In the Dream House

In the Dream House

by

Carmen Maria Machado

In the Dream House: 48. Dream House as American Gothic Summary & Analysis

Summary
Analysis
To be a gothic romance, a story needs to have two elements: “woman plus habitation”—that is, the physical elements of the house are vital to the story—and “marrying a stranger.” Machado compares these rules to her own story. She didn’t marry the woman from the Dream House, and the house itself wasn’t a typically gothic manor, but it was a vital presence in their relationship, and more importantly, the woman was a stranger; she only revealed tiny parts of herself at certain moments until the whole truth flooded out.
Machado is constantly lining up her story against the structures and tropes of literary genres to see how she fits in. Here, she realizes that her story matches up with much of the structure of a Gothic romance, which suggests that, just as in these narratives, secrecy plays a significant part in the relationship.
Themes
Abuse, Trauma, and Healing Theme Icon
Storytelling, Responsibility, and Freedom Theme Icon