Lily Briscoe Quotes in To the Lighthouse
Then beneath the colour there was the shape. She could see it all so clearly, so commandingly, when she looked: it was when she took her brush in hand that the whole thing changed. It was in that moment’s flight between the picture and her canvas that the demons set on her who often brought her to verge of tears and made this passage from conception to work as dreadful as any down a dark passage for a child.
…because distant views seem to outlast by a million years (Lily thought) the gazer and to be communing already with a sky which beholds an earth entirely at rest.
[Lily] took shelter from the reverence which covered all women; she felt herself praised. Let [Mr. Bankes] gaze; she would steal a look at her picture.
…there issued from [Mr. Ramsay] such a groan that any other woman in the whole world would have done something, said something—all except myself, thought Lily, girding at herself bitterly, who am not a woman, but a peevish, ill-tempered, dried-up old maid presumably.
What is the meaning of life? That was all—a simple question; one that tended to close in on one with years. The great revelation had never come. The great revelation perhaps never did come. Instead there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one.
Mrs. Ramsay making of the moment something permanent (as in another sphere Lily herself tried to make of the moment something permanent)—this was of the nature of a revelation.
[Lily] went on tunneling her way into her picture, into the past.
One wanted fifty pairs of eyes to see with, [Lily] reflected. Fifty pairs of eyes were not enough to get round that one woman with, she thought. Among them, must be one that was stone blind to [Mrs. Ramsay’s] beauty.
Lily Briscoe Quotes in To the Lighthouse
Then beneath the colour there was the shape. She could see it all so clearly, so commandingly, when she looked: it was when she took her brush in hand that the whole thing changed. It was in that moment’s flight between the picture and her canvas that the demons set on her who often brought her to verge of tears and made this passage from conception to work as dreadful as any down a dark passage for a child.
…because distant views seem to outlast by a million years (Lily thought) the gazer and to be communing already with a sky which beholds an earth entirely at rest.
[Lily] took shelter from the reverence which covered all women; she felt herself praised. Let [Mr. Bankes] gaze; she would steal a look at her picture.
…there issued from [Mr. Ramsay] such a groan that any other woman in the whole world would have done something, said something—all except myself, thought Lily, girding at herself bitterly, who am not a woman, but a peevish, ill-tempered, dried-up old maid presumably.
What is the meaning of life? That was all—a simple question; one that tended to close in on one with years. The great revelation had never come. The great revelation perhaps never did come. Instead there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one.
Mrs. Ramsay making of the moment something permanent (as in another sphere Lily herself tried to make of the moment something permanent)—this was of the nature of a revelation.
[Lily] went on tunneling her way into her picture, into the past.
One wanted fifty pairs of eyes to see with, [Lily] reflected. Fifty pairs of eyes were not enough to get round that one woman with, she thought. Among them, must be one that was stone blind to [Mrs. Ramsay’s] beauty.