The Shawl

by

Louise Erdrich

Narrator Character Analysis

The narrator of “The Shawl” lives in the same Anishinaabeg lands that his ancestors lived in (in the region of the United States and Canada roughly around the Great Lakes). His mother died when he was young, so as an adolescent and early teenager he grew up with his father, who for a time drank a lot and was abusive, and his younger twin siblings, Raymond and Doris. He develops strategies to deal with his father’s behavior: stashing away food for himself and the twins so that their father can’t sell it, taking off his father’s belt when he’s passed out drunk and hiding it so that he can’t use it to beat them, and slipping money from his father’s sock to provide for himself and his siblings. By age 13, he feels big enough to fight his father, and so one night rather than hiding when his father returns home drunk, he brawls with and overcomes his father. Afterward, his father suddenly seems sober, and for the first time shares that he had a younger sister who died and his own (and therefore the narrator’s) connection to the story of the nine-year-old daughter who Aanakwad threw to the wolves in order to save herself and her infant. As an adult, the narrator lives near his father and his siblings, but he lives alone, while everyone else has found a partner. He connects his chosen solitude to the relatively recent era wherein his people, after being forced off their land and into towns by the United States government, experienced widespread alcoholism and depression. Though things have improved, his generation still bears the aftereffects of that difficult period, and it’s possible that his solitude is a symptom of this inheritance. The narrator is influenced by stories of the Gete-anishinaabeg, the older generation of his people who are said to have been generous and kind. He eventually suggests to his father that perhaps his sister was this kind of person, and thus that she may have sacrificed herself to save her mother, Aanakwad, and the others. In so doing, the narrator suggests that the legacy his family has inherited may not be one of shame and sorrow, but rather of heroic sacrifice and deep cultural connection.

Narrator Quotes in The Shawl

The The Shawl quotes below are all either spoken by Narrator or refer to Narrator. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Inheritance, Reinterpretation, and Personal and Cultural Legacy Theme Icon
).
The Shawl Quotes

Perhaps the story spread through our settlements because the father had to tell what he saw, again and again, in order to get rid of it. Perhaps as with all frightful dreams, amaaniso, he had to talk about it to destroy its power—though in this case nothing could stop the dream from being real.

Related Characters: Narrator (speaker), Husband
Page Number: 393
Explanation and Analysis:

The shadows’ tracks were the tracks of wolves, and in those days, when our guns had taken all their food for furs and hides to sell, the wolves were bold and had abandoned the old agreement between them and the first humans. For a time, until we understood and let the game increase, the wolves hunted us.

Related Characters: Narrator (speaker), Husband
Page Number: 393
Explanation and Analysis:

It was only after his father had been weakened by the disease that he began to tell the story, far too often and always the same way: he told how when the wolves closed in, Aanakwad had thrown her daughter to them. When his father said those words, the boy went still. What had his sister felt? What had thrust through her heart? Had something broken inside her, too, as it had in him? Even then, he knew that this broken place inside him would not be mended, except by some terrible means … He saw Aanakwad swing the girl lightly out over the side of the wagon. He saw the brown shawl with its red lines flying open. He saw the shadows, the wolves, rush together, quick and avid, as the wagon with sled runners disappeared into the distance—forever, for neither he nor his father saw Aanakwad again.

Related Characters: Narrator (speaker), Aanakwad, Daughter
Related Symbols: The Shawl
Page Number: 393-394
Explanation and Analysis:

When we get together … there come times in the talking and card playing, and maybe even in the light beer now and then, when we will bring up those days. Most people understand how it was. Our story isn’t uncommon. But for us it helps to compare our points of view. How else would I know, for instance, that Raymond saw me the first time I hid my father’s belt?”

Related Characters: Narrator (speaker), Raymond, Doris
Page Number: 394
Explanation and Analysis:

He became, for us, a thing to be avoided, outsmarted, and exploited. We survived off him as if he were a capricious and dangerous line of work. I suppose we stopped thinking of him as a human being, certainly as a father.

Related Characters: Narrator (speaker), Son/Father, Raymond, Doris
Page Number: 395
Explanation and Analysis:

His nose had been pushed to one side in a fight, then slammed back to the other side, so now it was straight.

Related Characters: Narrator (speaker), Son/Father
Page Number: 395
Explanation and Analysis:

Gently, though, he clasped one hand around my wrist. With the other hand he took the shawl. He crumpled it and held it to the middle of his forehead. It was as if he were praying, as if he were having thoughts he wanted to collect in that piece of cloth. For a while he lay like that, and I, crouched over, let him be, hardly breathing. Something told me to sit there, still. And then at last he said to me, in the sober new voice I would hear from then on, Did you know I had a sister once?

Related Characters: Narrator (speaker), Son/Father
Related Symbols: The Shawl
Page Number: 397
Explanation and Analysis:

There was a time when the government moved everybody off the farthest reaches of the reservation, onto roads, into towns, into housing. It looked good at first, and then it all went sour. Shortly afterward, it seemed that anyone who was someone was either drunk, killed, near suicide, or had just dusted himself. None of the old sort were left, it seemed — the old kind of people, the Gete-anishinaabeg, who are kind beyond kindness and would do anything for others. It was during that time that my mother died and my father hurt us, as I have said.

Related Characters: Narrator (speaker), Son/Father
Page Number: 396
Explanation and Analysis:

First, I told him that keeping his sister’s shawl was wrong, because we never keep the clothing of the dead. Now’s the time to burn it, I said. Send it off to cloak her spirit. And he agreed.

Related Characters: Narrator (speaker), Son/Father, Daughter
Related Symbols: The Shawl
Page Number: 397
Explanation and Analysis:

The other thing I said to him was in the form of a question. Have you ever considered, I asked him, given how tenderhearted your sister was, and how brave, that she looked at the whole situation? She saw that the wolves were only hungry. She knew that their need was only need. She knew that you were back there, alone in the snow. She understood that the baby she loved would not live without a mother, and that only the uncle knew the way. She saw clearly that one person on the wagon had to be offered up, or they all would die. And in that moment of knowledge, don’t you think, being who she was, of the old sort of Anishinaabeg, who things of the good of the people first, she jumped, my father, indede, brother to that little girl? Don’t you think she lifted her shawl and flew?

Related Characters: Narrator (speaker), Aanakwad, Son/Father, Daughter, Uncle
Page Number: 397-8
Explanation and Analysis:
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The Shawl PDF

Narrator Quotes in The Shawl

The The Shawl quotes below are all either spoken by Narrator or refer to Narrator. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Inheritance, Reinterpretation, and Personal and Cultural Legacy Theme Icon
).
The Shawl Quotes

Perhaps the story spread through our settlements because the father had to tell what he saw, again and again, in order to get rid of it. Perhaps as with all frightful dreams, amaaniso, he had to talk about it to destroy its power—though in this case nothing could stop the dream from being real.

Related Characters: Narrator (speaker), Husband
Page Number: 393
Explanation and Analysis:

The shadows’ tracks were the tracks of wolves, and in those days, when our guns had taken all their food for furs and hides to sell, the wolves were bold and had abandoned the old agreement between them and the first humans. For a time, until we understood and let the game increase, the wolves hunted us.

Related Characters: Narrator (speaker), Husband
Page Number: 393
Explanation and Analysis:

It was only after his father had been weakened by the disease that he began to tell the story, far too often and always the same way: he told how when the wolves closed in, Aanakwad had thrown her daughter to them. When his father said those words, the boy went still. What had his sister felt? What had thrust through her heart? Had something broken inside her, too, as it had in him? Even then, he knew that this broken place inside him would not be mended, except by some terrible means … He saw Aanakwad swing the girl lightly out over the side of the wagon. He saw the brown shawl with its red lines flying open. He saw the shadows, the wolves, rush together, quick and avid, as the wagon with sled runners disappeared into the distance—forever, for neither he nor his father saw Aanakwad again.

Related Characters: Narrator (speaker), Aanakwad, Daughter
Related Symbols: The Shawl
Page Number: 393-394
Explanation and Analysis:

When we get together … there come times in the talking and card playing, and maybe even in the light beer now and then, when we will bring up those days. Most people understand how it was. Our story isn’t uncommon. But for us it helps to compare our points of view. How else would I know, for instance, that Raymond saw me the first time I hid my father’s belt?”

Related Characters: Narrator (speaker), Raymond, Doris
Page Number: 394
Explanation and Analysis:

He became, for us, a thing to be avoided, outsmarted, and exploited. We survived off him as if he were a capricious and dangerous line of work. I suppose we stopped thinking of him as a human being, certainly as a father.

Related Characters: Narrator (speaker), Son/Father, Raymond, Doris
Page Number: 395
Explanation and Analysis:

His nose had been pushed to one side in a fight, then slammed back to the other side, so now it was straight.

Related Characters: Narrator (speaker), Son/Father
Page Number: 395
Explanation and Analysis:

Gently, though, he clasped one hand around my wrist. With the other hand he took the shawl. He crumpled it and held it to the middle of his forehead. It was as if he were praying, as if he were having thoughts he wanted to collect in that piece of cloth. For a while he lay like that, and I, crouched over, let him be, hardly breathing. Something told me to sit there, still. And then at last he said to me, in the sober new voice I would hear from then on, Did you know I had a sister once?

Related Characters: Narrator (speaker), Son/Father
Related Symbols: The Shawl
Page Number: 397
Explanation and Analysis:

There was a time when the government moved everybody off the farthest reaches of the reservation, onto roads, into towns, into housing. It looked good at first, and then it all went sour. Shortly afterward, it seemed that anyone who was someone was either drunk, killed, near suicide, or had just dusted himself. None of the old sort were left, it seemed — the old kind of people, the Gete-anishinaabeg, who are kind beyond kindness and would do anything for others. It was during that time that my mother died and my father hurt us, as I have said.

Related Characters: Narrator (speaker), Son/Father
Page Number: 396
Explanation and Analysis:

First, I told him that keeping his sister’s shawl was wrong, because we never keep the clothing of the dead. Now’s the time to burn it, I said. Send it off to cloak her spirit. And he agreed.

Related Characters: Narrator (speaker), Son/Father, Daughter
Related Symbols: The Shawl
Page Number: 397
Explanation and Analysis:

The other thing I said to him was in the form of a question. Have you ever considered, I asked him, given how tenderhearted your sister was, and how brave, that she looked at the whole situation? She saw that the wolves were only hungry. She knew that their need was only need. She knew that you were back there, alone in the snow. She understood that the baby she loved would not live without a mother, and that only the uncle knew the way. She saw clearly that one person on the wagon had to be offered up, or they all would die. And in that moment of knowledge, don’t you think, being who she was, of the old sort of Anishinaabeg, who things of the good of the people first, she jumped, my father, indede, brother to that little girl? Don’t you think she lifted her shawl and flew?

Related Characters: Narrator (speaker), Aanakwad, Son/Father, Daughter, Uncle
Page Number: 397-8
Explanation and Analysis: