A Gorilla in the Guest-room

by

Gerald Durrell

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A Gorilla in the Guest-room Summary & Analysis

Summary
Analysis
In his second year of owning his New Jersey zoo, Gerald Durrell decides that it's time to “weed out” all of the common animals and replace them with species that are threatened with extinction in the wild. While he's wondering which species he should start with, he recounts that the decision is quickly taken out of his hands. An animal dealer calls him to ask if he'd be interested in adopting a baby gorilla. Durrell is not particularly trusting that the dealer can actually identify any animal correctly. In fact, he’s a little worried he’ll end up with a chimpanzee. However, just in case it truly is a gorilla, he asks how much it would cost to buy.
Right from the beginning of the story, it’s clear that Durrell is thoroughly concerned with animal welfare and conservation. He’s already running a zoo, but feels he isn’t doing enough for endangered species and that he must refocus his efforts. He also establishes himself as an expert on apes in a self-deprecating way here, as he expresses serious concerns about the uneducated dealers in exotic animals knowing what a baby gorilla looks like.
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He's alarmed to be told that the gorilla will cost £1,200 to adopt. After briefly worrying about what his bank manager will say to this, he decides to chat with his mother and his wife Jacquie about it. His mother says she thinks it's a lovely idea, but Jacquie is flabbergasted that he’s considering spending all that money on a gorilla. She’s very much against it, telling him he must be “stark staring mad.” Durrell decides that despite their objections, he's going to try and campaign to raise the money to adopt the gorilla. Durrell picks up the phone and calls his friend Hope, who chuckles at the ridiculousness of the idea of asking “all the rich people on the island” to buy a gorilla, but agrees to help.
Money is a key concern in this story, especially because running the zoo is expensive. Durrell, his family, and their employees might treat the animals in the zoo like family, but looking after them is still a job they get paid to do. Hope is unconvinced that it’s a good idea to buy a baby gorilla given all of the expenses involved, but good-humoredly agrees to help Durrell anyway. Like many other moments in the story, the author addresses hardship with humor and optimism. It’s clear that once he has decided on a course of action, he’s going to follow it no matter what.
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Hope asks why he’s so invested in buying this gorilla, and Durrell protests that unless somebody starts to try to save them the species will soon be extinct. Hope commiserates, but reminds him that the average person has no idea about the importance of gorilla welfare. Durrell starts to call around Jersey’s wealthiest people to see if he can scrape together the money. He collects small amounts from some people but is astonished when Major Domo, a person he’s never met, offers to “make up the balance” of £1000. Durrell is wildly excited and rushes around the zoo to spread the good news.
Hope reminds Durrell that gorilla welfare is not going to be a regular topic of conversation at any of the wealthy homes he wants to solicit money from. He is going to have to tell everyone he calls why he needs the money, and it’s implied that they won’t care. However, Durrell is flabbergasted to receive a very large donation from Major Domo, an event that makes it seem as though N’Pongo’s arrival was somehow fated. Through this sequence of events, the reader can see that the author is able to predict and manage animal behavior far more easily than human interactions.
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Durrell flies to London to pick up the ape, and someone from the Royal Society for the Protection of Animals picks him up and takes him to the animal shelter where the gorilla lives. Durrell is worried because—when he walks into the RSPCA building—the first things he sees are a couple of baby chimpanzees. He’s sure he was right about being sold the wrong animal. However, his worries are soon assuaged when the dealer opens a crate in the corner of the room, and N’Pongo the gorilla walks out. Durrell is immediately smitten with him, as the baby gorilla knuckles its way across the room to him.
Durrell is delighted to meet N’Pongo, and much of their first interaction reads like an adult meeting a human child for the first time. All of the language surrounding N’Pongo here is warm and inviting: the reader is “introduced” to him with the same sequence of impressions the younger Durrell got.
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Durrell describes how intensely real and heavy the little gorilla feels, as he has no fat on his body and is just a mass of muscle and bone. He sits down at the table with N’Pongo and feeds him a banana, which N’Pongo accepts with delight and devours. Durrell notes that the little gorilla eats the banana extremely neatly, unlike the messy chimpanzees. When they get back to the zoo, Durrell takes the gorilla to live in his guest room for a little while as his cage isn’t ready. Jacquie and Durrell’s mother are immediately won over by N’Pongo, allowing him to lounge around and feeding him treats. Everyone, including Durrell, is astonished by his “beautiful behavior” as he walks around the house inspecting everything intelligently like a “professor.” Because of this, Durrell’s mother tries to persuade him to keep N’Pongo in the house, but Durrell knows that won’t be possible.
All of the descriptions Durrell gives of N’Pongo are the same as he uses for the behavior of humans. N’Pongo’s delight in eating a banana doesn’t get in the way of his characteristic neatness, which Durrell contrasts with the extreme, animalistic messiness of the chimpanzees he adopted previously. Durrell’s awareness of the impracticality of keeping N’Pongo in the house despite his mother's wishes also touches on the importance he places on conservation. It shows a responsible and realistic approach to animal care. Durrell recognizes that although he might seem like a person, N’Pongo should not be raised like a human child. He's only a temporary “guest” in the house.
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Indeed, N’Pongo doesn’t leave the guest room as tidy as a human guest might: instead, Durrell explains drily that the baby gorilla takes the tinned raspberries he’s given and uses them to draw something on the wall that resembles “a map of Japan drawn by [...] inebriated ancient mariners.” N’Pongo also scatters straw everywhere and bends the door handle vertically downward while trying to open it. Instead of being annoyed, Durrell treats N’Pongo like a visitor from another country. In this context it’s totally unsurprising that he doesn’t understand all the cultural obligations of the Durrell household.
It’s important to note that no one is angry with N’Pongo for making a mess in the guest room or breaking the door handle. He is not being treated like a human visitor who’s behaved poorly. Rather, Durrell takes the fact that he doesn’t know the rules of a human household in stride as part of having him as their “guest.” All of the dialogue between Durrell, his mother, and Jacquie about N’Pongo is full of tolerance and fondness, rather than frustration.
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N’Pongo’s behavior is so intelligent and polite that he quickly becomes “the darling of the zoo,” and is so well-behaved that he’s allowed to exercise outside of his cage. His conduct isn’t perfect, however. His favorite pastime is waiting for an unsuspecting zoo visitor to get too close, and then to swipe their leg out from under them. This results in a lot of laughter but also a lot of “slipped disks” for the gorilla’s victims. Durrell explains that while a gorilla raised in captivity might have the best manners in the world, there always comes a time when they have to be kept away from humans. Gorillas learn to play from their companions, and if they are “nice natured” they will want to continue to play as they grow. Despite their good intentions, games that weren’t dangerous when a gorilla was a baby become very dangerous when it’s an enormous adult.
Durrell ties together a common concern for zookeepers with the themes of animal behavior and relationships here; N’Pongo is a wild animal and cannot be treated like a pet. Although he's a beloved figure at the zoo, the gorilla is growing rapidly and will soon be too strong to play the games he played as a juvenile with human playmates. The author reminds the reader that while N’Pongo may have many human-like qualities and be “nice-natured,” it’s not a person and forgetting that is dangerous. N’Pongo’s games of trip-the-visitor are funny when he’s a baby, but would be threatening and dangerous if he tried them as a 500-pound adult ape. The language here is careful and restrained. It’s still warm and affectionate, but takes a slightly more scientific and objective tone as Durrell discusses N’Pongo’s future.
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Durrell and the other zookeepers decide that, so N’Pongo doesn’t become one of the “magnificent, but sad and lonely” apes one sees in other zoos, he needs “a wife.” They buy another gorilla who, although she seems healthy, arrives in a crate the author says he would have “considered small for a squirrel.” Nandy is a smart, soulful gorilla, but is deeply frightened of humans. Durrell thinks that this is because of a thick, white scar on the top of her head, which he says looks like she was almost killed with a machete when she was captured. He notes that it reminds him of the precise partings that some people from African cultures style their hair around.
Durrell is aware that great apes become melancholy if they’re alone in captivity, and worries that N’Pongo will sink into depression if he doesn’t have a companion. It’s notable that when he and Jacquie decide to find N’Pongo a mate, they do so on similar terms as a parent making an arranged marriage for a child. They aren’t just looking for a young female gorilla, but a “wife” for a “husband.” The gorillas don’t have a choice about their future relationship, but Durrell tries to bring them together as compassionately as he can. This seems at odds with his outdated and racist comparison of Nandy’s scar to an “African” hair parting. Although this reference is another moment where Nandy is anthropomorphized, it’s also an offensive comparison, especially as it’s associated with the violence and danger of her capture.
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They keep Nandy in a separate cage for 24 hours so she can get acclimated. It’s close to N’Pongo’s so that she can see him and familiarize herself with his scent, but she doesn’t seem very interested in the other gorilla. Nandy still finds it difficult to make eye contact with anyone, looking woebegone and frightened. Her eyes “slide” past everybody and onto the ground. The way she looks makes everybody want to pick her up and comfort her, but it's also clear that that's the last thing that she would want. Durrell thinks it will take her a long time to get over the trauma of her capture and her scarring injury.
Nandy and N’Pongo have had completely separate and totally different upbringings. Durrell illustrates the difference between a gorilla raised with kindness and one treated with cruelty by humans here. N’Pongo is domesticated enough to sleep in Durrell’s guest-room as a baby, and to return to his cage without complaint after exercising. Nandy, on the other hand, can’t even make eye contact with humans and cringes away from all touch. One gorilla seemingly thinks he’s human, and another is so terrified of the traumas she’s experienced at human hands that she shrinks herself into corners to escape them. 
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The day that they do decide to let Nandy into the cage with N’Pongo is incredibly exciting, but also a real point of anxiety. Nandy is terrified of humans. By contrast, N’Pongo thinks that he's the only gorilla in the world and that every human in the world is his best friend. Neither of the gorillas seems very interested in becoming acquainted with one another. When the cage doors are opened, all the zookeepers stand by with “buckets of water, brushes, nets, and long sticks” in case the gorillas need to be forcibly separated.
N’Pongo is not threatened by humans in the slightest, so much so that the author worries what he’ll think of having another gorilla—and not a human—as a constant companion. It’s one of the central concerns of conservation: that animals will grow used to humans and not know how to behave with their own kind. Durrell and the keepers have no idea what to expect when they put Nandy and N’Pongo together, and so they comedically overprepare to separate the apes with various bits of equipment.
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The initial introduction seems to go well, however. Nandy sidles into N’Pongo's cage and finds herself a safe place far from him, sitting against the wall. Everybody is frozen as the two gorillas contemplate each other. Finally, N’Pongo comes down from his perch. He begins his introduction to Nandy by rolling himself carefully to the ground and nonchalantly picking up a pile of sawdust to inspect it as if he's never seen it before. In a “casual swaggering manner” he walks around Nandy, pretending not to notice her. Then, like a child on the playground, he quickly reaches out and tugs a big piece of her hair. Then he cheekily runs away as if nothing happened.
Unlike normal zoo animals who would just be forced together and separated as needs dictated, Durrell describes his introduction of Nandy to N'Pongo as being like a carefully orchestrated blind date. It’s important for the two gorillas to get on for two reasons: they do better in captivity with a companion, and Durrell also hopes to get them to breed while they live at the zoo. Making this happen would be a big part of fulfilling his goal to preserve the gorilla population. It’s clear, though, that he doesn’t just want to force them to have babies. He wants them to develop a relationship, one that’s as close as a marriage. He even describes Nandy as N’Pongo’s prospective “wife,” and his courting behavior like the awkward playground tactics of a young teenager.
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Durrell says that if this were a competition, the first round would go to N’Pongo. He’s worried that the male gorilla will get “exalted views of male superiority” and decides to take a different tack. The keepers decide to introduce a different factor to balance things out. They take away the safety buffer of the buckets and sticks, as they’re clearly no longer needed, and instead produce two big dishes covered with fruit. One is given to each gorilla. There's a moment of tension when N’Pongo examines his plate and decides that Nandy’s looks better. However, as soon as N’Pongo approaches Nandy responds with “such a display of belligerence” that N’Pongo makes a hasty retreat.
Durrell’s worried that N’Pongo will get too big for his boots and start bullying Nandy, but the line between human and gorilla gets blurred yet again as she outwits and outbrazens him. All of the zookeepers are involved in this interaction, which is designed as a psychological test. They watch with bated breath to see how the gorillas will sort out their power struggle.
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Throughout the next day, Durrell reports that both of the gorillas do their best to get the upper hand over one another. Like a human couple, they are “working out their own protocol” to figure out how they will use the space together. He says, tongue firmly in cheek, that these negotiations have “the childishness of a general election” but are much more interesting. Continuing in this political vein, Durrell informs his reader that by the evening, Nandy has achieved “what amounted to votes for female gorillas”: she and N’Pongo are now sharing the sleeping shelf. Durrell then explains that the gorilla “marriage” is an immediate success and that N’Pongo and Nandy quickly grow to adore one another. N’Pongo is a clown and Nandy remains more introspective and serious. Like many successful couples, they’re a happy combination of opposites.
Durrell writes in the language of women’s rights here as he describes the power struggles between N’Pongo and Nandy. Rather than being a relationship of dominance and submission with N’Pongo in charge, Nandy fights for her territory and to be considered an equal. She quickly achieves this goal. Durrell describes the apes as having very different personalities but meshing well together. Like a human couple, they don’t need to agree all the time—or even see the world similarly— in order to get along happily. Their relationship has disagreements, struggles, inside jokes, and affinities just like those between the humans who look after them.
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Durrell, Jacquie, and all the other keepers are very pleased to have acquired animals so endearing and so valuable. It’s not all roses, however. The author explains that although the gorillas are happy, the zoo is in a constant state of anxiety over their well-being. Because a gorilla's constitution is so delicate, a lot of the time the zookeepers spend together is now involved in discussing the animals’ bowel movements. A dinner party of Durrell’s is interrupted by a keeper intoning over the intercom that he must report that “the gorillas have diarrhea again.” Despite this, Nandy and N’Pongo never develop any of the serious diseases the zookeepers are really worried they’ll contract.
Having the gorillas at the zoo has totally captivated everybody’s time and attention. Although this entire story is about N’Pongo and Nandy, Durrell lays out in this section just how much of the zookeepers’ time is spent thinking about the gorillas. They are never far from anyone’s mind; whether it’s reporting on their digestive adventures or speculating on their relationships, all the keepers—including Durrell—are totally engrossed. Everyone has a personal relationship with both apes, and is invested in their relationship with one another.
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However, at one point, just before Durrell is supposed to go away to spend three weeks in the South of France with the BBC, N’Pongo does get really sick. The author describes him as having no exuberance left, not being able to eat or take any water or milk, and having horrible diarrhea. N’Pongo loses weight with extreme rapidity, and Durrell says that he looks as if he's begun “to shrink and shrivel.” He also becomes very melancholy, which is apparently typical of the behavior of great apes when they're ill. In order to try and get him to eat something, Durrell and Jacquie, desperate, go down to the market and pick up fruit that they think might appeal to the ape’s weakening appetite.
Before this point, the constant stomach trouble Nandy and N'Pongo experience is presented as a source of humor. However, that gets unexpectedly turned on its head here as N’Pongo’s latest bout of diarrhea becomes dangerous. His round, strong, impressively muscly body becomes withered and shrunken in a matter of days. His body’s rapid changes had previously been a source of celebration, but it’s frightening for both the younger Durrell and the reader to see him shrinking rather than growing.
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Durrell and Jacquie buy him some watermelon, hoping its bright color and icy texture will appeal. He’s frantic with worry that he’s going to watch the gorilla starve to death in front of his very eyes. By now N’Pongo is close to death, as he can't take in any fluids or eat any food. He’ll drink sips of milk to wash the taste of medicine from his mouth, but there seems to be nothing else the keepers can do. He's apathetic about pretty much everything, and behaves in a very melancholy, depressed manner. Nandy is also miserable as she watches her mate waste away. Despite their concerns, after a long moment of deliberation, N’Pongo does eat a slice of the proffered watermelon. This cheers up Durrell immensely.
In this part of the story readers see the closest parallel drawn between the human couple Durrell and Jacquie and the gorilla “couple” Nandy and N’Pongo. Durrell and Jacquie draw together as N'Pongo worsens, taking an outing as husband and wife to find him tempting fruits to eat.  It’s a huge relief when he takes a few small bites of watermelon. N’Pongo’s depression and lethargy have spread all over the zoo, but some hope enters back in when he eats, even if it's just a bite or two.
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However, all is not yet well. It’s encouraging that N’Pongo will take small bites of watermelon, but he still won’t drink any fluids. Durrell decides that they have no choice but to try giving him antibiotics by injection. They are concerned that it’ll be too dangerous to inject him, or that he won’t stay still. The other keeper Jeremy tempts N’Pongo with some slices of watermelon, and he slowly exits his cage. Durrell quickly injects him, but he barely reacts. The keepers continue to lure him with melon and give him injections, but there don’t seem to be any immediate improvements. Durrell is very nervous because he’s still due to leave for France very shortly; it would be almost impossible to cancel the whole trip. However, he can’t bear the thought of leaving N’Pongo.
There’s a palpable sense of tension and sadness in this part of the story. Despite gingerly taking a few bites of fruit, N’Pongo appears to be starving to death. This aura of desperate concern doesn’t just come from the keepers of the zoo —although Durrell and Jeremy love N’Pongo—but from Nandy, who continues to waste away miserably. The reader sees how intensely the gorillas feel for each other, suggesting that it’s not just the humans of the story who make real emotional investments in each other.
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Miraculously, the night before Durrell is supposed to leave N’Pongo starts to perk up. He drinks a great deal of Complan—a kind of intensely fortified milk the keepers ply him with—and begins to eat a lot of fruit. Durrell is delighted and leaves for France, knowing his gorilla guest is on the mend. He makes several extremely expensive long-distance calls every day to see how the gorilla is doing. It’s well worth it, as the news is all of improvement.
There’s a noticeable tone shift in this part of the story, as Durrell breathes a sigh of relief that N’Pongo will survive. He’s so relieved he even gets the chance to be irritated at the expense of calling home to check on N’Pongo’s welfare, which he’d been too worried to do when the gorilla was ill.
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By the time Durrell’s home from his France trip—a resounding success—N’Pongo has regained all the weight he lost while he was ill, and is back to looking rotund and shiny. The mischievous sparkle is back in his eye, and he resumes trying to play pranks on Durrell as soon as the author enters the room with the cage. As he watches the gorilla try to attract his attention, Durrell reflects that although he loves having the gorillas, it’s a “double-edged sword.” He knows how important it is to keep and breed these animals in captivity for conservation efforts, but also grumbles about how anxious they make everyone when they’re ill.
Throughout the story Durrell has pointed the reader to the idea that conserving the lives of animals like N’Pongo and Nandy is vitally important. Because of this, his final comment about wondering whether it’s worth it to emotionally invest so much in gorillas reads ironically, rather than as a straight-faced fact. Durrell is reflecting ruefully on how important the gorillas really are to him, not meanly dismissing them.
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