Throughout James, Huck’s youthful innocence sharply contrasts with Jim’s increasing worldly disillusionment. As in Twain’s novel, Huckleberry Finn is a mischief-maker with a fondness for adventure. The novel begins with him and Tom Sawyer playing a prank on Jim, who plays along because “[i]t always pays to give white folks what they want.” Despite lumping Huck in with other “white folks,” Jim feels genuine sympathy for the boy, telling Old Luke, “He’s just trying to figure things out. Like the rest of us, I guess.” During their travels together, Jim frequently notes Huck’s sincerity and innocence, as when the boy considers saving the Duke and the King, even though they are criminals and intend to turn Jim in as a runaway. Jim attributes Huck’s guileless nature to his youth, suggesting that children are more empathetic and morally pure than adults. It is worth noting, however, that Huck runs away out of fear of his abusive father, Pap, hinting that no person can remain untouched by the world’s suffering forever.
As the novel progresses, Jim himself becomes more and more disillusioned with the world that has enslaved him. Forced to bear the indignities and violence of enslavement, Jim possesses the cynicism and distrust necessary for his own survival. He is as suspicious of the intentions of white people as they are of him, with good reason—even those who claim to oppose slavery, like Emmett, do not treat Jim as an equal. After encountering slaves like Luke and Brock, who joyfully submit to their degradation, Jim even struggles to extend compassion to other Black people, uncertain if they can be trusted. By the novel’s end, Jim is more than willing to kill Hopkins after he witnesses the overseer raping Katie. After the murder, he discovers that he feels no guilt. Rather than feeling disturbed by his newfound apathy, Jim wonders “what else I was capable of doing.” By the novel’s end, Jim’s suffering has stripped him of much of his hope, though he clings to his desire to free his family and write his own story. By juxtaposing Huck’s innocence with Jim’s descent into cold disillusionment, the novel investigates how suffering injustice can—understandably—lead people to become cynical and isolated.
Innocence vs. Disillusionment ThemeTracker
Innocence vs. Disillusionment Quotes in James
Those white boys, Huck and Tom, watched me. They were always playing some kind of pretending game where I was either a villain or prey, but certainly their toy. They hopped about out there with the chiggers, mosquitoes and other biting bugs, but never made any progress toward me. It always pays to give white folks what they want, so I stepped into the yard and called out into the night,
“Who dat dere in da dark lak dat?”
“But what are you going to say when she asks you about it?” I asked.
Lizzie cleared her throat. “Miss Watson, dat some cone-bread lak I neva before et.”
“Try ‘dat be,’” I said. “That would be the correct incorrect grammar.”
That evening I sat down with Lizzie and six other children in our cabin and gave a language lesson. These were indispensable. Safe movement through the world depended on mastery of language, fluency.
[…]
“White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” I said. “The only ones who suffer when they are made to feel inferior is us. Perhaps I should say ‘when they don’t feel superior.’”
I could believe it, I thought, pretending, in slave fashion, not to be there. After being cruel, the most notable white attribute was gullibility. As evidenced by Huck’s reaction. He said, “You fellers are amazin’.”
“Yes, but them people liked it, Jim. Did you see their faces? They had to know them was lies, but they wanted to believe. What do you make of that?”
“Folks be funny lak dat. Dey takes the lies dey want and throws away the truths dat scares ‘em.”
[…]
“I reckon I do that, too,” the boy said.
“What say?”
“I kin see how much you miss yer family and yet I don’t think about it. I forget that you feel things jest like I feel. I know you love them.”
“Thank you, Huck.”
“Why is that, Jim? I thought we was friends. I thought you trusted me.”
“I does trust you, Huck. Cain’t you see dat? I trusts you wif my life.”
[…]
“I understand why you talk the way you do.”
“What do you mean?” I asked.
“I mean it makes sense.”
I studied his face. He was talking with his eyes closed, as much fighting sleep as losing to it. There was a lot of this in that face. “You be a smart boy, Huck.”
I made eye contact with a couple of people in the crowd and the way they looked at me was different from any contact I had ever had with white people. They were open to me, but what I saw, looking into them, was hardly impressive. They sought to share this moment of mocking me, mocking darkies, laughing at the poor slaves, with joyful, spirited clapping and stomping. I looked at one woman who might have been intrigued by me or taken with me, the entertainer. I saw the surface of her, merely the outer shell, and realized that she was mere surface all the way to her core.
Slaves didn’t have the luxury of anxiety, but at that moment, I had felt anxiety. Slaves didn’t have the luxury of anger toward a white man, but I had felt anger. The anger was a good bad feeling. In addition, my feelings about Daniel Emmett were complicated, confused. He bought me, yes, but reportedly not to own me, though he expected something from me—my voice, he claimed. I wondered what he would do if I tried to leave. In my head I could hear him shouting, “But I paid two hundred dollars for you.” A man who refused to own slaves but was not opposed to others owning slaves was still a slaver, to my thinking.
Massa Corey bring me cone bread,
Hoo Ya Hoo Ya!
Massa Corey bring me cone bread,
He makes da boat go.
I opened an eye and watched him awhile, then shut it again because I did not like the sight. Unfortunately, neither I nor the engine’s roar could block out the sound of his dreadful singing.
[…]
I imagined Norman upstairs, nervous, but perhaps physically comfortable, not hot and covered with soot, but no doubt more frightened than I was, more lost. I wondered if he was angry. I wondered if I had ever not been angry.
“Why me, Jim?”
Maybe because I was tired of the slave voice. Maybe because I hated myself for having lost my friend. Maybe because the lie was burning through me. Because of all of those reasons, I said, “Because, Huck, and I hope you hear this without thinking I’m crazy or joking, you are my son.”
Huck shot out a short laugh. “What?”
“You are my son. And I am your father.”
“Why are you talking like that?”
“Are you referring to my diction or my content?”
“What? What’s content?”
“Belief has nothing to do with truth. Believe what you like. Believe I’m lying and move through the world as a white boy. Believe I’m telling the truth and move through the world as a white boy anyway. Either way, no difference.” I looked at the boy’s face and I could see that he had feelings for me and that was the root of his anger. He had always felt affection for me, if not actual love. He had always looked to me for protection, even when he thought he was trying to protect me.
“Liar,” he cried.
I took it.
“Imagine it all as a state of war,” Locke said. “You have been conquered, and so long as the war continues, you shall be a slave.”
“When does the war end?” I asked.
“Does it end? That’s the question. Who gets to say that it’s over? A war continues until the victor says it’s over.”
“If I am in a war, then I have the right to fight back. That follows, doesn’t it? I have a right, perhaps a duty, to kill my enemy.”
“Well, now.”
Huck showed the excitement of a boy at the sight of our catch. I was reminded that he was just that, a boy. He could have gone through life without the knowledge I had given him and he would have been no worse off for it. But I understood at that moment that I had shared the truth with him for myself. I needed for him to have a choice.
I had exacted revenge. But for whom? For one act, or many? Against one man, many men or the world? I wondered if I should feel guilty. Should I have felt some pride in my action? Had I done a brave thing? Had I done an evil thing? Was it evil to kill evil? The truth was that I didn’t care. It was this apathy that left me wondering about myself—not wondering why I didn’t feel anything or whether I was incapable of feeling, but wondering what else I was capable of doing. It was not an altogether bad feeling.