The Magician’s Nephew

by

C. S. Lewis

The Magician’s Nephew: Chapter 9 Summary & Analysis

Summary
Analysis
The Lion paces back and forth, singing. This song is “softer and more lilting” than the song that accompanied the emergence of the stars and sun. It draws forth grass and a light, ruffling wind; soon, trees start to appear.
The song’s variability, and the range of beautiful things produced by the song, highlights the Lion’s creativity.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
Though the children long to watch new life springing forth, they keep getting interrupted. Uncle Andrew keeps trying to steal Digory’s ring. The Witch, seeing this, menaces him with her lamp-post arm. Uncle Andrew summons his courage and complains that the Witch has disgraced him by robbing a jeweler, demanding an ostentatious lunch, and assaulting the police. The Cabby interrupts, saying that now is the time for watching and listening, not talking.
People’s differing reactions to the sing continue—some are going to great lengths to ignore and avoid it, while others want to savor it. This contrast will become more and more stark as the story goes on.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
The children watch as trees and wildflowers continue to blossom; Strawberry eagerly dines on the fresh new grass. The Lion gradually prowls closer and closer to the group. Polly is thrilled as she observes that the emergence of different living things correspond to the varying notes of the Lion’s song; this wondrous discovery takes away her fear. Digory and the Cabby feel nervous about the Lion’s approach, however, and Uncle Andrew is downright scared.
Polly is the most attentive and sensitive to what’s happening during the song, as she observes how the changing notes create different things. The beauty is such that it overwhelms other emotions. This suggests that even among those who are favorably disposed to such creative magic, different people are more or less sensitive to it.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
Suddenly the Witch hurls the iron bar she’s holding right at the Lion. It strikes him between the eyes, but he keeps walking toward them at a steady pace. The Witch and Uncle Andrew start to run, but the children stand still—they’re apprehensive yet curiously eager for the Lion to acknowledge their presence.
The Witch strikes back at the Lion in the best way she knows—through destructive violence, which has no apparent effect on him.
Themes
Creative Magic vs. Destructive Magic Theme Icon
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Uncle Andrew picks himself up from the stream into which he’s fallen and, spluttering, demands that Digory put on his ring immediately, but Digory stands firm, explaining that he and Polly want to stay and experience this world. Uncle Andrew says that perhaps he’d enjoy it if he were younger and had a gun handy.
Uncle Andrew appears to be oblivious to the beauty that this world has to offer; he just perceives it as a threat, whereas the children find it delightful.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
Just then, Polly notices a little lamp-post that’s sprouted out of the ground and is growing just like a tree. Digory points out that the lamp-post sprouted from the bar that the Witch had unsuccessfully thrown. This excites Uncle Andrew. He daydreams about the “commercial possibilities” of this world. If one buried scrap iron, he speculates, they would be able to grow trains or battleships. And the climate would be ideal for a health resort. In order to achieve any of this, of course, he’d first have to kill the Lion.
Narnia is so abundant with new life that new growth sprouts up unintentionally—even where harm was intended. Uncle Andrew doesn’t even understand the logic of Narnia, however, seeing it as something to be exploited instead of enjoyed.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
Quotes
When Uncle Andrew refers to this place as “the land of youth,” Digory’s interest is piqued, too, as he recalls Aunt Letty’s conversation with the visitor. When he asks Uncle Andrew if he thinks something in this land might cure Mabel, Uncle Andrew replies that it “isn’t a chemist’s shop.” Digory is disgusted by Uncle Andrew’s lack of regard for his own sister. He resolves to ask the Lion for help directly. Uncle Andrew trails after the children at first, but is afraid to get too close.
The differences between Digory’s and Uncle Andrew’s motivations become clear in this exchange. Where Uncle Andrew is preoccupied with how he might gain from Narnia, Digory thinks of how his mother might be helped.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Human Selfishness vs. Divine Selflessness  Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
As Digory approaches the Lion, he notices that the Lion’s song has changed once again. It sounds wilder, making the hearer “want to rush at other people and either hug them or fight them.” It also causes the surrounding land to swell into mounds of varying sizes. When the mounds burst, animals emerge. Dogs, stags, frogs, and panthers burst from the earth; birds, butterflies, and bees fill the air; even an elephant comes forth, creating a small earthquake as he does so. Now the Lion’s song is practically drowned out by various animal noises.
Now living creatures begin to populate Narnia in response to the Lion’s ever-changing, constantly fruitful song. Narnia possesses in irrepressible vitality.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
Strawberry the horse trots up and joins the crowd of other beasts, looking much livelier than the downtrodden cab-horse of London. Digory watches as the Lion, now silent, walks among the animals, occasionally stopping to touch noses with two animals at a time—two leopards at a time, for instance. The animals he touches walk away from the other animals of their species and stand in a circle around him, gazing at the Lion. At last, there’s a solemn silence.
The air of Narnia has a reviving characteristic that seems to draw creatures—even Strawberry the horse—closer to their natural state, whether for good or ill. But there’s even deeper magic about to be revealed.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
The Lion stares unblinkingly at the animals. Eventually, the animals change—smaller ones (like rabbits) growing much bigger, and bigger ones (like the elephants) getting a bit smaller. Many animals cock their heads as if they’re trying to understand something. The Lion gives a long breath. The animals sway like wind-blown trees, and there is a “pure, cold, difficult music” overhead. There is a flash, and everyone hears a deep, wild voice saying, “Narnia, awake. Love. Think. Speak.”
The Lion imbues certain animals with a special magic that makes them sentient—able to reason, feel, and love in a manner much more akin to human beings.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon