Never Caught

by

Erica Armstrong Dunbar

Never Caught: Chapter 12 Summary & Analysis

Summary
Analysis
Just days after Whipple sends his December response to Washington, Ona celebrates her first Christmas in Portsmouth, likely pushing aside yearning for her family back at Mount Vernon in order to focus on the holiday—and the new man in her life, Jack Staines. By January of 1797, Ona and Jack are married. Her freedom has allowed her to choose the person she will spend her life with—and draw from him a measure of security, protection, and perhaps even prosperity.
Ona, free but tenuously so, knows that she must secure certain protections for herself as a fugitive Black woman carving out a new life for herself. Dunbar leaves room for the idea that Ona’s marriage to Jack Staines was one rooted in love—but she also calls attention to the practical benefits of marriage for Ona at such an uncertain time in her life.
Themes
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Jack Staines is, like many other free Black men in the Northeast at the time, an experienced seaman. Though many white men see seafaring jobs as “unstable and unseemly,” to Black men, the freedom of the sea and the decent wages of these jobs represent opportunity, protection, and a chance to see other parts of the country (even though journeys to the South or the Caribbean carry danger and the threat of capture or enslavement.) For married seamen like Jack, the unpredictable, demanding nature of their work means long absences from their homes, their spouses, and any children they might have.
In providing context for the nature of Jack Staines’s work, Dunbar points out the duality of seafaring life. On one hand, free Black men are able to secure jobs unpopular with their white counterparts and thus find security and opportunity—but on the other hand, journeys at sea are often perilous. That danger is compounded by hostile attitudes toward Black people in large swaths of the country.
Themes
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Whipple soon learns that Ona has married Jack Staines when Whipple hears that the two of them have applied for a marriage certificate at the county clerk’s office. Whipple tells the clerk about Ona’s background—and exactly who her powerful “owners” are. The clerk, then, makes it all but impossible for Ona and Jack to finalize their marriage. In response, Ona and Jack travel to a town called Greenland a few miles outside of Portsmouth and obtain their marriage license there on January 14th of 1797. Ona, Dunbar writes, likely chooses to wear one of her fine dresses from her time with the Washingtons for the ceremony.
Even in a state like New Hampshire, Ona and Jack face cruelty, discrimination, and senseless red tape. Ona is free, but her past—and her illustrious, powerful enslavers—continue to follow her wherever she goes. As Ona goes against the county clerk’s discrimination, she dons fine clothes for her wedding day—a symbolic act of resistance and a declaration of her freedom.
Themes
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Quotes
Ona adopts her husband’s last name and begins settling into married life. The census from 1797 records Ona and Jack as living with two other roommates—likely boarders or individuals in need, perhaps even people who have recently escaped from slavery, just like Ona. Soon, Ona becomes pregnant, but she continues working as a domestic up to the very end of her pregnancy. In 1798, Ona delivers a baby girl—she and Jack name the child Eliza.
Even as Ona experiences new, thrilling aspects of freedom, with each step she takes toward cementing her life in New Hampshire, the stakes should she be found and recaptured become higher and higher. She stands now not only to lose her freedom—but her husband and indeed her daughter.
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Meanwhile, back in Mount Vernon, Eliza Parke Custis Law gives birth to her first child. On January 19th of 1797, Eliza welcomes a daughter, whom she gives her own name. Both Ona and Eliza are newly married women, and both now have daughters who share the same first name.
Dunbar highlights the peculiar parallels between Ona and Eliza’s lives to conversely emphasize just how drastically different their circumstances are. 
Themes
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By July of 1799, Washington has been a private citizen for about two years. He decides to resume his attempts to recapture his “runaway property.” He recruits Martha Washington’s nephew Burwell Bassett Jr., a Virginian senator, to take up the search again. Washington still believes that a mysterious Frenchman is responsible for luring Ona away from bondage—and he urges Bassett not to accept any of her attempts to negotiate. Under the guise of a visit with Senator John Langdon, Bassett travels to New Hampshire—but in the years since he first reported Ona’s whereabouts to Washington, Langdon has become more vocal about his own personal opposition to slavery.
Dunbar highlights Washington’s relentless pursuit of Ona—seemingly carried out under the guise of saving her from the will of a dangerous “Frenchman”—as an example of how paternalism often functioned as an excuse for the cruel, unjust, and racist upholding of slavery. Washington wanted to assert his power over Ona by bringing her back to Mount Vernon, and he used the cover of paternalistic concern to justify and carry out his will.
Themes
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One day, Ona opens the door to find Bassett standing before her—she recognizes him, knowing members of Martha and George’s family well after her years of enslavement. Ona knows she cannot run—her husband is at sea, and her young daughter is in the house. As Bassett tries to convince Ona to return with him to Virginia, Ona refuses to listen to him—she states, once again, that she will not return to slavery, even as Bassett tries to assure her that the Washingtons will set her free immediately upon her return. According to Bassett’s notes, Ona utters the words “I am free now and choose to remain so.” Bassett knows he has little recourse—he cannot take Ona by force, which would draw attention to what he is doing. Bassett simply walks away from the Staines household, his pride dented but his resolve still burning.
Bassett corners Ona, using both the threat of his physical presence and the false promises of emancipation to try to cajole her into coming with him. Ona, however, refuses to give up her freedom—even though she knows full well what Bassett could do to her with impunity. Ona’s staunch refusal works—yet Bassett, unwilling to fail his powerful uncle, decides not to give up on his promise to bring Ona back to Mount Vernon. Ona’s freedom is more important to her than her own life—and yet the cruel, damaging rhetoric of paternalism endures.
Themes
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Quotes
Bassett returns to Langdon’s house and informs the senator he will not leave New Hampshire without Ona—even if he has to take her by force. Either Langdon himself—or, more likely, one of Langdon’s Black domestic servants—sends word to Ona that her life is in danger. The next day, Bassett returns to the Staines house to confront Ona yet again—but he finds her home empty. Ona has outrun and outmaneuvered the president once more. Ona and her daughter travel to Greenland to take shelter at the home of a free Black family, the Jacks.
Though it is unclear exactly how Ona learned of Bassett’s intention to return and take her by force—or whether she deduced on her own that she would no longer be safe in Portsmouth—Dunbar shows Ona’s desperation to remain free as she flees the place that she has come to see as home.
Themes
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Bassett returns to Virginia in October of 1799 and delivers the news of his failure to George and Martha Washington. He also relays information about Ona’s present circumstances—her child, the result of her marriage to a free Black man—not a Frenchman. George and Martha realize that now that Washington is no longer president, his powers of influence are waning—especially amongst former political allies whose views no longer align with theirs.
George and Martha Washington receive the news of Bassett’s failure with measured disappointment. Though Bassett tells them clearly that their assumptions about Ona are wrong—and that their influence in New Hampshire is negligible at best—it is unclear whether they are truly able to internalize or accept their failure to exert the power they believe they have the right to wield over another human life.
Themes
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