The Baron in the Trees

by

Italo Calvino

Viola d’Ondariva/Sinforosa Character Analysis

Cosimo’s love interest. Cosimo first meets Viola when Viola is 10 years old. At this point, Viola already looks mature beyond her years—her hair and clothing are styled maturely for a girl of her age. She’s haughty, controlling, and her moods change constantly and instantaneously. She’s friendly with the fruit thieves in Ombrosa and alerts them when there are farmers around—but she also betrays them once, so they don’t entirely trust her. This is one of the ways in which Viola maintains power throughout her life: her suitors never know how she’s going to behave, and it’s impossible to say how she’s going to react. Though Viola is half the reason Cosimo decides to stay in the trees (it begins as a game between them), she feigns indifference to Cosimo’s displays. She leaves to attend school only a few weeks after Cosimo goes into the trees, leaving behind her dachshund puppy whom Cosimo adopts and names Ottimo Massimo. She returns about a decade later, newly widowed after a year of marriage to Duke Tolemaico. As an adult, Viola is little different than she was as a child. She is still spoiled and demanding, even insisting that she got what she wanted with the Duke in that she chose specifically to marry an old man so that she’d be a widow (and free) faster. Upon returning to Ombrosa, she again gets exactly what she wants when she reunites with Cosimo, beginning their adult love affair. Her relationship with Cosimo is tumultuous and passionate. They often fight, as Viola wants to see her lovers perform sacrifices and act heroically in order to prove that they love her, a system that drives Cosimo into rages. Their relationship begins to falter when Viola begins to court two officers and tries to get them to agree to share her, something that all three men find unacceptable. Though Biagio suggests that Cosimo and Viola’s love is genuine, when neither lover is willing to admit their faults, apologize, and confess their true feelings, Viola leaves, taking Ottimo Massimo with her. Cosimo spends the rest of his life missing her.

Viola d’Ondariva/Sinforosa Quotes in The Baron in the Trees

The The Baron in the Trees quotes below are all either spoken by Viola d’Ondariva/Sinforosa or refer to Viola d’Ondariva/Sinforosa. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Education, Connectedness, and the Written Word Theme Icon
).
Chapter 2 Quotes

But he restrained himself, because he didn’t like repeating the things that his father always said, now that he had run away from the table in an argument with him. He didn’t like it and it didn’t seem right to him, also because those claims about the dukedom had always seemed like obsessions to him...

During Cosimo’s first meeting with Viola, the neighbor girl, Cosimo wants to impress her—but he also doesn’t want to look silly and like he’s obsessed with titles and glory, like Baron Arminio is. This challenge thus becomes a major turning point for Cosimo, as he must figure out who he wants to be when he’s on his own and not simply learning to value what Baron Arminio and the rest of Ombrosa’s nobility value. Biagio’s aside that Cosimo thinks the dukedom sounds like an obsession suggests that Cosimo is a wildly individualistic person, at least when it comes to separating his identity from his family. Were his family to acquire the dukedom, it would eventually fall to Cosimo to be the next duke—something that, even as a child, Cosimo knows he’s not interested in doing. Even this early on in the novel, then, it’s clear that Cosimo is willing to risk angering his family and alienating himself from them if it means he is able to form his own identity and live authentically.

Related Characters: Biagio Piovasco di Rondò (speaker), Cosimo Piovasco di Rondò, Viola d’Ondariva/Sinforosa, Baron Arminio Piovasco di Rondò
Page Number: 22-23
Chapter 21 Quotes

He saw her: she was circling the pool, the little gazebo, the amphoras. She looked at the trees that had grown enormous, with hanging aerial roots, the magnolias that had become a forest. But she didn’t see him, he who sought to call her with the cooing of the hoopoe, the trill of the pipit, with sounds that were lost in the dense warbling of the birds in the garden.

Related Characters: Biagio Piovasco di Rondò (speaker), Cosimo Piovasco di Rondò, Viola d’Ondariva/Sinforosa
Related Symbols: Ombrosa’s Native Trees, The d’Ondariva Garden and Exotic Trees
Page Number: 217
Explanation and Analysis:
Chapter 22 Quotes

“Why do you make me suffer?”

“Because I love you.”

Now it was he who got angry. “No, you don’t love me! One who loves wants happiness, not suffering.”

“One who loves wants only love, even at the cost of suffering.”

“So you make me suffer on purpose.”

“Yes, to see if you love me.”

The baron’s philosophy refused to go further. “Suffering is a negative state of the soul.”

Related Characters: Cosimo Piovasco di Rondò (speaker), Viola d’Ondariva/Sinforosa (speaker)
Page Number: 231
Explanation and Analysis:
Chapter 23 Quotes

“You reason too much. Why in the world should love be reasoned?”

“To love you more. Everything increases its power if you do it by reasoning.”

“You live in the trees and you have the mentality of a lawyer with gout.”

“The boldest enterprises should be experienced with the simplest heart.”

He continued to spout opinions until she ran away; then he, following her, despairing, tearing his hair.

Related Characters: Cosimo Piovasco di Rondò (speaker), Viola d’Ondariva/Sinforosa (speaker)
Related Symbols: Ombrosa’s Native Trees
Page Number: 240
Explanation and Analysis:
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The Baron in the Trees PDF

Viola d’Ondariva/Sinforosa Quotes in The Baron in the Trees

The The Baron in the Trees quotes below are all either spoken by Viola d’Ondariva/Sinforosa or refer to Viola d’Ondariva/Sinforosa. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Education, Connectedness, and the Written Word Theme Icon
).
Chapter 2 Quotes

But he restrained himself, because he didn’t like repeating the things that his father always said, now that he had run away from the table in an argument with him. He didn’t like it and it didn’t seem right to him, also because those claims about the dukedom had always seemed like obsessions to him...

During Cosimo’s first meeting with Viola, the neighbor girl, Cosimo wants to impress her—but he also doesn’t want to look silly and like he’s obsessed with titles and glory, like Baron Arminio is. This challenge thus becomes a major turning point for Cosimo, as he must figure out who he wants to be when he’s on his own and not simply learning to value what Baron Arminio and the rest of Ombrosa’s nobility value. Biagio’s aside that Cosimo thinks the dukedom sounds like an obsession suggests that Cosimo is a wildly individualistic person, at least when it comes to separating his identity from his family. Were his family to acquire the dukedom, it would eventually fall to Cosimo to be the next duke—something that, even as a child, Cosimo knows he’s not interested in doing. Even this early on in the novel, then, it’s clear that Cosimo is willing to risk angering his family and alienating himself from them if it means he is able to form his own identity and live authentically.

Related Characters: Biagio Piovasco di Rondò (speaker), Cosimo Piovasco di Rondò, Viola d’Ondariva/Sinforosa, Baron Arminio Piovasco di Rondò
Page Number: 22-23
Chapter 21 Quotes

He saw her: she was circling the pool, the little gazebo, the amphoras. She looked at the trees that had grown enormous, with hanging aerial roots, the magnolias that had become a forest. But she didn’t see him, he who sought to call her with the cooing of the hoopoe, the trill of the pipit, with sounds that were lost in the dense warbling of the birds in the garden.

Related Characters: Biagio Piovasco di Rondò (speaker), Cosimo Piovasco di Rondò, Viola d’Ondariva/Sinforosa
Related Symbols: Ombrosa’s Native Trees, The d’Ondariva Garden and Exotic Trees
Page Number: 217
Explanation and Analysis:
Chapter 22 Quotes

“Why do you make me suffer?”

“Because I love you.”

Now it was he who got angry. “No, you don’t love me! One who loves wants happiness, not suffering.”

“One who loves wants only love, even at the cost of suffering.”

“So you make me suffer on purpose.”

“Yes, to see if you love me.”

The baron’s philosophy refused to go further. “Suffering is a negative state of the soul.”

Related Characters: Cosimo Piovasco di Rondò (speaker), Viola d’Ondariva/Sinforosa (speaker)
Page Number: 231
Explanation and Analysis:
Chapter 23 Quotes

“You reason too much. Why in the world should love be reasoned?”

“To love you more. Everything increases its power if you do it by reasoning.”

“You live in the trees and you have the mentality of a lawyer with gout.”

“The boldest enterprises should be experienced with the simplest heart.”

He continued to spout opinions until she ran away; then he, following her, despairing, tearing his hair.

Related Characters: Cosimo Piovasco di Rondò (speaker), Viola d’Ondariva/Sinforosa (speaker)
Related Symbols: Ombrosa’s Native Trees
Page Number: 240
Explanation and Analysis: