Welcome to the LitCharts study guide on G. K. Chesterton's The Man Who Was Thursday. Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.
The Man Who Was Thursday: Introduction
The Man Who Was Thursday: Plot Summary
The Man Who Was Thursday: Detailed Summary & Analysis
The Man Who Was Thursday: Themes
The Man Who Was Thursday: Quotes
The Man Who Was Thursday: Characters
The Man Who Was Thursday: Terms
The Man Who Was Thursday: Symbols
The Man Who Was Thursday: Literary Devices
The Man Who Was Thursday: Theme Wheel
Brief Biography of G. K. Chesterton
Historical Context of The Man Who Was Thursday
Other Books Related to The Man Who Was Thursday
- Full Title: The Man Who Was Thursday: A Nightmare
- When Written: 1907-1908
- Where Written: London
- When Published: February 1908
- Literary Period: Edwardian (alternatively late Victorian, anti-romanticism, anti-modernism)
- Genre: Detective Novel, Spy Novel, Mystery, Psychological Thriller, Philosophical Novel, Religious Allegory
- Setting: London, the French countryside
- Climax: The six detectives chase after the President and embark on a spiritual journey.
- Antagonist: The President, the detectives (in disguise), anarchism, pessimism, chaos
- Point of View: Third person omniscient
Extra Credit for The Man Who Was Thursday
Title Turmoil. This novel’s unusual title confused many of its early readers—some reportedly assumed that it was supposed to read, “The Man Who Was Thirsty.”
Subtle Subtitle. G.K. Chesterton argued that most of his readers fundamentally misinterpreted The Man Who Was Thursday because they didn’t pay enough attention to its subtitle: A Nightmare. At the end of the novel, Chesterton presents a worldview in which good and evil are just two sides of the same coin, and people exhaust themselves and give up in their quest for meaning. Many readers thought he believed in this worldview, but actually, as he later explained in his biography, the novel “was meant to begin with the picture of the world at its worst and to work towards the suggestion that the picture was not so black as it was already painted.” Many newer editions of the novel include Chesterton’s explanation as an appendix in order to clarify this point.