The Glass Hotel

by

Emily St. John Mandel

The Glass Hotel: Chapter 3: The Hotel Summary & Analysis

Summary
Analysis
The words “Why don’t you swallow broken glass” are etched in acid paste on the glass wall of the Hotel Caiette. The only guest to see the graffiti, a shipping executive who had checked in the day prior, drinks a whiskey and wonders who could do such a thing. It’s 2:30 a.m. Walter, the night manager, has taped paper over the message and moved a potted plant in front of the wall to further hide the vandalism. Vincent, the bartender, stands behind the bar and observes the scene. It’s nearly 3:00 now, and Walter’s shift is nearly over. He goes to Vincent, who is crying. Walter checks on the shipping executive, whose name is Leon Prevant, to see if he needs anything before returning to the front desk to write up an incident report.
The message on the glass wall of the Hotel Caiette recalls the one that Vincent wrote on the window of her school so many years before. For this reason, it’s not outside the realm of possibility that she’s responsible for this new, threatening message, though her troubled response suggests the contrary. And the message in question is certainly troubling: to “swallow broken glass” would likely result in heavy bleeding and injury, so the message basically reads “why don’t you kill yourself.” Symbolically, the message and the effect it has on hotel staff and guests represents how a person’s actions (in this case, the graffiti “artist” and their message) can impact others. 
Themes
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The narrative flashes back to three years ago, when Walter’s general manager, Raphael, first told him about the job at Hotel Caiette: They meet in a coffee shop on the pier in Toronto to discuss the position. Hotel Caiette has been open since the 1990s but has recently been renovated in a “Grand West Coast Style,” with exposed wooden beams and grand glass walls. Raphael reiterates that the hotel is remote, accessible only by boat. Raphael hands a map to Walter, who’s never been as far west as Vancouver before. He points to an inlet at the north end of the island, showing Walter the hotel’s isolated location. Raphael explains that the fancy hotel is for rich guests who want to observe the wilderness without actually being in it, highlighting the “surrealism” of this contradiction. 
The Hotel Caiette’s remoteness gives its wealthy guests the illusion of solitude and complete peace. In reality, though the hotel’s geographic location might make it literally isolated, the guests are anything but alone, as they have the privilege to be attended night and day by the hotel’s staff. As Raphael explains to Walter, this contradiction creates a “surreal[]” experience, wherein guests can craft a narrative in which they’re escaping society to be alone in the wilderness when, in reality, they are doing so within a heavily controlled, monitored environment.
Themes
Fraud and Constructed Identity  Theme Icon
Greed, Delusion, and Self Interest  Theme Icon
Alienation and Self-Knowledge  Theme Icon
Quotes
After the meeting, Walter trudges back to his small, depressing one-bedroom apartment. Somewhere across town, his ex-fiancée, a dancer, is living with a lawyer. He’d been with the dancer for 12 years, and the breakup was unexpected. Even though his friends cautioned him not to make any rash, sudden changes to his life, he decides to accept the position at the Hotel Caiette. A month later, on a cold, dreary day in November, he journeys west. As he waits at the pier to catch a boat from Grace Harbour to the hotel, Walter tries not to think of his ex and her new partner.
Walter seems to take the job at the Hotel Caiette because of the loneliness he’s suffering in the aftermath of a harsh breakup. He seems to believe that the solitude and remoteness of the hotel will be the impetus he needs to embark on a journey of personal growth. This is similar to Paul’s misguided belief that a new relationship or a new year will give him the encouragement he needs to undergo inner change. It will be interesting to see whether Walter’s big leap will work for him, or whether he’s just as deluded as Paul is regarding the personal initiative he must have in order to change his life.
Themes
Greed, Delusion, and Self Interest  Theme Icon
Alienation and Self-Knowledge  Theme Icon
The boat docks and Melissa greets Walter at the pier. They make their way to the hotel as darkness settles over the water. Suddenly, Walter spots the hotel before them: it’s a grand, beautiful building whose supposed “surrealism” is immediately apparent, with the lobby situated behind a massive wall of glass. Walter shakes the doorman, Larry’s, hand as he makes his way through the entrance. He finds Raphael waiting at the reception desk. After dinner and signing contracts, Walter thinks about something Raphael said earlier, about the hotel “existing outside of time and space.”  
Already, disparate lives are beginning to converge when Melissa, who previously lived in Vancouver and seemed to be part of a different narrative arc, meets Walter. It seems plausible that the Hotel Caiette might serve as the center point at which the novel’s different stories and characters will come together and become part of some intertwined, larger story.  Raphael’s comment about the hotel “existing outside of time and space” supports this idea: the hotel brings together stories, characters, and lives that don’t clearly intersect in physical reality. 
Themes
Complicity and Interconnectedness Theme Icon
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The narrative returns to the present day (2005). Although Walter was very happy all throughout his first year in Caiette, the graffiti he sees now casts a darkness over the place. He notes that the graffiti was written backward on the glass, implying that whoever did it intended for it to be viewed from the lobby. Later that day, Raphael commends Walter on his detailed incident report. He agrees with Walter that the graffiti is disturbing. They investigate the surveillance footage, though it’s not very useful, showing only a hooded figure approaching the glass panel and scrawling their nefarious message there before leaving less than 10 seconds later. Raphael asks if Walter has witnessed any strange behavior lately, and Walter admits that the night houseman, Paul, has been acting somewhat odd.
The graffiti seems to remind Walter that the hotel doesn’t actually exist in a magical, remote utopia: it’s part of a larger society and, as such, is just as susceptible to the violence, suffering, and chaos that plagues the rest of the world. Walter’s comment about Paul acting weird reveals that Paul’s story, too, leads to the Hotel Caiette. If Walter’s insinuation that Paul is responsible for the graffiti is correct, this would make sense, as Paul seems to have a tendency toward self-destructive behavior, and vandalizing one’s place of work certainly fits into this category.
Themes
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Alienation and Self-Knowledge  Theme Icon
Paul has been at the hotel for three months. He doesn’t smile but does his job well. Walter recalls how, the night the graffiti appeared, Paul came back from his break at 3:30 a.m., his eyes immediately drifting toward the window. Paul asked about it, and Walter found there to be something rehearsed about Paul’s tone. Paul asked if “Mr. Alkaitis” saw the graffiti, gesturing toward Leon Prevant. Walter corrected him, informing Paul that Alkaitis’s flight was delayed and he had yet to arrive. Paul avoided eye contact before making his way to Vincent to see if she needed him to change the kegs.
It seems as though Paul is (badly) trying to hide the fact that he vandalized the hotel’s glass wall. If this is true, Paul’s decision to ask about “Mr. Alkaitis” implies that the message was intended to be a threat against this man, though it’s unclear what the man did or how Paul knows him at this point in the novel.
Themes
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Guilt and Responsibility  Theme Icon
Fraud and Constructed Identity  Theme Icon
Back in the present, Walter explains to Raphael that he found it unusual that Paul would have studied the guest list to know that Alkaitis was supposed to arrive that day.  He also found it odd that Paul’s eyes drifted immediately toward the vandalized wall. Walter’s shift continues that night. Paul continues to clean. Walter finishes his incident report and goes through his end of shift checklist. He tries not to think about the graffiti. Sometime after four, after Leon Prevant leaves to go to bed, Jonathan Alkaitis arrives at the hotel. All the staff pull themselves together to greet this important guest.
That Walter is suspicious of Paul’s curiosity about Alkaitis reinforces the idea that Paul is responsible for the graffiti. It’s unclear what, if anything, Alkaitis did to deserve such a message. At any rate, that Paul would write something disturbing without thinking about how the message would affect other guests shows that he’s still a self-centered, careless character. The upset Paul’s message has caused and the staff’s hurried attempts to appear unfazed for Alkaitis suggest that Alkaitis is an important figure at the hotel.  
Themes
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Guilt and Responsibility  Theme Icon
Greed, Delusion, and Self Interest  Theme Icon
Walter will be interviewed on numerous occasions in the future about Alkaitis, though his answers will never satisfy his interviewers. There just isn’t much to say about Alkaitis: he’d first come to the hotel with his (now deceased) wife and had become enamored with and bought the place. He lived in New York and visited the hotel only a few times a year. Alkaitis “carried himself with the tedious confidence of all people with money,” dressed well, and was reasonably in shape. None of these details, though, would suggest that he would spend the end of his life in prison.
Walter’s reflections reveal that Alkaitis is an important figure because he’s an exceptionally wealthy man who owns the Hotel Caiette. They also reveal that, at some point in the future, Alkaitis’s life will take a drastic turn when he’s convicted of a crime and sentenced to life in prison, though at this point it’s unclear what those charges will be. The juxtaposition between Alkaitis’s “tedious confidence” and his later run-in with the law suggests that outward appearances aren’t necessarily an indicator of the type of person someone is, or of what misdeeds they are capable of committing.
Themes
Fraud and Constructed Identity  Theme Icon
Quotes
In the present day, Alkaitis sits down at the bar and strikes up a conversation with Vincent, who is trying her best to be magnetic and engaging. The narrative shifts to Leon Prevant’s perspective. At 4:30 that morning (shortly before Alkaitis’s arrival), Prevant returns to bed, beside his wife, Marie, who is sleeping. He’s had too much whiskey in an effort to fall asleep, but the graffiti has rendered him wide awake and fearful. He considers telling Marie he’s worried about money but thinks better of it.
Here, the novel presents two characters who go to great lengths to conceal their inner anxieties. Beneath her outwardly engaging, light attempts at small talk with Alkaitis, Vincent is likely still upset and rattled from Paul’s graffiti. Similarly, Leon keeps his financial worries a secret from his wife. He also uses alcohol to lull himself into forgetting them. 
Themes
Fraud and Constructed Identity  Theme Icon
Greed, Delusion, and Self Interest  Theme Icon
Leon had booked a stay at the Hotel Caiette as a surprise for Marie to celebrate their anniversary. The couple was immediately enchanted by the hotel and spent their days soaking in the lobby’s live music and the allure of the surrounding wilderness. Leon planned to relax on the trip but now finds this to be an impossible feat as, right before he and Marie left home, he’d heard rumors of a merger at work. Leon has a strong feeling that he’ll lose his job because of it: Leon is 58, and “senior enough to be expensive, and close enough to retirement” to be fired without weighing too heavily on anyone’s conscience. He and Marie just bought an above-budget house in Florida, which they planned to move into after Leon retired to avoid the New York winters and taxes. Leon stays awake until nearly 7:00 a.m. 
Leon’s financial anxieties reveal the limitations of the Hotel Caiette’s serenity and isolation: though Leon manages to push aside his worries temporarily, the relief is fleeting, and his money issues remain very real and of pressing concern to him. Leon’s anxiety and insomnia suggest that he feels guilty about purchasing a new house and not being more frugal with his money: he’s kept awake by the haunting feeling of buyer’s remorse, of giving in to greed and desire instead of planning for the worst.
Themes
Guilt and Responsibility  Theme Icon
Greed, Delusion, and Self Interest  Theme Icon
Alienation and Self-Knowledge  Theme Icon
Regret and Disillusionment  Theme Icon
Walter returns to the lobby the next evening to find Leon dining at the bar with Alkaitis. Alkaitis tells Leon that he owns the hotel and that he works in finance. The narrative flashes forward to Alkaitis’s sentencing. In her “victim impact statement,” a woman recalls how Alkaitis “made you feel like you were joining a secret club.” Leon will come to agree with the woman’s sentiment, though he also admits that it’s Alkaitis himself who is so captivating. Alkaitis’s trick, Leon will observe, is that he projects such an air of indifference around others that others can’t help but ask themselves what Alkaitis thinks of them.
The placement of the flash-forward to Alkaitis’s sentence immediately after Alkaitis reveals to Leon that he works in finance suggests that Alkaitis’s crime might have something to do with finances or fraud. That this flash-forward occurs as Leon meets Alkaitis for the first time suggests that Leon might become a victim of Alkaitis’s crime as well. The observation that the woman will make in her “victim impact statement,” combined with Alkaitis’s own observations, paints Alkaitis as a sort of conman: he uses flattery, appeals to victims’ emotions, and people’s shared desire for social acceptance to persuade people to go along with whatever crime it was that he committed. 
Themes
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Fraud and Constructed Identity  Theme Icon
Greed, Delusion, and Self Interest  Theme Icon
Alienation and Self-Knowledge  Theme Icon
Back in the present, Alkaitis asks Leon to elaborate on his career in shipping. Leon smiles, explaining that his industry is “largely invisible,” however critical it might be in distributing goods across the globe. Alkaitis asks if Leon ever gets distracted by all the shipping routes he has to keep track of. With a laugh, Leon admits that Alkaitis is only the second person ever to have guessed this. Inwardly, he reflects on the first person who intuited his relationship to shipping, Clarissa, Marie’s psychic friend from Santa Fe who had visited the couple when Leon was still based in Toronto. Over dinner, Leon had asked Clarissa what it was like to hear so many people’s thoughts in a crowded room. Clarissa compared it to shipping: you can choose to tune into conversations, or else let them “become background noise.”
Leon’s comments about the “largely invisible” characteristic of the shipping industry is a metaphor for the similarly “largely invisible” connections that bind people together: just as people take for granted how goods and materials are shipped across the globe, so too do they take for granted the social and economic systems that bind them together. Clarissa’s comment about the choice a psychic has to tune into conversations or let them “become background noise” expands on this same metaphor, alluding to the choice a person has to acknowledge the way their actions have consequences for the people to whom they are connected, or to ignore these connections and act as though one’s actions affect oneself alone. 
Themes
Complicity and Interconnectedness Theme Icon
Guilt and Responsibility  Theme Icon
Greed, Delusion, and Self Interest  Theme Icon
Back in the present, as Walter passes by Alkaitis and Leon again, he observes that the conversation has shifted toward Alkaitis’s line of work. Walter engages Larry in conversation to do some more investigating into Paul’s demeanor earlier that night. Walter asks if Paul asked Larry about guest arrivals that night, which Larry confirms Paul did do. Walter tells Larry he’ll fill him in on everything later before running off to confront Paul, who he’s sure is to blame for the graffiti.
Alkaitis seems to be putting Leon at ease by steering the topic of conversation toward something about which Leon is passionate. If Alkaitis is some kind of conman, it would be to his advantage to make Leon feel comfortable, get his guard down, and see what insecurities he can exploit. It’s possible that, if the men are talking about Leon’s work, some of Leon’s current financial anxieties might come up in conversation.
Themes
Fraud and Constructed Identity  Theme Icon
Greed, Delusion, and Self Interest  Theme Icon
Walter finds Paul cleaning a window in the staff hall and confronts him about the graffiti. Paul feigns innocence, though he’s a terrible liar. Walter orders Paul to pack his things and leave, or else he’ll call the police. Paul tries to apologize, stuttering something about having “debts,” but he doesn’t reveal why he committed the act of vandalism. Walter berates Paul, demanding to know if he’d bothered to think of Vincent before committing the indecent act, as it was she who was kind enough to get Paul the interview at Hotel Caiette.
Unlike Alkaitis, who, apparently, is capable of presenting an image of calm, charm, and confidence, Paul is a bad liar. Paul’s odd comment about having “debts” might imply that someone paid him to write the message, though it’s not entirely clear. If Paul was bribed to write the message, this is yet another instance in which Paul acts out of self-interest, with little regard for how his actions affect others.
Themes
Guilt and Responsibility  Theme Icon
Fraud and Constructed Identity  Theme Icon
Greed, Delusion, and Self Interest  Theme Icon
Walter trudges through the remainder of his shift and meets with Raphael in the morning. Walter tells Raphael he saw Paul loading his belongings onto a boat. As the men talk, Walter painfully realizes that Raphael doesn’t like him very much. The men part ways, and Walter thinks about what Paul said earlier, about having “debts,” and wonders if Paul meant that he needed the hotel job, or if someone paid him to write the message.
Walter’s disappointment at realizing that Raphael doesn’t like him reflects a larger human need for acceptance and community. That Walter wonders if Paul was paid to write the message reflects the doubts he has about what happened. Regardless of any lingering doubts he might have, though, Walter fails to investigate the matter any further. It’s as though Walter is willing to turn a blind eye to the doubts he has if it makes things more convenient for himself, which shows how people can delude themselves into accepting a narrative that justifies their actions and ignores their transgressions.  
Themes
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Guilt and Responsibility  Theme Icon
Fraud and Constructed Identity  Theme Icon
Greed, Delusion, and Self Interest  Theme Icon
Leon Prevant and his wife leave the hotel that morning, and Alkaitis leaves two days later. When Walter comes in that night, he finds Khalil tending bar. Khalil informs him that Vincent took a sudden vacation. The next day, Vincent informs Raphael that she won’t be returning to the hotel. The vandalized glass panel is eventually replaced. A year passes. The following spring, Ella Kaspersky, a Chicago businesswoman who is a frequent guest, checks into the hotel. Alkaitis always goes out of his way to avoid Ella, though why he does so is a mystery. 
Vincent’s sudden departure seems connected to the appearance of the threatening graffiti, though the precise connection remains unclear. The replacement of the glass panel might symbolize how readily people forget or fail to learn from their transgressions—especially how those mistakes harm others. When the glass wall is replaced, it’s as though the message—and the violence it evoked and the upset it caused—never happened. Alkaitis’s feud with Kaspersky remains mysterious, though it might be related to whatever crime Alkaitis is convicted of in the future.  
Themes
Complicity and Interconnectedness Theme Icon
Guilt and Responsibility  Theme Icon
Greed, Delusion, and Self Interest  Theme Icon
Upon Ella’s arrival, Walter makes sure that Alkaitis isn’t in town, and it’s at this point that Walter realizes that Alkaitis hasn’t visited the hotel in quite some time. Once things settle down in the lobby that night, Walter Googles Alkaitis and finds photos of him at a charity fundraiser, Vincent by his side. The caption beneath the photo reads “Jonathan Alkaitis with his wife, Vincent.”
It seems that Vincent left the hotel the previous year to be with Jonathan Alkaitis. It’s plausible that Vincent saw the limitations not having a college degree and working as a bartender placed on her future, recognized a life with Alkaitis as a way out of her current situation, and seized the opportunity. Of course, the knowledge that Alkaitis will eventually be sentenced to life in prison does imply that Vincent’s life with Alkaitis likely won’t be a happily-ever-after situation for her.
Themes
Greed, Delusion, and Self Interest  Theme Icon