The Leopard

by

Giuseppe Di Lampedusa

Class Conflict and Revolution Theme Analysis

Themes and Colors
Cultural Survival and Decline Theme Icon
The Inevitability of Change Theme Icon
Class Conflict and Revolution Theme Icon
Love vs. Sensuality Theme Icon
LitCharts assigns a color and icon to each theme in The Leopard, which you can use to track the themes throughout the work.
Class Conflict and Revolution Theme Icon

The most obvious transformation in The Leopard is the decline of Sicily’s noble class, as the narrator sums up the Salina family’s plight: “poor Prince Fabrizio lived in perpetual discontent […] watching the ruin of his own class and his own inheritance without ever making […] any move toward saving it.” Lampedusa cannot easily be identified with a single class perspective, however—he’s critical of the fading nobility, the revolutionists, and the emerging modern Italian state. His critique is rooted in the fact that, despite the redistribution of power under different class and political structures, human nature remains the same. By looking at social transformation from the perspective of various social classes, Lampedusa suggests that revolution and class upheaval are always fueled by the desire for wealth—and that the abolition of one powerful class just gives way to the rise of another in a self-perpetuating cycle.

From a noble perspective, revolution looks like a grasping for privilege, not fundamentally changing society. The Prince himself suspects that the revolutionaries’ motives aren’t as destructive as they appear. After talking with one of his estate’s dependents, Russo, the Prince concludes that so-called “liberals” aren’t really agitating for major change—they’re just after more money for themselves: “Much would happen, but all would be playacting; a noisy, romantic play with a few spots of blood on the comic costumes. […] He felt like saying to Russo, but his innate courtesy held him back, ‘I understand now; you don’t want to destroy us, who are your “fathers.” You just want to take our places. Gently, nicely, putting a few thousand ducats in your pockets meanwhile.’” In other words, people are creating a big disturbance for alleged change when, in fact, what they really want is simply to occupy the place traditionally held by the gentry. The Prince’s suspicions appear to bear out when Donnafugata’s mayor, a newly moneyed social climber named Don Calogero, learns how to function as a member of the gentry. “Gradually Don Calogero came to understand that a meal in common need not necessarily be all munching and grease stains; that a conversation may well bear no resemblance to a dog fight; […] he did try to shave a little better and complain a little less about the waste of laundry soap […] from that moment there began, for him and his family, that process of continual refining which in the course of three generations transforms innocent peasants into defenseless gentry.” The Prince’s observation—from “innocent peasants into defenseless gentry”—suggests that Don Calogero’s painstaking transformation will set his descendants up to be just as vulnerable as the Prince and his fellow nobles currently are. It wasn’t a fundamental change, in other words; it was only a shift in superficial social norms.

From the perspective of an outsider to the nobility, revolution merely looks like the perpetuation of a cycle, not a bottom-up class reversal. The observations of Father Pirrone, the Salinas’ household priest, support the Prince’s instincts about the rise of the new moneyed class: “[The nobility is] a class difficult to suppress because it’s in continual renewal and because if needs be it can die well […] it’s differences of attitude, not estates and feudal rights, which make a noble. […] if, as has often happened before, this class were to vanish, an equivalent one would be formed straightaway with the same qualities and the same defects; it might not be based on blood any more, but possibly on…on, say, the length of time lived in a place[.]” In other words, Father Pirrone observes that the potential always exists for the nobility to renew itself in different forms. A key to this renewal is the fact that nobility doesn’t have to be based on ancestry (as is the case for rising families like Don Calogero’s) but on other forms of hierarchy that simply take the place of the older ones. This suggests that human beings naturally seek out such hierarchical justifications for power. Whatever its origins and aims, then, the revolution will likely end up perpetuating what has happened before, only in a somewhat modified state.

The Prince observes that this upheaval is a form of historical continuity in its own right: “All this shouldn’t last; but it will, always […] We were the Leopards, the Lions; those who’ll take our place will be little jackals, hyenas […] we’ll all go on thinking ourselves the salt of the earth.” The Prince means that the nobility will always remain in some form. In his view, it may be in a weakened and less desirable form compared to the nobility of old (predatory jackals and hyenas instead of magnificent leopards and lions), but it will be the same continuum of reshuffling classes.

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Class Conflict and Revolution Quotes in The Leopard

Below you will find the important quotes in The Leopard related to the theme of Class Conflict and Revolution.
Chapter 1. Introduction to the Prince Quotes

The divinities frescoed on the ceiling awoke […] the major gods and goddesses, the Princes among gods, thunderous Jove and frowning Mars and languid Venus, had already preceded the mob of minor deities and were amiably supporting the blue armorial shield of the Leopard. They knew that for the next twenty-three and a half hours they would be lords of the villa once again.

Related Characters: Prince Don Fabrizio Corbèra
Related Symbols: Leopards
Page Number: 6
Explanation and Analysis:

The lad had one of those sudden serious moods which made him so mysterious and so endearing. “Unless we ourselves take a hand now, they’ll foist a republic on us. If we want things to stay as they are, things will have to change. D’you understand?”

Related Characters: Tancredi Falconeri (speaker), Prince Don Fabrizio Corbèra , Giuseppe Garibaldi
Page Number: 28
Explanation and Analysis:

Now he had penetrated all the hidden meanings: the enigmatic words of Tancredi, the rhetorical ones of Ferrara, the false but revealing ones of Russo, had yielded their reassuring secret. Much would happen, but all would be playacting; a noisy, romantic play with a few spots of blood on the comic costumes. […] He felt like saying to Russo, but his innate courtesy held him back, “I understand now; you don’t want to destroy us, who are your ‘fathers.’ You just want to take our places. Gently, nicely, putting a few thousand ducats in your pockets meanwhile. […] For all will be the same. Just as it is now: except for an imperceptible shifting about of classes.”

Related Characters: Prince Don Fabrizio Corbèra (speaker), Tancredi Falconeri, Don Ciccio Ferrara, Russo
Page Number: 35
Explanation and Analysis:
Chapter 2. Donnafugata Quotes

At the bottom of the steps the authorities took their leave, and the Princess […] invited the Mayor, the Archpriest, and the notary to dine that same evening. […] And [the Prince] added, turning to the others, “And after dinner, at nine o’clock, we shall be happy to see all our friends.” For a long time Donnafugata commented on these last words. And the Prince, who had found Donnafugata unchanged, was found very much changed himself, for never before would he have issued so cordial an invitation; and from that moment, invisibly, began the decline of his prestige.

Related Characters: Prince Don Fabrizio Corbèra (speaker), Don Calogero Sedàra , Princess Maria Stella, Giuseppe Garibaldi
Page Number: 62
Explanation and Analysis:

No laugh […] came from the Prince, on whom, one might almost say, this news had more effect than the bulletin about the landing at Marsala. That had been an event not only foreseen but also distant and invisible. Now, with his sensibility to presages and symbols, he saw revolution in that white tie and two black tails moving at this moment up the stairs of his own home. Not only was he, the Prince, no longer the major landowner in Donnafugata, but he now found himself forced to receive, when in afternoon dress himself, a guest appearing in evening clothes.

Related Characters: Prince Don Fabrizio Corbèra , Don Calogero Sedàra , Giuseppe Garibaldi
Page Number: 76
Explanation and Analysis:
Chapter 3. The Troubles of Don Fabrizio Quotes

Don Ciccio’s negative vote, fifty similar votes at Donnafugata, a hundred thousand “noes” in the whole Kingdom, would have had no effect on the result, would in fact have made it, if anything, more significant; and this maiming of souls would have been avoided. Six months before they used to hear a rough despotic voice saying, “Do what I say or you’ll catch it!” Now there was an impression already of such a threat being replaced by the soapy tones of a moneylender: “But you signed it yourself, didn’t you? Can’t you see? It’s quite clear. You must do as we say, for here are the IOUs; your will is identical with mine.”

Related Characters: Prince Don Fabrizio Corbèra , Don Ciccio Tumeo
Page Number: 112
Explanation and Analysis:

Don Calogero’s heraldic impromptu gave the Prince the incomparable artistic satisfaction of seeing a type realized in all its details […] [Don Calogero] was accompanied through two of the drawing rooms, embraced again, and began descending the stairs as the Prince, towering above him, watched this little conglomeration of astuteness, ill-cut clothes, money, and ignorance who was now to become almost a part of the family getting smaller and smaller.

Related Characters: Prince Don Fabrizio Corbèra , Don Calogero Sedàra
Page Number: 131
Explanation and Analysis:
Chapter 4. Love at Donnafugata Quotes

Gradually Don Calogero came to understand that a meal in common need not necessarily be all munching and grease stains; that a conversation may well bear no resemblance to a dog fight […] that sometimes more can be obtained by saying “I haven’t explained myself well” than “I can’t understand a word”; and that the adoption of such tactics can result in a greatly increased yield[.]

It would be rash to affirm that Don Calogero drew an immediate profit from what he had learned; he did try to shave a little better and complain a little less about the waste of laundry soap; but from that moment there began, for him and his family, that process of continual refining which in the course of three generations transforms innocent peasants into defenseless gentry.

Related Characters: Prince Don Fabrizio Corbèra , Tancredi Falconeri, Don Calogero Sedàra , Angelica Sedàra
Page Number: 137
Explanation and Analysis:

Anyone deducing from this attitude of Angelica that she loved Tancredi would have been mistaken; she had too much pride and too much ambition to be capable of that annihilation, however temporary, of one’s own personality without which there is no love; […] but although she did not love him, she was, then, in love with him, a very different thing; his blue eyes, his affectionate teasing, certain suddenly serious tones of his voice gave her, even in memory, quite a definite turn, and in those days her one longing was to be gripped by those hands of his; presently she would forget them and find a substitute as she did, in fact, later, but for the moment she yearned for him to seize her.

Related Characters: Tancredi Falconeri, Don Calogero Sedàra , Angelica Sedàra
Page Number: 141
Explanation and Analysis:

I belong to an unfortunate generation, swung between the old world and the new, and I find myself ill at ease in both. And what is more, as you must have realized by now, I am without illusions; what would the Senate do with me, an inexperienced legislator who lacks the faculty of self-deception, essential requisite for wanting to guide others? We of our generation must draw aside and watch the capers and somersaults of the young around this ornate catafalque.

Related Characters: Prince Don Fabrizio Corbèra (speaker), Aimone Chevalley di Monterzuolo
Page Number: 180
Explanation and Analysis:

Chevalley thought, “This state of things won’t last; our lively new modern administration will change it all.” The Prince was depressed: “All this shouldn’t last; but it will, always; the human ‘always,’ of course, a century, two centuries…and after that it will be different, but worse. We were the Leopards, the Lions; those who’ll take our place will be little jackals, hyenas; and the whole lot of us. Leopards, jackals, and sheep, we’ll all go on thinking ourselves the salt of the earth.”

Related Characters: Prince Don Fabrizio Corbèra (speaker), Aimone Chevalley di Monterzuolo (speaker)
Related Symbols: Leopards
Page Number: 185
Explanation and Analysis:
Chapter 5. Father Pirrone Pays a Visit Quotes

“It’s a class difficult to suppress because it’s in continual renewal and because if needs be it can die well, that is it can throw out a seed at the moment of death. […] I say as before, because it’s differences of attitude, not estates and feudal rights, which make a noble […] And I can tell you too, Don Pietrino, that if, as has often happened before, this class were to vanish, an equivalent one would be formed straightaway with the same qualities and the same defects; it might not be based on blood any more, but possibly on . . . on, say, the length of time lived in a place, or on greater knowledge of some text

Related Characters: Father Pirrone (speaker), Tancredi Falconeri, Angelica Sedàra, Don Pietrino
Page Number: 199
Explanation and Analysis:

Two days later Father Pirrone left to return to Palermo. As he was jolted along he went over impressions that were not entirely pleasant; that brutish love affair come to fruition in St. Martin’s summer, that wretched half almond grove reacquired by means of calculated courtship, seemed to him the rustic poverty-stricken equivalent of other events recently witnessed. Nobles were reserved and incomprehensible, peasants explicit and clear; but the Devil twisted them both around his little finger all the same.

Related Characters: Prince Don Fabrizio Corbèra , Tancredi Falconeri, Father Pirrone, Don Calogero Sedàra , Angelica Sedàra, ‘Ncilina, Santino Pirrone, Turi Pirrone
Page Number: 209
Explanation and Analysis:
Chapter 7. Death of a Prince Quotes

It was useless to try to avoid the thought, but the last of the Salinas was really he himself, this gaunt giant now dying on a hotel balcony. For the significance of a noble family lies entirely in its traditions, that is in its vital memories; and he was the last to have any unusual memories, anything different from those of other families […] the meaning of his name would change more and more to empty pomp […] He had said that the Salinas would always remain the Salinas. He had been wrong. The last Salina was himself. That fellow Garibaldi […] had won after all.

Related Characters: Prince Don Fabrizio Corbèra (speaker), Giuseppe Garibaldi, Fabrizietto Salina
Related Symbols: Leopards
Page Number: 248
Explanation and Analysis:
Chapter 8. Relics Quotes

To her the removal of those objects was a matter of indifference; what did touch her, the day’s real thorn, was the appalling figure the Salina family would now cut with the ecclesiastical authorities, and soon with the entire city. […] And the Church’s esteem meant much to her. The prestige of her name had slowly disappeared; the family fortune, divided and subdivided, was at best equivalent to that of any number of other lesser families and very much smaller than that of some rich industrialists. But in the Church, in their relations with it, the Salinas had maintained their pre-eminence. What a reception His Eminence had given the three sisters when they went to make their Christmas visit! Would that happen now?

Related Characters: Father Pirrone, Concetta Salina
Page Number: 267
Explanation and Analysis:

As the carcass was dragged off, the glass eyes stared at her with the humble reproach of things that are thrown away, that are being annulled. A few minutes later what remained of Bendicò was flung into a corner of the courtyard visited every day by the dustman. During the flight down from the window his form recomposed itself for an instant; in the air one could have seen dancing a quadruped with long whiskers, and its right foreleg seemed to be raised in imprecation. Then all found peace in a heap of livid dust.

Related Characters: Prince Don Fabrizio Corbèra , Concetta Salina, Bendicò
Related Symbols: Leopards
Page Number: 279
Explanation and Analysis: