Judgment, Perspective, and Storytelling Theme Analysis

Tiny, squirt trees. Little birdhouses in a row—and one of those birdhouses was ours. No swimming hole, no barn, no cows, no chickens, no pigs. Instead, a little white house with a miniature patch of green grass in front of it. It wasn’t enough grass to keep a cow alive for five minutes.

From what I could gather, Mr. Winterbottom worked in an office, creating road maps. Mrs. Winterbottom baked and cleaned and did laundry and grocery shopping. I had a funny feeling that Mrs. Winterbottom did not actually like all this baking and cleaning and laundry and shopping, and I’m not quite sure why I had that feeling because if you just listened to the words she said, it sounded as if she was Mrs. Supreme Housewife.

Just then, she came in from the back porch. My father put his arms around her and they smooched and it was all tremendously romantic, and I started to turn away, but my mother caught my arm. She pulled me to her and said to me—though it was meant for my father, I think—“See, I’m almost as good as your father!” She said it in a shy way, laughing a little. I felt betrayed, but I didn’t know why.

It is surprising all the things you remember just by eating a blackberry pie.

Ben touched Phoebe’s arm. She flinched. “Ha,” he said. “Gotcha. You’re jumpy, too, Free Bee.”

And that, too, bothered me. I had already noticed how tense Phoebe’s whole family seemed, how tidy, how respectable, how thumpingly stiff. Was I becoming like that? Why were they like that? A couple times I had seen Phoebe’s mother try to touch Phoebe or Prudence or Mr. Winterbottom, but they all drew back from her. It was as if they had outgrown her.

Had I been drawing away from my own mother? Did she have empty spaces left over? Was that why she left?

“She looked as if she’d been crying. Maybe something is wrong. Maybe something is bothering her.”

“Don’t you think she would say so then?”

“Maybe she’s afraid to,” I said. I wondered why it was so easy for me to see that Phoebe’s mother was worried and miserable, but Phoebe couldn’t see it—or if she could, she was ignoring it. Maybe she didn’t want to notice. Maybe it was too frightening a thing. I wondered if this was how it had been with my mother. Were there things I didn’t notice?

My long hair floated all around me. My mother’s hair had been long and black, like mine, but a week before she left, she cut it. My father said to me, “Don’t cut yours, Sal. Please don’t cut yours.”

My mother said, “I knew you wouldn’t like it if I cut mine.”

My father said, “I didn’t say anything about yours.”

“But I know what you’re thinking,” she said.

“I loved your hair, Sugar,” he said.

I saved her hair. I swept it up from the kitchen floor and wrapped it in a plastic bag and hid it beneath the floorboards of my room. It was still there, along with the postcards she sent.

What I started doing was remembering the day before my mother left. I did not know it was to be her last day home. Several times that day, my mother asked me if I wanted to walk up in the fields with her. It was drizzling outside, and I was cleaning my desk, and I just did not feel like going. “Maybe later,” I kept saying. When she asked me for about the tenth time, I said, “No! I don’t want to go. Why do you keep asking me?” I don’t know why I did that. I didn’t mean anything by it, but that was one of the last memories she had of me, and I wished I could take it back.

“He probably never took English,” Phoebe said.

To me that Y looked like the newly born horse standing up on his thin legs.

The poem was about a newlY born horse who doesn’t know anything but feels everything. He lives in a “smoothbeautifully folded” world. I liked that. I was not sure what it was, but I liked it. Everything sounded soft and safe.

And just like Phoebe, who had waved her mother’s sweater in front of her father, I had brought a chicken in from the coop: Would Mom leave her favorite chicken?” I demanded. “She loves this chicken.”

What I really meant was, “How can she not come back to me? She loves me.”

“So you didn’t leave Gramps just because of the cussing?”

“Salamanca, I don’t even remember why I did that. Sometimes you know in your heart you love someone, but you have to go away before your head can figure it out.”

All through dinner, I kept thinking of Bybanks, and what it was like when we went to my grandparents’ house for dinner. There were always tons of people—relatives and neighbors—and lots of confusion. It was a friendly sort of confusion, and it was like that at the Finneys’ […] Maybe this is what my mother had wanted, I thought. A house full of children and confusion.

It went on and on like that. I hated her that day. I didn’t care how upset she was about her mother, I really hated her, and I wanted her to leave. I wondered if this was how my father felt when I threw all those temper tantrums. Maybe he hated me for a while.

I knew Phoebe was convinced that her mother was kidnapped because it was impossible for Phoebe to imagine that her mother could leave for any other reason. I wanted to call Phoebe and say that maybe her mother had gone looking for something, maybe her mother was unhappy, maybe there was nothing Phoebe could do about it.

When I told this part to Gram and Gramps, Gramps said, “You mean it had nothing to do with Peeby?” They looked at each other. They didn’t say anything, but there was something in that look that suggested I had just said something important. For the first time, it occurred to me that maybe my mother’s leaving had nothing whatsoever to do with me. It was separate and apart. We couldn’t own our mothers.

Instead, I lay there thinking of the poem about the traveler, and I could see the tide rising and falling, and those horrid white hands snatching the traveler. How could it be normal, that traveler dying? And how could such a thing be normal and terrible both at the same time?

I started wondering if the birds of sadness had built their next in Mrs. Cadaver’s hair afterward, and if so, how she got rid of them. Her husband dying and her mother being blinded were events that would matter in the course of a lifetime. I saw everyone else going on with their own agendas while Mrs. Cadaver was frantically trying to keep her husband and her mother alive. Did she regret anything? Did she know the worth of water before the well was dry?

If there had been a vase, would have squashed it, because our heads moved completely together and our lips landed in the right place, which was on the other person’s lips. It was a real kiss, and it did not taste like chicken.

And then our heads moved slowly backward and we stared out across the lawn, and I felt like the newlY born horse who knows nothing but feels everything.

Ben touched his lips. “Did it taste a little like blackberries to you?” He said.

“It’s not terrible,” my mother said. “It’s normal. She’s weaning them from her.”

“Does she have to do that? Why can’t they stay with her?”

“It isn’t good for her or for them. They have to become independent. What if something happened to Moody Blue? They wouldn’t know how to survive without her.”

While I prayed for Gram outside the hospital, I wondered if my mother’s trip to Idaho was like Moody Blue’s behavior. Maybe part of it was for my mother and part of it was for me.

Lately, I’ve been wondering if there might be something hidden behind the fireplace, because just as the fireplace was behind the plaster wall and my mother’s story was behind Phoebe’s, I think there was a third story behind Phoebe’s and my mother’s, and that was about Gram and Gramps.