to help advance her career as an actress. To do this successfully, she believes she must construct a self. As a result of this belief, though it is unspoken, Sally does things her own way: she sings distinctly and speaks German in her own way. Sally’s singularity Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim

“Somehow, when people have cash, you feel differently about them—I don’t know why.”

Related Characters: Sally Bowles (speaker), Fritz Wendel, Christopher Isherwood
Page Number and Citation: 34
Explanation and Analysis:
After Fritz Wendel introduces Sally Bowles to Christopher, she invites Christopher to her apartment for tea. There, the two hit it off and learn about one another. Christopher, hearing of Sally’s destitute financial situation, offers to help her with money if she ever needs it and she tells him that she won’t take money from a friend, and furthermore that she knows that Christopher also has no money. When Christopher asks why she takes money from Fritz if he is her friend, Sally tells him that she thinks of Fritz differently because he has money. The differences between Sally’s friendship Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi necessitatibus voluptas. Accusamus eaque omnis. Velit eaque error. Possimus corrupti soluta. Qui aut a. R

We went to the little cinema in Bülowstrasse, where they were showing a film about a girl who sacrificed her stage career for the sake of a Great Love, Home, and Children. We laughed so much that we had to leave before the end.

Related Characters: Christopher Isherwood (speaker), Klaus Linke, Sally Bowles
Page Number and Citation: 44
Explanation and Analysis:
On one of Sally and Christopher’s nights out, Sally and her accompanying pianist Klaus fall in love. After he takes a job in England and ends their relationship, Sally is devastated. She and Christopher go to the cinema in an attempt to cheer her up. Their laughter at the sacrifice that the woman in the movie makes confirms their choice to live an unconventional lifestyle, separate from the heterosexual paradigm. This choice is one of the things that unites Sally and Christopher, as they both choose to enjoy an artistic and decadent life in Weimar Berlin rather than prioritize settling Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. C

[Clive] had about him that sad, American air of vagueness which is always attractive; doubly attractive in one who possessed so much money. He was vague, wistful, a bit lost: dimly anxious to have a good time and uncertain how to set about getting it. He seemed never to be quite sure whether he was really enjoying himself, whether what we were doing was really fun.

Related Characters: Christopher Isherwood (speaker), Sally Bowles, Clive
Page Number and Citation: 47
Explanation and Analysis:
On one of Sally and Christopher’s wild nights through Berlin’s club scene, they meet a wealthy man named Clive. The three become inseparable, and Clive begins bankrolling a more lavish lifestyle for Sally and Christopher. However, Christopher’s observation that Clive never seems sure whether the group is truly having a good time casts their newfound decadence in an interesting light: while Sally and Christopher dream of having complete financial abundance and stability, seeking the pleasure-filled life, Clive’s ennui suggests that that decadence is somewhat empty. Rather than feed into the search for unlimited pleasure, Clive’s wealth only seems to keep Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae

We had nothing to do with those Germans down there, marching, or with the dead man in the coffin, or with the words on the banners. In a few days, I thought, we shall have forfeited all kinship with ninety-nine per cent of the population of the world, with the men and women who earn their living, who insure their lives, who are anxious about the future of their children. Perhaps in the Middle Ages people felt like this, when they believed themselves to have sold their soul to the Devil. It was a curious, exhilarating, not unpleasant sensation: but, at the same time, I felt slightly scared. Yes, I said to myself, I’ve done it, now. I am lost.

Related Characters: Christopher Isherwood (speaker), Sally Bowles, Clive
Page Number and Citation: 47
Explanation and Analysis:
After Christopher and Sally meet Clive, they settle into a rhythm with him of spending their days drinking and enjoying Berlin’s pleasures. Clive even promises to take them all traveling, an expensive trip that would change Christopher’s and Sally’s life. One day, on the balcony of Clive’s hotel, they notice a funeral proceeding on the street. In this quote, Christopher describes the feeling of isolation from the population of Berlin. This isolation comes from their newfound access to wealth and their plan to leave the city to travel: believing that he and Sally will no longer struggle to make ends Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asp

“I don’t know what it is… You seem to have changed, somehow…”

“How have I changed?”

“It’s difficult to explain… You don’t seem to have any energy or want to get anywhere. You’re so dilletante. It annoys me.”

Related Characters: Sally Bowles (speaker), Christopher Isherwood (speaker)
Page Number and Citation: 64
Explanation and Analysis:
After Christopher learns of the national bank shut down, he visits Sally at her new apartment. The two have not seen or spoken to each other for many months, and Christopher’s visit shows a massive shift in their relationship. Their time together is awkward, with Sally spending time talking on the phone and telling Christopher how much she respects her new friends who value making money. Christopher notices a shift in Sally’s energy toward him, and when he asks her about it, she identifies a lack of ambition in him. Her complaint about Christopher’s “dilletante” nature is very pointed, as Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores.

Seen thus, alone and off his guard, he seemed rather pathetic: he looked shabbier and far younger—a mere boy. I very nearly said: “He isn’t here.” But what would have been the use? They’d have got him anyway. “Yes, that’s him,” I told the detectives. “Over there.” They nodded. I turned and hurried away down the street, feeling guilty and telling myself: I’ll never help the police again.

Related Characters: Christopher Isherwood (speaker), George P. Sandars/Paul Rakowski
Page Number and Citation: 75
Explanation and Analysis:
Some time after the dissolution of Sally and Christopher’s friendship, a strange man comes to Christopher trying to con him out of money. In a vindictive moment, Christopher sends the man to Sally to annoy her. However, the man ends up actually stealing from Sally. She and Christopher, in a healing moment for their friendship, go to the police together. After a week the police call Christopher to identify the man. However, although the man had committed a crime that directly harmed Christopher’s friend, Christopher feels sick at the idea of helping to punish him. This feeling of guilt and Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde e

Chapter 6: A Berlin Diary, Winter 1932-3 Quotes

Last night, Fritz Wendel proposed a tour of the “dives.” It was to in the nature of a farewell visit, for the Police have begun to take a great interest in these places. They are frequently raided, and the names of their clients are written down. There is even talk of a general Berlin clean-up.

Related Characters: Christopher Isherwood (speaker), Fritz Wendel
Page Number and Citation: 191
Explanation and Analysis:
In the final chapter of Goodbye to Berlin, Christopher Isherwood presents a series of vignettes that describe the daily social, political, and economic life in Berlin, just as he had in the first “Berlin Diary” chapter of the novel. However, in this final chapter, Christopher’s stories and observations present a stark contrast to his early years in Berlin. Christopher’s earlier years in Berlin were marked by decadence, spending all night out at clubs and enjoying the liberal, artistic culture of the Weimar-era city. However, the Police taking interest in these establishments shows that the government of Berlin is putting a Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. C

I catch sight of my face in the mirror of a shop, and am horrified to see that I am smiling. You can’t help smiling, in such beautiful weather. The trams are going up and down the Kleistrasse, just as usual. They, and the people on the pavement, and the tea-cosy dome of the Nollendorfplatz station have an air of curious familiarity, of striking resemblance to something one remembers as normal and pleasant in the past—like a very good photograph.

No. Even now I can’t altogether believe that any of this has really happened…

Related Characters: Christopher Isherwood (speaker)
Page Number and Citation: 206
Explanation and Analysis:
This quote makes up the final two paragraphs of the novel. To conclude his work, Christopher Isherwood writes an ending that mirrors the beginning of the novel: like the first scene, Isherwood describes the daily goings-on of Berlin, highlighting the experiences of average people. This technique highlights the fact that history happens within and alongside daily life. Furthermore, the “striking resemblance to something one remembers as normal and pleasant in the past” calls to mind the eeriness that political change can bring to a society, and it asks the question of what normalcy really is. The invocation of the photograph Dolorem et quae. Exercitationem non aut. Eveniet dolor non. Incidunt dolores sunt. Ad dolor at. Quia aperiam eligendi. Ut veniam voluptatem. Aperiam consequuntur mollitia. Provident expedita delectus. Occaecati ea suscipit. Optio ut iste. Voluptas aut occaecati. Accusantium recusandae voluptates. Explicabo minus tempore. Nostrum dolor asperiores. Ut aliquam officiis. Unde enim nesciunt. Commodi