The dynamic between trauma and memory is central to the events of The Turning, as the characters live or relive the momentous, difficult, and violent experiences that shape their lives. The book examines the full effects of trauma, as people first experience it and then later remember and process it, through its reoccurring characters, Vic and the Lang family in particular. The novel develops the story of Vic’s childhood out of chronological order, inviting the reader to see how traumatic events stemming from Vic’s father Bob Lang’s police work leave a permanent mark on Vic’s consciousness and change the trajectory not only of his life, but also the lives of many others around him. Indeed, even the stress that Bob’s work and subsequent alcoholism caused the adolescent Vic is not the consequence of Bob’s actions alone. Instead, Vic’s fraught childhood stems from deeper problems in Angelus, like drugs and corruption, which are far beyond any one person’s control. The way that these events force Vic to prematurely become “the man of the house,” protecting himself, his mother, and his sister from perceived—and real—threats, engender in him his lifelong compulsion to “defend” others. While in many ways this is an admirable trait, Vic takes it to an often self-destructive extreme, neglecting to care for himself or allow himself to be vulnerable—to really feel safe around the people who love him, like his wife Gail. The book also explores the apparently tangential connections that trauma creates, as in the case of Boner McPharlin, Though Vic never knew Boner by name, much of their pain shares the same general source—drug-related crime in Angelus—which has radically changed both of their lives. Boner is a victim of the same forces—likely in the form of the corrupt detectives—that drove Bob Lang to despair (and therefore indirectly traumatized the young Vic).
In presenting trauma’s ability to shapes people’s lives long after they experience the initial traumatic event, Winton shows how the understandable urge to repress painful memories only lets trauma fester and then emerge in unexpected places. While not all the stories in The Turning present the effects of trauma in retrospect, the seeds of future memories or the hints of past events are always present.
Trauma and Memory ThemeTracker
Trauma and Memory Quotes in The Turning
Right then I can’t imagine and end to the quiet. The horizon fades. Everything looks impossibly far off. In two hours I’ll hear Biggie and Meg in his sleeping bag and she’ll cry out like a bird and become so beautiful, so desirable in the total dark that I’ll begin to cry. In a week Biggie and Meg will blow me off in Broome and I’ll be on the bus south for a second chance at the exams. In a year Biggie will be dead in a mining accident in the Pilbara and I’ll be reading Robert Louis Stevenson at his funeral while his relatives shuffle and mutter with contempt. Meg won’t show. I’ll grow up and have a family of my own and see Briony Nevis, tired and lined in a supermarket queue, and wonder what all the fuss was about. And one night I’ll turn on the TV to discover the fact that Tony Macoli, the little man with the nose that could sniff round corners, is Australia’s richest merchant banker. All of it is unimaginable.
But the blitz truck was gone and the tractor, too. A great mound of coals smouldered on the sand. Where the big tent had been there were bottles and cans and the smooth imprints of mattresses and bodies. The harvest, he thought. There must be rain on the way. He took the hook from his pocket. It was blunt and misshapen. It shone in the sun. Vic’s leg throbbed and burned. He looked out across the sea for the first sign of cloud, for any kind of signal of a change in the weather, but the sea and the sky were as pale and blue and blank as sleep, as empty as he felt standing there on the lapping shore.
From one summer to the next water restrictions grew more drastic and people in our neighborhood began to sink bores to get water. The Englishman next door was the first and then everyone drilled and I thought of Alan Mannering raining silently down upon the lawns of our street. I thought of him in lettuce and tomatoes, on our roses. Like blood and bone. I considered him bearing mosquito larvae – even being in mosquito larvae.
I was right to doubt the 1194 man on the telephone. Time doesn’t click on and on at the stroke. It comes and goes in waves and folds like water; it flutters and sifts like dust, rises, billows, falls back on itself. When a wave breaks, the water is not moving. The swell has travelled great distances but only the energy is moving, not the water. Perhaps time moves through us and not us through it. Seeing the Joneses out on the street, the only people I recognized from the old days, just confirmed what I’ve thought since Alan Mannering circled me as his own, pointed me out with his jagged paling and left, that the past is in us, and not behind us. Things are never over.
I suppose the sources of obsession are at once mundane and mysterious. If it wasn’t for my sister’s own fixation I’d be less forgiving about Vic and the weight of his past. I wouldn’t understand at all. I’d be long gone.
I’m ten years younger than Vic. I was brought up in the suburbs. So much of his youth seems to have taken place in an altogether different country – the teenage pregnancies, the roll-call of who died or went to jail before they reached majority – and the soundtrack of his youth is different from mine, but we do share a sense of having lived under siege. We each knew about the transmission of fear, and the fatigue associated with living in a circumscribed world. For me it was the church and for him the town, and for both of us the weird culture of family. When Vic and I met we were emerging from lives of vigilance and I think we liberated each other. Which is why I don’t give up on him. We’re part of each other’s survival. But it’s gone awry since his parents died. He’s frozen over, shut down.
On all fours, dripping and panting until he began to sob and cause people to step around him in consternation, he knew that things were wrong, that he had to make a change. Everything here was tainted now. Continuing to pretend otherwise was simply and finally beyond him.
In the old days, when they were kids, they played together off and on, the way you do when there are plenty of kids about and you find yourself falling in with someone for an hour or so. Cockleshell was bigger then and much more lively. With the meatworks and the whaling station still operating, the string of houses along the shore was full. It seemed that there were kids everywhere and they ran in a loose mob, roaming the bush and the estuarine flats in search of entertainment. Their hamlet had its own sign out on the bay road back then. Cockle Shoal. But then as now people called the place Cockleshell and that’s what Brakey knows it as.
Brakey has the rest of his life to remember Agnes Larwood and the hunger he had for her those weeks the year he turned fifteen. He’ll live to see Cockleshell disappear altogether and the luxury estate, Spinnaker Waters, take its place. Until she dies, his poor lonely mother will punctuate all talk of human affairs with the tart summation that they all leave in you in the end. Yet he often wonders about Eric Larwood, the man who wouldn’t leave. They dragged the charred shell of him out on a vinyl sheet. Agnes and her family bedded down one last time at Brakey’s place but nobody slept. Next day the Welfare people came and they were never seen in town again.
She was tired, yet it wasn’t ordinary fatigue. It was a deeper exhaustion. She was sick of herself, appalled at what she’d been thinking only minutes ago, ashamed of what she was, a mother who didn’t much care. Maybe someone like her didn’t deserve better than Max. She didn’t love him at all. But she was too scared to leave him, and not just because she was afraid of what he’d do to her or the girls if she did. No, she was really more frightened of being alone.
In the spill of light at the bedside she saw the little dome and her man upon the waves. She said his name, too, said it aloud with love enough to send a shudder through Max as he pushed her down. She knew she was safe from him now, not safe from tonight but gone from him altogether. He smelt of death already, of burning, of bile and acid. He was crying and she did not pity him. He was gone and it didn’t matter when. Everything was new. In her dome it snowed birds as the van rocked, birds like stars. The moment Max speared into her and tore open her insides she was full of hot and certain feeling. She was free. She had already outlived him.
His brother rolled over. A fat red moon emerged from behind the highest, farthest dune. Frank felt sand in his shorts. His undies sagged, full and bulky with it, the way they were the day he pooped his pants at school. He remembered the way he had to wide-leg it to the toilets. With all the kids laughing. And how he locked himself inside to wait for his mother. How Max came in and said he’d kill him if he didn’t stop bawling and clean himself up. You’re adopted, he said, they found you on the tip, in a kennel. The day went on forever and their mother never came.
It was you, said Leaper.
Max said nothing.
You, he thought. When the grass suddenly went hard underfoot, and the ball forever out of reach, it was you lurking at the back of my mind. That’s what fucked it, that’s why I started to care. There you were, bro. Just the thought of you was a weight in my legs, and the more I cared the worse it was.
A bigger wave came upon them. Before Leaper could surrender to it he had to earn it. He kicked so hard he felt poison in his legs. But he got them the wave. Max’s head was loose on his neck.
They bellied down the long, smooth face and beneath them the reef flickered all motley and dappled, weaves of current and colour and darting things that were buried with Max and him as a thundering cloud of whitewater overtook them. The blast of water ripped through Leaper’s hair and pounded in his ears. The reef was all over him but he held fast to his brother, hugging him to the board, hanging on with all the strength left in his fingers, for as long as he could, and for longer than he should have.
You can’t leave the window. You’re not sure what to look for but you know you have to be ready. From here you have a long, clear view. Responsibility is on you now, formless and implacable as gravity. You’re just waiting for them to make a move. Let them. Yes, let them try.
The stock of the weapon warms your cheek, keeps you steady. You can’t look at the bed for fear that you’ll lie down and sleep. You can do this. You can hold out for as long as it takes to have everyone home safe, returned to themselves and how things used to be. You cock you weapon.
I felt strangely short of breath and when I followed him indoors. I was unprepared for how strongly the shack smelled of him. It was not an unpleasant odour, that mix of shaving soap, leathery skin and sweat, but the sudden familiarity of it overwhelmed me. It was the scent of a lost time, how my father smelled before the funk of antacids and the peppermints that never quite hid the stink of booze. I nearly fell into the wooden chair he pulled out for me. While he stoked up the old Metters stove and set the blackened kettle on it I tried to compose myself.
Once upon a time it had been true. Honest Bob. He was straight as a die and what you saw was what you got. I believed in him. He was Godlike. His fall from grace was so slow as to be imperceptible, a long puzzling decline. Even during that time he was never rough or deliberately unkind. If he had been it would have been easier to shut off from him. He just disappeared by degrees before our eyes, subsiding into a secret disillusionment I never understood, hiding the drink from my mother who, when she discovered it, hid it from me in turn for fear I would lose respect for him. She turned herself inside out to protect him and then me. And at such cost. All for nothing. He ran away. Left us. I grew up in a hurry.
Drugs, I spose. Never really understood it. Just that he’d fallen foul of em. And any question, any witness account died on the vine, didn’t matter who it came to. Felt like, whatever was going on I was the only bloke not in on it. And the city blokes were in on it; it was bigger than that little town, that’s for sure. So who do you talk to? Even if you’ve got the balls, who can you trust? It ate me alive. Ulcers, everything. I should have quit but I didn’t even have the courage to do that. Would have saved us all a lot of pain. But it’s all I ever wanted to do, you see, be a cop. And I hung on till there was nothing left of me, nothing left of any of us. Cowardice, it’s a way of life. It’s not natural, you learn it.
No, he decided. He’d say nothing. It was what he was best at now. When you’ve lost your pride there’s nothing left to say.
He lay there to wait it out. At the first break in the fog he’d take the camera up the rock and set the flash off at regular intervals. Eventually he’d guide the vollies up to where he was. It’d come out alright. They wouldn’t freeze to death. The girl, Marie, would forget her blubbering fear because she’d get her rescue piece on the front page. She’d have her victim, her ordeal, her stoic hero. It’d be a great story, a triumph, and none of it would be true.
The bedrails jingled as he shook.
But I’m solid, he said. Solid as a brick shithouse. Unreliable be fucked. Why they keep callin me unreliable? I drive and drive. I don’t say a word. They know, they know. Don’t say a fuckin word. Don’t leave me out, don’t let me go, I’m solid. I’m solid!
He began to cry then. A nurse came in and said maybe I should go.
All I knew was this, that I hadn’t been Boner’s friend at all. Hadn’t been for years. A friend paid attention, showed a modicum of curiosity, made a bit of an effort. A friend didn’t believe the worst without checking. A friend didn’t keep her eyes shut and walk away. Just the outline now, but I was beginning to see.
They’d turned me. They played with me, set me against him to isolate him completely. Boner was their creature. All that driving, the silence, the leeway, it had to be drugs. He was driving their smack. Or something. Whatever it was he was their creature and they broke him.
I sat in the car beneath the lighthouse and thought of how I’d looked on and seen nothing. I was no different to my parents. Yet I always believed I’d come so far, surpassed so much. At fifteen I would have annihilated myself for love, but over the years something had happened, something I hadn’t bothered to notice, as though in all that leaving, in the rush to outgrow the small-town girl I was, I’d left more of myself behind than the journey required.
Do you realize that every vivid experience in your life comes from your adolescence? You should hear yourself talk. You’re trapped in it Nothing you do now holds your attention like the past. Not me, not even your work, these days. I feel like I’m getting less real to you by the day, that I’m just part of some long, faded epilogue to your real life. Last year I put up with it. It was lonely, Vic, but now it’s worse. Shingles, twice in two months. That’s a physical breakdown. How long before you cave in altogether?
The neuralgia rattled him. It was usually the precursor to a relapse. And, God, he didn’t want to return to how he was at Christmas – the searing headaches, the blisters. Gail was right to be afraid. It frightened him too, this total collapse, because he felt his mind teetering t its limit. He’d been this close before but he’d never told her. At this great distance he could still see himself, the boy behind the curtain, cradling death in his arms. He was forty-four years old but he felt just as helpless. He knew what the boy didn’t, that you couldn’t keep soldiering on indefinitely. But beyond that, even at this age, he still didn’t know the first thing about saving himself.
Pull!
He led but did not fire. He thought of the boy lurking behind the curtain. The skeet hummed off into the twilight. It was important to know he could resist the urge.
Again? Called Fenn.
Yeah, said Vic. Pull.
He hit both targets and felt his face crease into a smile that tested every scab. This was different. It was strangely untroubling in its pointlessness. Fenn was right. Nothing got hurt.
He stood there firing until Keira went inside and the smell of roasting lamb wafted across the grass. He blasted away, pull after pull after pull, until he was covered in sweat and they were out of ammo and he realized that darkness had fallen around him and he was happy.