The Government Inspector

by

Nikolay Gogol

The Government Inspector: Act 4 Summary & Analysis

Summary
Analysis
Scene 1. In the mayor’s house, the town officials try to get into formation so they can appear orderly before Khlestakov. They wonder how to bribe him without being too obvious. The Warden of Charities suggests they speak to Khlestakov one by one. They beg the judge to go first, not wanting to do it themselves. Coughs from Khlestakov’s room send them scrambling out, panicking and colliding together.
The town officials’ desperation to avoid getting caught for their misdeeds shows how guilty of corruption they are. Their morals are so distorted that they care only about self-preservation. Moreover, they can only think of using corrupt methods—namely, bribery and secretive meetings—to protect themselves. Additionally, the officials’ fear of Khlestakov illustrates how thoroughly they’ve deceived themselves into believing that Khlestakov is the government inspector. The comedy of the corrupt officials’ nervous, bumbling stupidity encourages the audience to ridicule and disdain them.
Themes
Corruption and Bureaucracy Theme Icon
Self-Deception Theme Icon
Quotes
Scene 2. Khlestakov wakes up with a headache. He’s eager to enjoy the mayor’s hospitality and expresses interest in both the mayor’s daughter and wife.
Khlestakov’s single-minded purpose is to experience as much pleasure as he can. His shameless opportunism emphasizes how shallow, greedy, and self-centered his pursuits of pleasure are.
Themes
Greed, Selfishness, and Pleasure Theme Icon
Scene 3. The judge enters nervously and introduces himself to Khlestakov. He becomes flustered and drops money on the floor. Khlestakov notices, and the judge fears he’ll be taken away to prison. But Khlestakov asks to keep the money as a loan, because he’s short on funds. The judge hurriedly agrees. Khlestakov has no instructions for the district court, so the judge believes he’s saved.
Khlestakov further demonstrates his greed and selfishness when he takes the judge’s money as a loan he doesn’t intend to repay. Without realizing that he’s being bribed as the government inspector, Khlestakov takes advantage of the judge for the sake of his own pleasure. Meanwhile, the judge foolishly feels relieved that his misdeeds have been forgiven. However, in actuality, the judge has neither won over the inspector nor gained anything by meeting with Khlestakov. Instead, he has only lost money to an opportunistic stranger.
Themes
Corruption and Bureaucracy Theme Icon
Greed, Selfishness, and Pleasure Theme Icon
Scene 4. Next, the postmaster introduces himself. During their conversation, Khlestakov says all anyone needs is to be “respected and genuinely liked.” Then Khlestakov asks for and receives a loan, so he won’t have to deny himself anything while traveling.
Khlestakov makes the most of another meeting with a town official by asking for more money to fund his frivolous pleasure-seeking. He reiterates his demand for comfort and ease, as well as his need for external validation through being liked and respected by other people. Notably, Khlestakov’s own moral corruption is evident in his willingness to cheat other people for his selfish gain. Moreover, Khlestakov clearly desires more respect and admiration than he deserves.
Themes
Corruption and Bureaucracy Theme Icon
Greed, Selfishness, and Pleasure Theme Icon
External Validation Theme Icon
Quotes
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Scene 5. The Inspector of Schools is pushed into the room and introduces himself nervously. Khlestakov offers him a cigar, but the Inspector of Schools drops it out of fear. Khlestakov asks if he prefers blonde or brunette women, but he’s too afraid to answer. Then Khlestakov asks for a loan. The Inspector of Schools hands over the money and leaves, hoping that Khlestakov won’t inspect the schools now.
Khlestakov continues to indulge in all the pleasures available to him. He enjoys more amusement and money, while the Inspector of Schools gains nothing. The town officials’ attempts at self-preservation are ineffective because they fail to bribe a real government inspector. By persuading themselves that Khlestakov has power over them, the officials have led themselves to be swindled. However, they still don’t realize their mistake, and they’re foolishly hopeful they can get away with their corruption.
Themes
Corruption and Bureaucracy Theme Icon
Greed, Selfishness, and Pleasure Theme Icon
Self-Deception Theme Icon
Scene 6. The Warden of Charities enters. Khlestakov compliments the lunch they ate at the charity hospital, confessing that good food is his weakness. The Warden of Charities professes his desire to serve his country diligently, then exposes the other officials’ misconduct. He reveals the postmaster barely does his duties and that the judge spends all his time hunting, possesses terrible morals, and is carrying on an affair with Dobchinsky’s wife. He adds that the Inspector of Schools teaches subversive ideas. Khlestakov asks for this information to be put into writing for light reading when he gets bored, then asks for a loan.
That Khlestakov remembers the Warden of Charities only by the delicious food they ate at the charity hospital emphasizes Khlestakov’s preoccupation with pleasure. Also, Khlestakov’s disinterest in the town officials’ crimes showcases his self-centeredness. Khlestakov treats the Warden of Charities’ revelations as mere entertainment for his own enjoyment, rather than crucial evidence of serious problems. Although Khlestakov isn’t a government inspector, he’s still a member of the civil service, yet he doesn’t care about local corruption. Khlestakov’s lack of concern shows that he’s a bad government official. Additionally, the Warden of Charities appears particularly corrupt, as he’s the only official willing to betray the others to ingratiate himself with the supposed inspector.
Themes
Corruption and Bureaucracy Theme Icon
Greed, Selfishness, and Pleasure Theme Icon
Scene 7. Bobchinsky and Dobchinsky introduce themselves to Khlestakov. At once, Khlestakov asks for money, and they give him all 65 rubles they have. Dobchinsky asks for Khlestakov’s advice about his eldest, illegitimate son. Khlestakov vaguely agrees to put in a good word for him somewhere and also promises to mention Bobchinsky’s name to high-ranking people when he returns to St. Petersburg.
By taking money even from Bobchinsky and Dobchinsky, Khlestakov displays selfishness and greed. In this case, he’s also taking advantage of citizens rather than fellow corrupt government officials, highlighting how Khlestakov too abuses power at townspeople’s expense. Furthermore, Khlestakov only agrees to do favors for Bobchinsky and Dobchinsky because he wants to appear important and high ranking. He knows he has no real authority to fulfill their requests, but he desires their respect and admiration. In this way, Khlestakov seeks outside approval beyond what he deserves.
Themes
Corruption and Bureaucracy Theme Icon
Greed, Selfishness, and Pleasure Theme Icon
External Validation Theme Icon
Scene 8. Alone, Khlestakov realizes now that the town officials have mistaken him for someone more important than he actually is. He decides to write to his friend in St. Petersburg about them, so they can be lampooned in the newspaper. Khlestakov happily counts up the money they gave him and hopes for a second game with the infantry captain to whom he lost his money gambling before.
Once Khlestakov finally realizes that he’s been taken for someone else, he ridicules the town officials’ stupidity. His laughter highlights the ridiculousness of their mistake. Because the officials have deceived themselves so thoroughly about Khlestakov’s identity, they’ve lost some of their money and their dignity. Meanwhile, Khlestakov is delighted that they’ve treated him so well. He exhibits more of his greedy and self-centered desire for pleasure as he looks forward to future gambling.
Themes
Greed, Selfishness, and Pleasure Theme Icon
Self-Deception Theme Icon
Scene 9. Osip urges Khlestakov to leave town while things are still going well for him. Khlestakov reluctantly agrees and finishes his letter to his friend in St. Petersburg. From the window, they hear petitioners who want to see Khlestakov. Although the constables are trying to keep them out, Khlestakov tells Osip to let them in. 
Khlestakov’s reluctance to leave town demonstrates his incessant desire for pleasure. He wants to continue enjoying himself as much as possible by taking advantage of the foolish, corrupt local officials. Even when Khlestakov allows petitioners to approach him, he’s acting on selfish impulses. He has no power to help them—he simply wants entertainment and external validation from townspeople who believe he’s an important authority figure.
Themes
Corruption and Bureaucracy Theme Icon
Greed, Selfishness, and Pleasure Theme Icon
External Validation Theme Icon
Scene 10. Shopkeepers beg Khlestakov to save them from the mayor, who takes anything he wants from shops without paying and threatens to torture townspeople if they complain. Khlestakov is scandalized by this news. The shopkeepers offer him sugar and wine, which Khlestakov at first refuses, because he doesn’t take bribes. However, Khlestakov accepts money from them as a loan, and Osip takes the sugar and wine anyway. Khlestakov promises to do everything he can to help the shopkeepers.
When the shopkeepers expose more of the mayor’s misdeeds, Khlestakov acknowledges how terribly corrupt and immoral the mayor is. However, even though Khlestakov may not be as crooked as the mayor, he still isn’t a good government official. He steals money from the shopkeepers, and he allows Osip to accept luxurious food items as bribes. Neither Osip nor Khlestakov can resist food, which symbolizes pleasure and self-indulgence. Worse, Khlestakov knows he’s only a clerk, has no real governmental power, and can’t actually help the shopkeepers. Khlestakov makes false promises to them only so he can look more impressive.
Themes
Corruption and Bureaucracy Theme Icon
Greed, Selfishness, and Pleasure Theme Icon
External Validation Theme Icon
Scene 11. The locksmith’s wife and the sergeant’s widow petition Khlestakov next. The locksmith’s wife complains that the mayor sent her husband to the army prematurely and illegally. The sergeant’s widow complains that she was flogged without reason. Khlestakov agrees to ensure that the mayor is fined. Sick of seeing petitioners, he sends the rest away.
The locksmith’s wife and sergeant’s widow seem to have legitimate complaints about the mayor’s extensive corruption, but as soon as the petitioners stop being entertaining to Khlestakov and start being troublesome, Khlestakov loses interest. He doesn’t care about their lives. He’s only concerned with his own pleasure. Khlestakov’s apathy toward problems with the local government demonstrates his self-centeredness and corruption as a negligent bureaucrat. 
Themes
Corruption and Bureaucracy Theme Icon
Greed, Selfishness, and Pleasure Theme Icon
Scene 12. Khlestakov meets Marya Antonovna and begins flirting with her. Marya resists his compliments, but she asks him to write some verses of poetry in her album. Khlestakov boasts that he knows so many poems but can’t remember any. He declares his love for her and kisses her shoulder. When Marya grows upset at his impertinence and starts to leave, Khlestakov begs for forgiveness on his knees.
Khlestakov flirts with the mayor’s daughter for his own selfish pleasure. His interest in Marya Antonovna is purely superficial, and his advances are impudently flippant. To a certain extent, Marya is charmed by Khlestakov’s city manners because she believes he’s an important, high-ranking man. But Marya isn’t immediately enamored with him, showing that Khlestakov isn’t very impressive after all. Khlestakov’s failure to be romantic enhances the comedy of this scene. While confessing his love melodramatically, Khlestakov seems more like a ridiculous fool than an alluring gentleman.
Themes
Greed, Selfishness, and Pleasure Theme Icon
Self-Deception Theme Icon
Scene 13. Anna Andreyevna walks in, shocked. She scolds her daughter and sends her away angrily. Khlestakov declares his love again, and Anna thinks he wants to propose to her daughter, but Khlestakov proclaims that it is Anna whom he loves. She protests that she’s married, but Khlestakov doesn’t care.
Khlestakov indulges frivolously in any pleasure he can find, even if it’s inappropriate to pursue a married woman and her daughter at the same time. Khlestakov’s shamelessness emphasizes his greed and self-centeredness, which are made more humorous by his exaggerated displays of sincerity. The play presents Khlestakov as a ridiculous figure and mocks him for being so fixated on pleasure.
Themes
Greed, Selfishness, and Pleasure Theme Icon
Quotes
Scene 14. Marya Antonovna returns and is shocked to see Khlestakov kneeling before her mother. Anna Andreyevna chastises her tearful daughter. Then Khlestakov takes Marya’s hand and asks for a blessing for their love. Anna tells her daughter she’s unworthy of a man like Khlestakov, and Marya apologizes earnestly.
Khlestakov insists on having Marya Antonovna’s hand in marriage, even though now he understands he’s been mistaken for someone else and has made plans to leave town imminently. This false engagement shows that Khlestakov does whatever is pleasurable and entertaining for himself in the moment, without thinking of future consequences or the impact his actions have on other people. Khlestakov is irresponsibly self-indulgent. Additionally, Anna Andreyevna’s thorough self-deception is evident in how she talks about Khlestakov. She already believes Khlestakov is a highly prestigious person, so she aggrandizes him in her mind to an unreasonable extent.
Themes
Greed, Selfishness, and Pleasure Theme Icon
Self-Deception Theme Icon
Scene 15. The mayor implores Khlestakov not to ruin him, swearing that the shopkeepers are liars. Khlestakov doesn’t care about the shopkeepers anymore. Anna Andreyevna tells her husband that Khlestakov has asked to marry their daughter. The mayor doesn’t believe this and agonizes over his fate, despite Khlestakov’s and Anna’s insistence about the engagement. Finally, the mayor gives his blessing. Seeing Khlestakov kiss his daughter, the mayor finally believes the engagement is real and rejoices.
The mayor’s pathetic attempts to cover up his misdeeds by lying and accusing the shopkeepers of deceit reinforce how corrupt he is. Meanwhile, Khlestakov’s dismissal of the shopkeepers showcases his indifference to the town’s corruption and, instead, his sole focus on self-gratification. Khlestakov is so consumed by his desire for pleasure that he ignores his duties as a civil servant and enables corrupt government officials to commit crimes without care. Similarly, the mayor is so absorbed in his fears of getting caught by the government inspector that he’s unable to recognize obvious truths. He continues to believe Khlestakov is the inspector and foolishly believes that Khlestakov’s supposed engagement to his daughter absolves him of his misconduct.
Themes
Corruption and Bureaucracy Theme Icon
Greed, Selfishness, and Pleasure Theme Icon
Self-Deception Theme Icon
Quotes
Scene 16. Osip informs Khlestakov that the horses are ready for his departure. Khlestakov claims he’ll return tomorrow, borrows even more money from the mayor, and says farewell. Offstage, the mayor expresses surprise that Khlestakov is riding in such a worn-down carriage, and the housekeeper brings a Persian rug for Khlestakov to sit on. Khlestakov departs.
Khlestakov successfully gets away from the town officials before they discover he’s not a government inspector. He even manages to escape with yet another bribe from the corrupt mayor—or, what Khlestakov believes is a generous “loan.” Even when the mayor sees the rickety carriage Khlestakov has hired—proof that Khlestakov really is a nobody—the mayor still doesn’t recognize his mistake. Instead, the self-deceived mayor foolishly continues to treat Khlestakov like royalty.
Themes
Corruption and Bureaucracy Theme Icon
Self-Deception Theme Icon