The Magician’s Nephew

by

C. S. Lewis

The Magician’s Nephew: Chapter 8 Summary & Analysis

Summary
Analysis
At the Witch’s words, a crowd of people start cheering for the “Hempress of Colney ‘Atch.” The Witch looks flattered until she realizes they’re mocking her. She reaches up and breaks off one of the lamp-post arms as a weapon. She brings the bar down on a policeman’s head, and he crumples. Digory, desperately following the Queen, is suddenly joined by Polly, who’s just been released from bed. Digory approvingly calls her a “brick” and tells her to manage the ring while he catches hold of the Queen.
These are the repercussions of Digory’s moment of selfishness back in Charn—people in his own world are now being hurt by the Queen. Notably, however, Digory doesn’t shrink from taking responsibility for this—he (and now Polly, who might be justified in leaving him on his own) faces up to fixing the situation.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Human Selfishness vs. Divine Selflessness  Theme Icon
The crowd turns angry as the Queen fells another policeman. But the Cabby, both brave and kind, keeps following her and trying to get a grip on Strawberry. The Queen scornfully warns onlookers that they’ll pay for their disloyalty, like Charn did. Digory makes a few unsuccessful grabs for the Queen’s ankle and gets only a kick in the mouth for his pains, but finally he holds on and shouts the signal to Polly. Polly touches her yellow ring, and the angry crowd vanishes instantly. But as darkness closes in, Digory still hears Uncle Andrew’s voice, wailing that he protests this turn of events and ought never have become a magician—it’s all Mrs. Lefay’s fault.
Persistent and resourceful, Digory and Polly succeed in interrupting the Queen’s path of destruction and pulling her back to the magical realm. Uncle Andrew, in a marked contrast, just keeps complaining about how he can’t be blamed for any of this.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Human Selfishness vs. Divine Selflessness  Theme Icon
Magic, the Ordinary, and Innate Goodness Theme Icon
When Digory and Polly surface in the Wood between the Worlds, they discover that they’ve not only brought the Witch along, but unintentionally brought the horse, Cabby, and Uncle Andrew as well. The Queen once again looks sickened by her surroundings. Strawberry, in contrast, whinnies happily and takes a drink from a nearby pool. Within a moment, however, Polly and Digory switch to their green rings, and the entire group slips into darkness once more.
In trying to extract the Queen from their ordinary world, the children accidentally pull some people (and an animal) from their world back into the magical—the two realms are permeable, not strictly separate. The Queen and the horse react very differently to the pleasant atmosphere.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Magic, the Ordinary, and Innate Goodness Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
This time, the darkness lasts for a surprisingly long time. They feel as though they’re standing on something solid, yet it’s as dark as if their eyes are closed—like “Nothing.” The Queen assumes that her doom has arrived; Uncle Andrew pants for another drink. The Cabby alone is cheerful. He says they’ve either fallen into some diggings for the Underground, or else they’re dead—and in any case, it seems best that they sing a hymn. He starts singing in a strong voice about crops being “safely gathered in,” and the children cheerfully join him.
The group is transported to another realm, but it’s not yet clear what the nature of that realm is—whether it’s characterized by either destructive or creative magic. However, the unflappable cabby seems to find the atmosphere a friendly one (the song he sings is “Come, Ye Thankful People, Come,” an English harvest hymn), suggesting that the magic is good.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Magic, the Ordinary, and Innate Goodness Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
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After the hymn, Uncle Andrew whispers to Digory that perhaps the two of them might use the rings to slip back to London unnoticed. The Queen hears him and protests, and Digory refuses to leave his friends behind in such a place. But suddenly the Cabby hushes them all. In the darkness, someone is singing. The song is wordless and beautiful, seeming to come from all directions. Even Strawberry responds happily, as though he recognizes the singer’s voice.
Uncle Andrew selfishly wants to leave everyone else in the lurch, while Digory stalwartly refuses. The sudden song seems to echo the Cabby’s earlier urge to sing—it’s an impulse present in the very air of this new, mysterious world.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Magic, the Ordinary, and Innate Goodness Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
Suddenly, the singing voice is joined by innumerable harmonizing voices. At the same time, the black sky is pierced by thousands of blazing stars, all at once. Digory feels as if the First Voice made the stars appear, and that now the stars themselves are singing. The sky is slowly lightening, too. They begin to see each other’s faces. The Cabby and children are beaming, Uncle Andrew looks frightened, and the Witch looks furious.
The singing seems to have created the stars, which perpetuate its song. The members of the group have very different reactions—either the singing is beautiful and welcome, or else it’s repellent and offensive, further suggesting that there are competing magics at work.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Magic, the Ordinary, and Innate Goodness Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon
Quotes
Listening to the Voice’s song, the Witch perceives that this world is filled with a magic that’s different from hers—a magic that she hates. She wishes she could destroy it.
The Witch, in particular, hates what she hears, suggesting that she sees perceives this world’s magic as a direct threat to her power.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Quotes
As the Voice continues to swell, the sun rises. To Digory, this sun looks younger than the earthly sun he knows: “you could imagine that it laughed for joy as it came up.” The group is now able to take in their surroundings: a valley with a river flowing through it, and mountains in the distance. The plain on which they stand is filled with vivid colors. But when they see the Singer of the song, everything else pales in comparison.
The song appears to create the sun, too, revealing a newly created world that’s filled with color and life. But the creator of that world is even more compelling and beautiful than the creation itself, suggesting that the creation is meant to be reflective of its creator’s beauty.
Themes
Creation, Creator, and the Dignity of Life Theme Icon
The Singer is a Lion: “huge, shaggy, and bright.” It stands about 300 yards away from the group. When the Witch sees him, she immediately wants to flee. Uncle Andrew agrees, instructing Digory to put on his ring at once. When the Witch hears this, she almost springs on Digory herself, but Digory is too quick. He promises that if either the Witch or Uncle Andrew get too close, he will grab Polly and his ring and vanish, leaving them here helpless. But the Cabby interrupts, wanting to hear the music—which has now changed.
Those who engage in destructive magic feel exposed and fearful of the Lion’s presence, wanting to flee-further proof of the conflict between the different forces at work. Others are drawn to the beauty of the song and what unfolds as a result.
Themes
Creative Magic vs. Destructive Magic Theme Icon
Creation, Creator, and the Dignity of Life Theme Icon