The Westing Game

by

Ellen Raskin

The Westing Game: Chapter 22 Summary & Analysis

Summary
Analysis
On Saturday morning, the tenants of Sunset Towers awake to find a notice posted in the elevator. It is from Turtle. She admits to being the bomber and apologizes for being “dumb”—but she insists she is not a thief or a murderer. As Madame Hoo and Mr. Hoo get into the elevator on their way to Doug’s track meet, Hoo laments Grace’s bad luck and gives thanks that his son is just a “dumb jock.” Madame Hoo, excited for Doug’s track meet and the gold medals he’ll win, decides that though she’s stolen many other things, she’ll never steal Doug’s shiny trophies.
This passage reveals definitively that Madame Hoo is the burglar—she has been stealing and hoarding her neighbors’ things all along. Though she’s been betraying her neighbors and fellow players in the game on one level, she’s also been struggling with a sense of loneliness and betrayal of her own—things are more complicated than simple categories allow for.
Themes
Capitalism, Greed, and Inheritance Theme Icon
Prejudice and Bigotry Theme Icon
Mystery and Intrigue Theme Icon
Jake and Grace, in the elevator on the way to Doug’s track meet, argue over Turtle. Grace insults her daughter, stating that she’s always felt the hospital mixed up the babies when she brought Turtle home. Jake chastises Grace for being so cruel and asks where the kind, fun-loving Gracie Windkloppel has gone. Grace, in turn, insults Jake for being a fake doctor. Jake privately laments that his wife doesn’t take him seriously—he believes she resents him because when she married him, her family disowned her for tying her life to a Jewish man.
This passage reveals that Grace and Jake have deep-seated, unaddressed issues in their marriage. Grace clearly wanted to run away from her heritage and her past, so she chose a match that her parents would never approve of and fled. Jake and she both carry an enormous amount of baggage, it seems, over this decision—Grace’s parents’ prejudice, Grace’s own denial of her true self, and Jake’s failure to feel supported or valued all weigh on them daily.
Themes
Solidarity vs. Individualism Theme Icon
Prejudice and Bigotry Theme Icon
Mystery and Intrigue Theme Icon
As the elevator doors open on the lobby, Grace begins crying. She apologizes for being so cruel. Jake presses the button to go back up and takes Grace in his arms, telling her they can skip the meet. On the second floor, though, the doors open--Turtle, having been at Flora’s, is standing in front of them. She apologizes to her crying mother for setting off a “few fireworks.” Jake tells Turtle they’re going home. He urges her to have fun with Flora at the track meet. Turtle is confused—she is not on her way to a track meet.
As Grace has a full-on meltdown, revealing her true emotions for the first time in the novel, the other characters are visibly flustered by what to do for her. When faced with the true contents of another’s soul, many of the heirs are so unused to the raw emotionality that they can barely muster a reaction.
Themes
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Jake leads the sobbing Grace into their apartment. Angela and Sydelle, newly home from the hospital, are inside. Grace and Jake, however, don’t even seem to care that Angela is back. Angela realizes that she is on her own—but she is delighted rather than saddened. She lets out a little laugh of joy. Sydelle tells her that tonight is the night they’re going to win it all. They playfully sing “America The Beautiful,” focusing on the line mentioning “amber waves of grain.”
Angela has felt stifled by her parents—specifically by her mother—for so many years. Now, as she realizes she’s not—at least for the moment—the focus of her mother’s life, she feels free rather than disappointed. The bombings were always about Angela freeing herself—in this scene, she sees that her mission has been at least partly accomplished.
Themes
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Ford paces alone in her apartment, wondering what the night will hold. Sam Westing may try to take his revenge—he may even be alive. There is a knock at the door, and when Ford answers it, she is surprised to see Denton Deere and Chris Theodorakis. Denton explains that everyone else in the building is going to Doug’s track meet—Chris needs looking after, and Denton has to get back to the hospital. Ford agrees to mind Chris. Chris greets Judge Ford with a handshake and a shaky but intelligible hello—Ford is shocked. Chris explains that the medicine he’s been receiving at the hospital has helped a lot. Denton knows that Chris may still remain in a wheelchair for the rest of his life—but that there are even more effective medications being developed.
Denton and Chris are one of the Westing game pairs who have most truly helped one another. Denton has helped Chris through a terrible disease, providing him access to treatment he might not otherwise have been able to attain. The effect is astounding, and Ford finds herself touched by the gifts the partnership has granted both men.
Themes
Solidarity vs. Individualism Theme Icon
After Denton leaves, Chris goes to the window to birdwatch while Ford continues going over her dossiers. She decides that Mrs. Westing, who was thin and tall in all her pictures and must be about sixty, can be no one other than Crow. She continues looking through the files, focusing on Sam Westing’s in particular. She realizes that the face of the wax dummy in the coffin at Westing’s will reading was modeled over his face before his accident—an accident in which he sustained serious facial injuries. Westing’s face was remade with plastic surgery after the accident—Ford knows Westing could be anyone.
Ford continues unraveling the potential twists and turns in the case, but each mystery she reveals leads to another. If Westing is still alive, as Ford suspects he is, discerning Mrs. Westing’s identity only solves one part of the problem—the mystery of who Westing himself is hiding out as remains to be solved.
Themes
Solidarity vs. Individualism Theme Icon
Capitalism, Greed, and Inheritance Theme Icon
Mystery and Intrigue Theme Icon
Turtle goes to her dentist appointment. She is unimpressed by the dentures in a glass cabinet on the wall—she thinks they’re poorly made. Sandy’s dentist, however, explains that the imperfections are what make the false teeth look real. As the dentist gets to work, Turtle distracts herself from the drill by thinking of a visit she and her family received earlier from Barney Northrup, demanding repayment for all the damage done throughout the building by Turtle’s bombs. Turtle kicked him in the shins—her hardest kick ever. Before Turtle knows it, the drilling is done—and it is time to go with Flora to the hairdresser to have her singed braid lopped off.
At Turtle’s dental appointment, she meets Sandy’s dentist and, unbeknownst even to herself, reflects on several important clues: her encounter with Barney Northrup and her glance at the dentist’s handiwork in the form of elaborately-made dentures may hold the clues to the puzzle of Westing’s true identity amongst the heirs.
Themes
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Doug wins the biggest event at his meet: the mile run. As photographers take pictures of the beaming Doug, Doug insists he owes everything to his father. After the reporters dissipate, Madame Hoo uses a combination of Chinese and English to insist that Doug wear his medals to the Westing house that night.
The Hoo family enjoys a happy afternoon celebrating Doug. They want everyone to know how proud they are of their son. In spite of all their family’s troubles, they are able to come together in celebration of Doug’s successes.
Themes
Solidarity vs. Individualism Theme Icon
Prejudice and Bigotry Theme Icon
Sandy returns to Ford’s apartment to deliver some sad news. He says that Barney Northrup has fired him for being lazy and drinking on the job—all lies, Sandy insists. Sandy asks if Ford will put in a good word for him with Barney—he wants his job back. Ford insists she hasn’t seen Northrup since she rented the apartment. She begins to wonder if Northrup is Westing in disguise. Together, Sandy and Ford make a plan for the evening: they plan to give no answer at the meeting tonight. Their only duty, Ford insists, is to protect Crow. Sandy confesses to Ford that he has discovered that Otis doesn’t live in the grocery basement—he believes Otis is Sam Westing in disguise. Ford has no idea what to believe. She is determined not to play into Westing’s hands.
Ford knows that time to solve the mystery in advance is running out. With so many different possibilities as to who Westing could truly be, she sees no way of entering the night confidently, one step ahead of the master, as she’d hoped to. Ford, haunted by her childhood games of chess with Westing, wonders how she can possibly win against someone who’s holding all the chips.
Themes
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Mystery and Intrigue Theme Icon
Otis and Crow make their way to the Westing house. Crow, however, is being sluggish—she tells Otis she has a bad feeling about entering the house. She feels it is a manor full of “sin” and that Westing is still in there. Otis insists that Westing is dead. When Crow retorts that Westing is hunting for Violet’s murderer, Otis accuses her of scaring herself with frightening thoughts. As they make their way to the house, Crow mutters that she can’t shake the feeling that she is in real danger.
Crow herself knows exactly what is going on in the Westing game—she is aware that she is a pawn and that Westing holds the key to winning the whole thing. Nevertheless, she perhaps believes she deserves whatever penance is her due for her role in Violet’s death—she willingly enters the house to face whatever is waiting for her.
Themes
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