In “The Model Millionaire,” Wilde suggests that generosity and compassion are the most consequential traits a person can have. The story opens with a catalogue of pragmatic “great truths of modern life,” asserting that romance and charm are privileges of the wealthy. Tenderhearted Hughie Erskine never learned these truths: both charming and romantic, he nevertheless subsists on a meager family allowance. He lacks the intellect and competitive edge to succeed in any of his attempted careers, and though his charm and good looks gain him wide popularity, his poverty ensures his romantic disappointment: he cannot marry his love Laura without 10,000 pounds. At first, Hughie’s “personal charm” attracts the painter Alan Trevor, but it is his “generous, reckless nature” that wins Alan’s deeper friendship as well as permanent access to his studio. Significantly, this allows Hughie to be present when the millionaire Hausberg models as a beggar for Alan, a sight that compels Hughie to give the disguised Hausberg his last sovereign. Hughie’s generosity is foolish from a practical perspective, impoverished as he is, but it ultimately earns him Hausberg’s immense generosity in response. Perhaps surprisingly, the harsh “truths of modern life” still hold true at the story’s end: romance and charm would have continued to bind Hughie to disappointment and, in this way, they remain wealthy luxuries. Greater intellect or competitive drive, Wilde implies, would not have changed Hughie’s life for the better. In the end, it’s Hughie’s generous nature that triggers the chain of events that improves Hughie’s life and brings him happiness.
Generosity and Compassion ThemeTracker
Generosity and Compassion Quotes in The Model Millionaire
Unless one is wealthy there is no use in being a charming fellow. Romance is the privilege of the rich, not the profession of the unemployed. The poor should be practical and prosaic […]. These are the great truths of modern life which Hughie Erskine never realised.
He had gone on the Stock Exchange for six months; but what was a butterfly to do among bulls and bears?
“Poor old chap!” said Hughie, “how miserable he looks! But I suppose, to you painters, his face is his fortune?”
“Certainly,” replied Trevor, “you don’t want a beggar to look happy, do you?”
“Poor old fellow,” he thought to himself, “he wants it more than I do, but it means no hansoms for a fortnight”; and he walked across the studio and slipped the sovereign into the beggar’s hand.
“An artist’s heart is his head,” replied Trevor; “and besides, our business is to realise the world as we see it, not to reform it as we know it. A chacun son métier”
“I suppose he has come for an apology,” said Hughie to himself; and he told the servant to show the visitor up.
“Millionaire models,” remarked Alan, “are rare enough; but, by Jove, model millionaires are rarer still!”