Raj Chamar Quotes in The Immortalists
Years later, in school, Klara learned of a phenomenon called red tide: algae blooms multiply, making coastal waters toxic and discolored. This knowledge made her feel curiously empty. She no longer had reason to wonder about the red sea or marvel at its mystery. She recognized that something had been given to her, but something else—the magic of transformation—had been taken away.
When Klara plucks a coin from inside someone’s ear or turns a ball into a lemon, she hopes not to deceive but to impart a different kind of knowledge, an expanded sense of possibility.
Thirteen years later, the woman was right about Simon, just as Klara had feared. But this is the problem: was the woman as powerful as she seemed, or did Klara take steps that made the prophecy come true? Which would be worse? If Simon’s death was preventable, a fraud, then Klara is at fault—and perhaps she’s a fraud, too. After all, if magic exists alongside reality—two faces gazing in different directions, like the head of Janus—then Klara can’t be the only one able to access it. If she doubts the woman, then she has to doubt herself. And if she doubts herself, she must doubt everything she believes, including Simon’s knocks.
“It’s not enough to explain what we don’t understand.” She lifts the ball and holds it tight in her fist. “It’s not enough to account for the inconsistencies we see and hear and feel.” When she opens her fist, the ball has vanished. “It’s not enough on which to pin our hopes, our dreams—our faith.” She raises the steel cup to reveal the ball beneath it. “Some magicians say that magic shatters your worldview. But I think magic holds the world together. It’s dark matter; it’s the glue of reality, the putty that fills the holes between everything we know to be true. And it takes magic to reveal how inadequate”—she puts the cup down—“reality”—she makes a fist—“is.”
When she opens her fist, the red ball isn’t there. What’s there is a full, perfect strawberry.
Klara’s arms begin to shake. Sixty more seconds and she’ll give it up. Sixty more seconds and she’ll pack her rope, return to Raj and perform.
And then it comes.
Her breath is uneven, her chest shuddering; she cries thick, sloppy tears. The knocks are insistent now, they’re coming fast as hail. Yes, they tell her. Yes, yes, yes.
“Ma’am?”
Someone is at the door, but Klara doesn’t pause.
He could not bear to contemplate his return to work on Monday, and what might happen if he holds his ground when it comes to the waivers. Days earlier, he submitted a request to review his case with the Local Area Defense Counsel, a military attorney who provides representation for accused service members. He knows that Mira is right—it’s best to be aware of what options he has to defend himself—but the request alone was humiliating. Without a job, who would he be? Someone who sat on a bath mat with his back against the toilet, reading about his brother-in-law’s solarium, he thought—an image terrible enough to force him to bed, so that he could fall asleep and stop seeing it.
Raj Chamar Quotes in The Immortalists
Years later, in school, Klara learned of a phenomenon called red tide: algae blooms multiply, making coastal waters toxic and discolored. This knowledge made her feel curiously empty. She no longer had reason to wonder about the red sea or marvel at its mystery. She recognized that something had been given to her, but something else—the magic of transformation—had been taken away.
When Klara plucks a coin from inside someone’s ear or turns a ball into a lemon, she hopes not to deceive but to impart a different kind of knowledge, an expanded sense of possibility.
Thirteen years later, the woman was right about Simon, just as Klara had feared. But this is the problem: was the woman as powerful as she seemed, or did Klara take steps that made the prophecy come true? Which would be worse? If Simon’s death was preventable, a fraud, then Klara is at fault—and perhaps she’s a fraud, too. After all, if magic exists alongside reality—two faces gazing in different directions, like the head of Janus—then Klara can’t be the only one able to access it. If she doubts the woman, then she has to doubt herself. And if she doubts herself, she must doubt everything she believes, including Simon’s knocks.
“It’s not enough to explain what we don’t understand.” She lifts the ball and holds it tight in her fist. “It’s not enough to account for the inconsistencies we see and hear and feel.” When she opens her fist, the ball has vanished. “It’s not enough on which to pin our hopes, our dreams—our faith.” She raises the steel cup to reveal the ball beneath it. “Some magicians say that magic shatters your worldview. But I think magic holds the world together. It’s dark matter; it’s the glue of reality, the putty that fills the holes between everything we know to be true. And it takes magic to reveal how inadequate”—she puts the cup down—“reality”—she makes a fist—“is.”
When she opens her fist, the red ball isn’t there. What’s there is a full, perfect strawberry.
Klara’s arms begin to shake. Sixty more seconds and she’ll give it up. Sixty more seconds and she’ll pack her rope, return to Raj and perform.
And then it comes.
Her breath is uneven, her chest shuddering; she cries thick, sloppy tears. The knocks are insistent now, they’re coming fast as hail. Yes, they tell her. Yes, yes, yes.
“Ma’am?”
Someone is at the door, but Klara doesn’t pause.
He could not bear to contemplate his return to work on Monday, and what might happen if he holds his ground when it comes to the waivers. Days earlier, he submitted a request to review his case with the Local Area Defense Counsel, a military attorney who provides representation for accused service members. He knows that Mira is right—it’s best to be aware of what options he has to defend himself—but the request alone was humiliating. Without a job, who would he be? Someone who sat on a bath mat with his back against the toilet, reading about his brother-in-law’s solarium, he thought—an image terrible enough to force him to bed, so that he could fall asleep and stop seeing it.