My Kinsman, Major Molineux

by

Nathaniel Hawthorne

Civilization vs. Chaos Theme Analysis

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Innocence vs. Corruption Theme Icon
Civilization vs. Chaos Theme Icon
Good vs. Evil Theme Icon
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Civilization vs. Chaos Theme Icon

“My Kinsman, Major Molineux” begins with a lengthy description of “colonial affairs,” as pre-Revolutionary America is growing increasingly hostile to English rule. Already, six royally-appointed governors have been either overthrown or imprisoned by their constituency. The sense of civilization at the brink of anarchy pervades the story, culminating in the tar and feathering of the titular Major Molineux. The old authorities are at the mercy of a rowdy colony that has taken to dressing as Native Americans (similar to the events of the Boston Tea Party) and have embraced chaos rather than submit to the rules of civilization. Robin, unaware of the political climate into which he is setting foot, encounters a self-rule that rejects foreign powers, placing unpopular citizens in the stocks, challenging the British via the House of Representatives, and otherwise replacing the stringent policies of British power with a vigilante-minded mayhem that has yet to establish its own charters. For Hawthorne, so-called patriotism breeds chaos, as the rejection of the existing system—British colonial oversight—embraces pandemonium and civil discontent in lieu of any new program of self-governance. 

Robin’s misadventures bring him face to face with an unruly colony in transition between the English monarchy and self-rule. Accosted by an old man who refuses to aid Robin, the young man thinks to himself that the elder “lacks the breeding to answer a stranger civilly” and considers smiting him with his cudgel. Robin does not yet realize that he has stumbled upon a culture that has already done away with common courtesy. In a local tavern, Robin spies locals drinking punch made available thanks to “West India trade,” a reminder of the (heavily taxed) goods that will ignite the American Revolutionary War.

On a spacious street, Robin looks for Molineux among “many gay and gallant figures” dressed in decorated military garb as well as “travelled youths, imitators of the European fine gentleman of the period.” Both types are significant as they are halfway between English fashion and homegrown American style. Despairing of ever finding the home of Molineux, Robin finally encounters him being dragged along by the very people Robin has met throughout his search and realizes that his “kinsman [is] reviled by that great multitude” due to his lofty position. This is the ultimate realization of the colonists’ disdain for foreign-appointed authorities.

Over the course of 40 years, the Massachusetts Bay colony terrorizes the governors that James II, the incumbent King of England, appointed. But by merely punishing the king’s representatives, the townspeople revert to barbarism rather than affecting real political change. The colonial Americans are suspicious of “power which did not emanate from themselves,” and have “rewarded their rules with slender gratitude.” Without a government of their own, Massachusetts has descended into mob justice. Of the six governors appointed by the king, two are imprisoned during an insurrection, one is fired upon by a musket, another is “hastened to his grave by continual bickerings with the House of Representatives,” and the remaining two are “favored with few and brief intervals of peaceful sway.” With this description, Hawthorne is cleverly setting the scene, as Robin will descend into an atmosphere of resentment torn between self-rule and overseas power. This opening paragraph adds significant context because, at the end of the story, Robin encounters a riotous group of colonists who have humiliated and deposed the Major, another case of structure giving way to unruliness.

In lieu of any laws of their own, the colonists have descended into mobocracy, led by a devilish figure representative of misrule. The mob’s mysterious leader is “war personified,” with one side of his face painted red, “an emblem of fire and sword,” with the other painted black in “mourning.” This demonic figure preages the coming period of Revolutionary violence. Robin is refused aid or instruction by nearly everyone he encounters, most of whom deny knowing the Major, only to find them attending to the carnivalesque parade at the story’s climax, attended by revelry, trumpets, and “shouts, the laughter, and the tuneless bray” of the procession.

Hawthorne’s literary works, most notably his novel The Scarlet Letter, often deal with how mob mentality and hypocrisy underpin seemingly benign norms. In “My Kinsman, Major Molineux,” those norms are overthrown, leaving a populace that is indifferent, callous, and even sinister. At the story’s conclusion, it is hinted that that Robin (and by extension the American colonies) may rise from the ashes of British rule. But in the meantime, chaos reigns supreme and violence bubbles up from just under the surface of Massachusetts society. What’s more, America will never truly be free of these elements. For Hawthorne, the crumbling of civilization in favor of pandemonium is America’s original sin, and the foundation of an essentially lawless society.

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Civilization vs. Chaos Quotes in My Kinsman, Major Molineux

Below you will find the important quotes in My Kinsman, Major Molineux related to the theme of Civilization vs. Chaos.
My Kinsman, Major Molineux Quotes

The annals of Massachusetts Bay will inform us, that of six governors, in the space of about forty years from the surrender of the old charter, under James II., two were imprisoned by a popular insurrection; a third, as Hutchinson inclines to believe, was driven from the province by the whizzing of a musket ball; a fourth, in the opinion of the same historian, was hastened to his grave by continual bickerings with the House of Representatives; and the remaining two, as well as their successors, till the Revolution, were favored with few and brief intervals of peaceful sway.

Related Literary Devices:
Page Number: 29
Explanation and Analysis:

He now became entangled in a succession of crooked and narrow streets, which crossed each other, and meandered at no great distance from the water-side. The smell of tar was obvious to his nostrils, the masts of vessels pierced the moonlight above the tops of the buildings, and the numerous signs, which Robin paused to read, informed him that he was near the centre of business. But the streets were empty, the shops were closed, and lights were visible only in the second stories of a few dwelling-houses.

Related Characters: Robin
Related Literary Devices:
Page Number: 32
Explanation and Analysis:

A number of persons, the larger part of whom appeared to be mariners, or in some way connected with the sea, occupied the wooden benches, or leather-bottomed chairs, conversing on various matters, and occasionally lending their attention to some topic of general interest. Three or four little groups were draining as many bowls of punch, which the great West India trade had long since made a familiar drink in the colony. Others, who had the aspect of men who lived by regular and laborious handicraft, preferred the insulated bliss of an unshared potation, and became more taciturn under its influence. Nearly all, in short, evinced a predilection for the Good Creature in some of its various shapes, for this is a vice, to which, as the Fast-day sermons of a hundred years ago will testify, we have a long hereditary claim.

Related Characters: Robin , The Horned Man
Page Number: 33
Explanation and Analysis:

“What have we here?’ said he, breaking his speech into little dry fragments. ‘Left the house of the subscriber, bounden servant, Hezekiah Mudge—had on, when he went away, grey coat, leather breeches, master’s third best hat. One-pound currency reward to whoever shall lodge him in any jail in the province.” Better trudge, boy, better trudge!”

Robin had begun to draw his hand towards the lighter end of the oak cudgel, but a strange hostility in every countenance, induced him to relinquish his purpose of breaking the courteous innkeeper’s head. As he turned to leave the room, he encountered a sneering glance from the bold-featured personage whom he had before noticed; and no sooner was he beyond the door, than he heard a general laugh, in which the innkeeper’s voice might be distinguished, like the dropping of small stones into a kettle.

Related Characters: The Innkeeper (speaker), Robin , The Horned Man
Page Number: 35
Explanation and Analysis:

“Nay, the Major has been a-bed this hour or more,” said the lady of the scarlet petticoat; “and it would be to little purpose to disturb him to-night, seeing his evening draught was of the strongest. But he is a kind-hearted man, and it would be as much as my life’s worth, to let a kinsman of his turn away from the door. You are the good old gentleman’s very picture, and I could swear that was his rainy-weather hat. Also, he has garments very much resembling those leather—But come in, I pray, for I bid you hearty welcome in his name.”

Related Characters: The “Housekeeper” (speaker), Robin , Major Molineux
Page Number: 38
Explanation and Analysis:

Robin gazed with dismay and astonishment, on the unprecedented physiognomy of the speaker. The forehead with its double prominence, the broad-hooked nose, the shaggy eyebrows, and fiery eyes, were those which he had noticed at the inn, but the man’s complexion had undergone a singular, or, more properly, a two-fold change. One side of the face blazed of an intense red, while the other was black as midnight, the division line being in the broad bridge of the nose; and a mouth, which seemed to extend from ear to ear, was black or red, in contrast to the color of the cheek. The effect was as if two individual devils, a fiend of fire and a fiend of darkness, had united themselves to form this infernal visage.

Related Characters: Robin , Major Molineux , The Horned Man
Related Symbols: The Horned Man’s Painted Face
Related Literary Devices:
Page Number: 40
Explanation and Analysis:

A fainter, yet more awful radiance, was hovering round the pulpit, and one solitary ray had dared to rest upon the opened page of the great Bible. Had Nature, in that deep hour, become a worshipper in the house, which man had builded? Or was that heavenly light the visible sanctity of the place, visible because no earthly and impure feet were within the walls? The scene made Robin’s heart shiver with a sensation of loneliness, stronger than he had ever felt in the remotest depths of his native woods; so he turned away, and sat down again before the door.

Related Characters: Robin
Related Symbols: The Bible
Related Literary Devices:
Page Number: 42
Explanation and Analysis:

The single horseman, clad in a military dress, and bearing a drawn sword, rode onward as the leader, and, by his fierce and variegated countenance, appeared like war personified; the red of one cheek was an emblem of fire and sword; the blackness of the other betokened the mourning which attends them. In his train, were wild figures in the Indian dress, and many fantastic shapes without a model, giving the whole march a visionary air, as if a dream had broken forth from some feverish brain, and were sweeping visibly through the midnight streets.

Related Characters: Robin , The Horned Man
Related Symbols: The Horned Man’s Painted Face
Related Literary Devices:
Page Number: 47
Explanation and Analysis:

Right before Robin’s eyes was an uncovered cart. There the torches blazed the brightest, there the moon shone out like day, and there, in tar-and-feathery dignity, sat his kinsman, Major Molineux!

He was an elderly man, of large and majestic person, and strong, square features, betokening a steady soul; but steady as it was, his enemies had found the means to shake it. His face was pale as death, and far more ghastly; the broad forehead was contracted in his agony, so that his eyebrows formed one grizzled line; his eyes were red and wild, and the foam hung white upon his quivering lip.

Related Characters: Robin , Major Molineux
Related Literary Devices:
Page Number: 48
Explanation and Analysis: