The One and Only Ivan

by

Katherine Applegate

The One and Only Ivan: days—finally Summary & Analysis

Summary
Analysis
days. Ivan waits during the day and paints at night. When Mack takes Ruby into the ring, Ivan worries. Though Mack carries the claw-stick, he doesn’t have to use it since Ruby no longer fights back.
Threatening Ruby with the claw-stick has dulled Ruby emotionally and made her willing to do whatever Mack asks of her. He’s breaking her spirit through this training.
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nights. At night, Ivan dips his fingers in paint and paints many pieces of paper. They form a giant puzzle. In the morning, Ivan hides the paintings under his pool so that Mack doesn’t sell them in the gift shop. Every painting is for Ruby.
Now that Ivan is throwing himself into helping Ruby, his art becomes something different for him. It’s no longer just something Ivan does for himself—he’s doing it to help protect someone he loves.
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project. One morning, while Ivan is trying to nap, Ruby asks why he’s so sleepy these days. Ivan explains that he’s been working on a painting for Ruby at night, but he can’t show it to her yet. Ruby is pleased, but then she asks if she has to perform in the shows later. Ivan says that she does, but that he’s sorry. Ruby sighs that it’s okay; she already knew she had to.
Ivan is working on a project that will help Ruby, but he can’t do much to improve her situation in the short-term. So, for now, all he can do is tell Ruby the truth (that she has to do the shows) and validate her emotions, making it clear that she doesn’t have to be happy about it.
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not right. The next night, Ivan looks at the dozens of pictures he’s made. The colors and shapes are wrong. He’s not successfully portraying what he wants to—but he doesn’t know what, exactly, is wrong. Ivan looks across the parking lot to the billboard again. He knows it uses words to tell people to come see him. Ivan knows this would be much easier if he could only use human words—but he’s stuck with paint and torn pages. With a sigh, he tries another painting.
Ivan is trying to use the existing billboard to inform his new painting. However, being a gorilla who doesn’t know how to read human words, he’s unable to tap into an important tool that the existing billboard uses to communicate with viewers. But as Ivan works through this hiccup, he also becomes even more dedicated to his artwork and grows into his identity as an artist.
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going nowhere. Ivan watches Ruby circle the ring endlessly. There have been more visitors, but not as many as Mack expected. Mack is planning to cut the animals’ food and turn off the heat at night. Ivan thinks that Ruby looks thinner and more wrinkled, so he asks Bob if Bob thinks that Ruby is getting enough to eat. Bob isn’t sure, but he gripes that Ivan is painting more than enough—it stinks, and he keeps finding paint in his tail. During the nights, Bob sleeps on Not-Tag, the toy gorilla, supposedly because she doesn’t snore or make him seasick since her belly stays still. He asks Ivan what his plan is and offers to help. Ivan says he can’t explain it and the idea is “stupid” anyway. Bob says it’s smelly, but not stupid.
Just as Ivan’s painting doesn’t seem to be going anywhere, Ruby also circles the ring endlessly. And things are starting to look even worse for the animals and their welfare if Mack is going to start rationing food and cutting the heat. Put another way, it’s even more imperative that Ivan figure out what he needs to do to correct his painting, as it seems likely that Ruby’s health may decline. Meanwhile, Bob shows again how important Ivan’s friends and chosen family members are to him: Bob is the one who encourages Ivan to keep going, even though he finds Ivan’s painting annoying.
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bad guys. Ivan dozes until late afternoon, when Mack approaches and Bob hides under Not-Tag. Mack notices a painting sticking out from under Ivan’s pool. Ivan tries to calmly eat an orange as Mack kicks at the pool and pulls out the painting. He doesn’t notice the others under there. This painting is green stripes that are supposed to be grass. Mack studies it and says that he can sell this picture for more money than Ivan’s other drawings. Then he turns Ivan’s TV on to a Western; Ivan knows that the man on the screen is a sheriff because he has a star on his chest. Mack offers to buy Ivan more paint if the painting sells, and he walks away with it. Ivan imagines how it would feel to be the sheriff.
At the beginning of the novel, Ivan explained that anger is precious for gorillas and that it’s something silverbacks use to protect their families. It’s possible to read Ivan’s desire to be like the sheriff on TV as the beginning stages of getting in touch with his anger—an emotion that Ivan hasn’t experienced for some time now. Also important is that Ivan seems to equate Mack, his caregiver, with the “bad guys” in the Western. This shows that while Mack may have done the best he could with Ivan, Ivan no longer sees him as a positive influence in his life.
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Quotes
ad. Bob says this is great news: Ivan will get more paint. Ivan notes that he doesn’t want to paint for Mack, but Bob says that Ivan can paint for Mack and for Ruby. He’s an artist. Ivan wonders if he can stuff his paintings into Not-Tag when they’re dry. The movie he’s watching turns out to be a Western that’s also a romance. When it’s over, an ad comes on. Ivan generally doesn’t understand ads; there are no bad guys or romance. He and Bob watch an ad for deodorant.
Ivan is afraid that Mack is going to foil his plans by making him paint for the gift shop. Again, Ivan has to rely on Bob to emotionally support him and remind him that he can come up with ways to solve this problem—he doesn’t just have to sit back and let Mack win. And indeed, the fact that after some encouragement Ivan comes up with the idea to stuff the paintings into Not-Tag shows how important Bob’s support is.
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The next ad shows children and parents buying tickets and then looking at tigers. There’s a drawing of a red giraffe and then, humans are staring at elephants. Ivan knows what this ad is for: a zoo. He can see the walls of the elephants’ “wild cage.” This place isn’t perfect, but Ivan knows this is what he needs. He looks over at Ruby and tries to remember everything of the cage in the ad. Ivan needs to paint that picture.
Zoos, Ivan acknowledges, aren’t perfect places. Animals still live in cages at zoos. But as Stella shared earlier, humans who run zoos care more for the animals. Seeing what a zoo looks like helps Ivan figure out what, exactly, his painting should be—he needs to portray Ruby someplace happy and make it clear that she’s in a zoo and not just back in the wild.
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imagining. Now, Ivan’s paintings are different. He’s paintings things that he only sees in his head. They’re things that don’t exist yet.
Ivan uses his paintings to tell himself and Ruby a new story: one that he hopes will become true.
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Quotes
not-tag. Ivan pulls Not-Tag’s stuffing out and then hides his paintings inside of her. Bob complains when he tries to sleep on her, and then he says that he misses sleeping on Ivan’s stomach. Later, when Julia arrives, she tells Ivan that he’s a “serious artist” now that he’s used up so many of his supplies.
It's no doubt validating for Ivan to hear Julia call him a “serious artist.” The painting that Ivan is working on is extremely important to him, and so getting Julia’s praise makes it easier for Ivan to believe that he’s doing the right thing.
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one more thing. Ivan’s finger painting sold for $40, so Mack buys Ivan paper and buckets of paints. During the day, Ivan paints for Mack. He paints for Ruby at night and naps when he gets the chance. Despite this, Ivan isn’t pleased with his painting for Ruby. It’s huge, but it’s missing something. Bob accuses Ivan of being “a temperamental artist,” since he has the elephants and the zoo accounted for. But something is missing, and Ivan says that he’ll just have to wait to figure out what it is.
Bob might be dismissive, but Ivan knows he’s playing a delicate game here. He has to be able to effectively convey that he wants Ruby to go to the zoo—and he has to be able to communicate with humans, who don’t always realize that Ivan is capable of communicating something so specific. Ivan may be overthinking it, but it’s impossible to ignore how high the stakes are.
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the seven-o’clock show. Ruby is very tired during the last show of the day. She stumbles at one point, and Mack uses the claw-stick. Ivan waits for Ruby to hit him back, but she doesn’t even acknowledge the hit. Instead, she keeps walking and, after a bit, Snickers leaps onto Ruby’s back.
Notably, Ivan sees here that Mack actually hits Ruby with the claw-stick, which marks the first time in the novel that Mack does so. When Ruby doesn’t respond, it shows Ivan how essential it is that he finish his painting—Ruby’s spirit is breaking, just like Stella said it would.
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Quotes
twelve. Bob lies on Ivan’s stomach, and they both watch Julia do homework. Ivan can tell that she doesn’t like her homework, since she is sighing a lot. He’s still thinking about his painting as Julia asks George what the difference between “principal” and “principle” is. George explains that a principal is a leader, and a principle is a belief. Julia groans that she doesn’t need to spell if she’s going to be an artist. Ivan feels bad for her; gorillas have no use for spelling. Suddenly, Ivan leaps straight up. He knows exactly what he needs and studies the billboard across the street. He imagines Mack reading it to him: Come to the Exit 8 Big Top Mall and Video Arcade, Home of the One and Only Ivan, Mighty Silverback!”
Though both Ivan and Julia believe that artists and gorillas don’t need to be able to spell, earlier, Ivan lamented that his painting would be easier if he could use human words. Presumably, Ivan has figured out that he can use words on the billboard to help Ruby. It's also significant that Ivan has this thought as Julia and George discuss the difference between “principal” and “principle.” For Ivan, it’s a matter of principle that Ruby should be moved to a zoo.
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Ivan lays out 16 pieces of paper in a square. Bob, annoyed, is even more upset when Ivan says that this has to do with the billboard. Bob insists that the billboard is “a monstrosity,” since he’s not on it, but Ivan points out that Bob isn’t in the show. Bob notes that he’s homeless by choice as Ivan studies the billboard. Ivan makes several lines on his paper and asks Bob for his opinion. Bob says it looks like a ladder, but Ivan says it's a letter. He needs a few more so he can write the word “Home.” Bob says that home isn’t so important, but he says it quietly.
Writing the word “home” suggests that Ivan wants people who see his paintings to infer that Ruby’s home should be the zoo, not the mall. And even if Bob insists that he’s homeless by choice, he has, for all intents and purposes, made the mall his home. He may insist that a physical home isn’t important to him, but the mall is the place where Bob is surrounded by other beings who love and support him—another definition of home.
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nervous. Ivan spends the day knuckle walking in circles. He’s nervous because tonight, he’s going to show Julia his painting. Ivan is certain that since Julia is an artist, she’ll see past the tears and smudges and understand what Ivan is trying to convey. As Ivan watches Ruby perform in the four o’clock show, he wonders what will happen if Julia doesn’t get it. He knows the answer: nothing will happen, and Ruby will be the main attraction of the mall for years to come.
This isn’t exactly a life-or-death situation, but Ivan still knows that the consequences will be grave for Ruby if Julia doesn’t understand. Ruby will continue to live like Ivan and Stella, alone and neglected at the mall, if Ivan isn’t successful. But Ivan also hopes that his art will do exactly what it’s supposed to, and that it will connect him to Julia despite being different species.
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Quotes
showing julia. Everything is silent in the mall except for Thelma the macaw. As Julia finishes her homework, Ivan pulls his paintings out of Not-Tag. Then, he pounds on the glass to get Julia’s attention and holds up a corner piece of his big painting. Julia smiles as Ivan shows her picture after picture. She looks confused for a minute, but then she says, “It doesn’t matter. It’s pretty just as it is.” Ivan is distraught—this does matter.
Julia probably means what she says about Ivan’s painting as a compliment. But because she and Ivan can’t communicate using the same language (aside from the language of art), she has no way of knowing that her response is inadequate. Ivan will have to find some other way to communicate what he’s trying to say.
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more paintings. George calls for Julia to hurry up so they can go home. Julia doesn’t understand what Ivan is trying to tell her, so Ivan digs through his paintings and tries to hold a couple up against the glass. Bob drags some paintings over to Ivan, and Ivan then passes them out through the crack in the window.
Ivan is trying to show Julia that his individual pieces of paper fit together to make a much larger image. But because Julia is under pressure to get ready to go, she’s not in a place to give Ivan her full attention or think more critically about his work.
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Julia stacks the paintings neatly and suggests that Mack will want to sell them. Ivan continues to shove more paintings through the crack as George puts on his coat. He notes that the paintings are just blobs and suggests that Julia leave them by the office for Mack. George doesn’t understand why people pay for the finger paintings. Julia gets up and waves goodbye. Ivan looks at Ruby. He knows that she’ll be here forever—and he can’t let that happen.
To both Julia and George, Ivan’s paintings are just something he does so that Mack can sell them. And even though George cares for the mall animals’ welfare, he shows here that he doesn’t think highly of Ivan’s intelligence. He, like Mack, thinks that Ivan just paints blobs and scribbles, and he can’t fathom that Ivan is capable of so much more.
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chest-beating. Visitors often pound their chests when they see Ivan. Their pounding is weak and silent, but when an angry gorilla beats their chest, it’s not a pleasant sound. It can make everyone in the jungle run away in fear.
In this moment, Ivan starts to step into the role of a silverback. Letting go of his placid demeanor will no doubt attract Julia and George’s attention. This is one more way that Ivan can communicate.
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angry. Ivan beats his chest, causing George and Julia to spin around and drop what’s in their hands. Ivan storms around his cage, bellowing and beating his chest. Bob hides, and Ivan thinks that he’s finally angry. Now, he has someone to protect.
Ivan confirms here that he’s becoming a real silverback; he’s angry in this moment because he needs to protect Ruby. He’s showing her that he cares about her, and he’s also showing George and Julia that he cares about something—they just have to figure out what.
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Quotes
puzzle pieces. Ivan grows quiet after a while; he’s out of shape. Julia looks at him with wide eyes and says that something is wrong with Ivan—and she can tell he’s still upset. George sighs that he shouldn’t have swept earlier, now that Ivan’s paintings are all over. He suggests that Ivan just threw a tantrum, but he doesn’t blame Ivan after being stuck in the cage for so long. Suddenly, Julia looks down and freezes. She calls George to come look and points out an H and an E. George is tired and says this is crazy, but Julia runs among the pictures and says that Ivan made something really big. She identifies a trunk and an eye and runs to Ivan. She asks what he made. Ivan crosses his arms. Sometimes, humans make chimps look intelligent.
Describing Ivan’s behavior as a “tantrum” suggests that George sees Ivan as little more than a big toddler, even if he has good reasons for acting out. But this, of course, ignores the fact that Ivan is mature, intelligent, and is doing everything he can to communicate with Julia and George. And sure enough, Ivan seems like he made the right call to trust Julia, a fellow artist, with his painting. She’s willing to listen to him and try to figure out what he made—something that also shows how compassionate and caring she is.
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finally. George and Julia take Ivan’s pictures to the ring and spend an hour laying them out. When Ruby wakes up and asks if the picture is of her, Ivan says it is. She’s at the zoo—and she hasn’t met the other elephants in the picture yet. Julia suddenly realizes that Ivan wrote “Home,” and George suggests that it’s a coincidence. There’s a saying about chimps being able to write novels if they have access to a typewriter long enough. Ivan grumbles, and Julia notes that regardless, Ruby is in a zoo. She points out that Ivan even depicted the zoo’s logo.
Again, George may care about animal welfare, but he routinely underestimates animals’ intelligence. Julia, on the other hand, realizes exactly what Ivan is trying to say—that Ruby belongs in a zoo, rather than at the mall. She’s willing to read into his painting to draw these connections. But because George is so set in his belief that animals aren’t all that intelligent, to him, Ivan’s painting is just a matter of luck—not something that Ivan took the time to plan.
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George smiles helplessly and says he can’t explain the painting. Julia studies Ivan and then the paintings. Then she smiles. She tells George she has an idea that’s “billboard big.” This painting, she says, is intended to be on a billboard; she knows because both she and Ivan are artists. She begs George to help her, but George refuses. Mack will fire him. Julia says that this will be great publicity, but George still refuses. Finally, Julia picks up the claw-stick and hands it to George. She says that Ruby is a baby, and that maybe other people will want to help if they see the billboard. It’s a matter of principle. George isn’t convinced until Julia asks if Ruby will end up like Stella. Then, he goes to get his ladder.
Julia presumably wants to put Ivan’s massive painting up on the billboard, where it will be able to show passing cars that Ruby belongs in a zoo. This puts George in a difficult position. He needs his job, especially since Sara isn’t able to work. But he also cares deeply for the animals’ well-being. Remembering what happened to Stella, George finally sees the importance of standing up for what the novel suggests is right—even if it might put him at risk in the long run.
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