The Westing Game

by

Ellen Raskin

The Westing Game: Chapter 13 Summary & Analysis

Summary
Analysis
Shin Hoo’s restaurant is empty when the bomber sets their next trap behind some cans on a shelf. The color-striped candle they are using as fuel is scheduled to burn down to the fuse at 6:30 p.m.—whoever is working will not be hurt. Shin Hoo’s, the bomber knows, will be extra-busy because of the closure of the Theodorakis coffee shop. At that very moment, Grace Wexler—the new seating hostess at Shin Hoo’s—tacks up a new ad for the restaurant in the elevator. Mr. Hoo interrupts his wife as she goes through an old trunk containing childhood mementos from China and brings her up to the kitchen to start cooking, then hurries off to stop Doug from jogging in the stairwell and urge him to put on his busboy outfit. When Hoo returns to the restaurant, he and Grace bond over how hard it is to be a parent.
Even as the bomber continues to sow discord among the heirs—for reasons yet unknown—some tensions deepen while others relax. Grace and Hoo have at last decided to work together in earnest—their new partnership reflects that while several heirs are not yet ready to put aside their suspicions and work together, others are deepening their understandings of one another (and thus getting ahead in the game, whether they know it or not).
Themes
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As the restaurant opens for dinner, many of the heirs head up to the establishment for dinner. Chris and Sydelle sit together, as do Theo and Angela. Angela, making small talk, asks Theo about his college plans. Theo, however, says he isn’t going to college—the operation Chris needs to reverse his sudden-onset neurological disorder is too expensive. Angela admits that she herself only went to college for a year—she wanted to be a doctor, but her parents urged her to marry for money. Theo asks her if she’d go back to school if she won the inheritance. Angela looks down, unable to answer.
As Theo and Angela discuss their lives, more of their private motivations are revealed. Theo genuinely wants only to help his family—so it makes sense that he is the one to suggest that the heirs do whatever they can to win together, even if their individual earnings are reduced. Angela, on the other hand, has never even stopped to consider what it is she truly wants in life—she’s clearly confused by her choices and uncertain of whether she’s making the right decisions. She can’t even fully focus on the game because her own demons are haunting her.
Themes
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Mystery and Intrigue Theme Icon
Ford and Flora sit together at dinner—they, too, struggle to find something to talk about. Flora talks about her dressmaking business, but when the conversation veers toward her daughter, she switches the discussion quickly to Angela and what a beautiful bride she will be. Flora says that Angela reminds her of someone. The judge asks who that might be. “Violet Westing,” replies Flora—Flora made Violet’s wedding dress.
As the heirs let their guard down a little bit at a time, they uncover important new information about one another. Once again, this passage hammers home that the true answer to solving the game lies not only in the nonsensical clues, but in the heirs’ collective sharing of stories and resources.
Themes
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Grace seats Jake at a table with the sour-faced Turtle, who is listening to the stock market report on her radio. Hoo comes over to take their order. He asks Jake, in a low voice, what the point spread is on the upcoming Packers game. Jake tells him to ask another time. Turtle matter-of-factly tells her father that she knows he’s a bookie. Sydelle and Chris continue talking, and Chris asks for Sydelle’s notes. Sydelle assures Chris she’ll show them to him soon. She abruptly stands up to leave and thumps toward the kitchen door to give her compliments to the chef before heading home. Otis Amber arrives at the restaurant, bundled up in snow boots and scarves. As he announces his entrance, the second bomb goes off.
Some of the heirs are working so hard to disguise their identities from those closest to them that they don’t realize their covers may already be blown. In this passage, as tensions between several characters come to a head once again—Turtle announces that she knows about Jake’s side gig, and Sydelle weighs whether to take pity on Chris and help him with her notes—the second bomb detonates, again externalizing the simmering conflicts all throughout the restaurant.
Themes
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As red sparks hiss through the kitchen and Hoo attempts to get everyone to stay exactly where they are, Grace tries to calm everyone down by insisting there’s been a “little mishap.” As Hoo comes back out of the kitchen, however, he asks for someone to call an ambulance. Angela runs into the kitchen. Jake calls 911. As everyone fusses over Sydelle, she insists she’s all right. Privately, she thinks about how she doesn’t want attention like this, but to earn it on her own terms. When the ambulance arrives, the paramedic tells Sydelle she has fractured her ankle. Angela frets terribly over Sydelle as she is loaded into the ambulance. Angela’s parents urge her to accompany her partner to the hospital—Grace tells her to check in with Denton while she’s there.
In the aftermath of the bombing, everyone tries to underplay its impact. Grace doesn’t want Hoo to be seen in a suspicious light, while Sydelle doesn’t want attention that comes with pity. The bomb has diffused the tensions in the room for the moment, yet what this bomb will do to the already shaky relationships between many of the heirs remains to be seen. 
Themes
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A policeman and a fire inspector arrive on the scene and declare the matter a gas explosion. Grace asks the policeman to address the burglaries, but he insists he’s with the bomb squad, not robberies. Jake points out how odd it is for two explosions to happen so close together, but the fireman says that with weather packing snow over the air ducts, such a thing isn’t really out of the ordinary. Grace and Jake return to their apartment and open up the windows, determined to keep their apartment in the clear as Angela’s bridal shower approaches—they do not know that the bomber has already chosen their apartment as the site of the next bombing.
Raskin, once again, uses the device of an end-of-chapter cliffhanger to increase the tension. As the tension in the book mirrors the tension between the various heirs, Raskin uses mystery and intrigue to underscore how complex and unknowable each one of her 16 protagonists truly is. The characters’ motivations are often unknown—such as why the bomber has singled out these three places specifically—and yet the pleasures of untangling the webs of human connection and motivation are as real as those of solving a complex mystery.
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