Matthew Fisher Jr. Character Analysis

Must he go on forever in this way? Helen was young and fecund. Surely one couldn’t go on murdering one’s children, especially when one loved and wanted children. Wouldn’t it be better to settle the matter once and for all? Or should he let the doctor murder the boy and then hope for a better situation the next time? An angel of frankness beckoned him to be done with this life of pretense; to take his wife and son and flee far away from everything, but a devil of ambition whispered seductively about wealth, power and prestige.

Helen felt a wave of relief go over her. There was no feeling of revulsion at the thought that her husband was a Negro. There once would have been but that was seemingly centuries ago when she had been unaware of her remoter Negro ancestry. She felt proud of her Matthew. She loved him more than ever. They had money and a beautiful, brown baby. What more did they need? To hell with the world! To hell with society! Compared to what she possessed, thought Helen, all talk of race and color was damned foolishness. She would probably have been surprised to learn that countless Americans at that moment were thinking the same thing.

“‘Well,” said Bunny, grinning, “it sure is good to be able to admit that you’re a jigwalk once more.”

“Yes, Bunny,” said old man Givens, “I guess we’re all niggers now.”

One Sunday morning Surgeon-General Crookman, in looking over the rotogravure section of his favorite newspaper, saw a photograph of a happy crowd of Americans arrayed in the latest abbreviated bathing suits on the sands at Cannes. In the group he recognized Hank Johnson, Chuck Foster, Bunny Brown and his real Negro wife, former Imperial Grand Wizard and Mrs. Givens and Matthew and Helen Fisher. All of them, he noticed, were quite as dusky as little Matthew Crookman Fisher, who played in a sandpile at their feet.

Dr. Crookman smiled wearily and passed the section to his wife.

Must he go on forever in this way? Helen was young and fecund. Surely one couldn’t go on murdering one’s children, especially when one loved and wanted children. Wouldn’t it be better to settle the matter once and for all? Or should he let the doctor murder the boy and then hope for a better situation the next time? An angel of frankness beckoned him to be done with this life of pretense; to take his wife and son and flee far away from everything, but a devil of ambition whispered seductively about wealth, power and prestige.

Helen felt a wave of relief go over her. There was no feeling of revulsion at the thought that her husband was a Negro. There once would have been but that was seemingly centuries ago when she had been unaware of her remoter Negro ancestry. She felt proud of her Matthew. She loved him more than ever. They had money and a beautiful, brown baby. What more did they need? To hell with the world! To hell with society! Compared to what she possessed, thought Helen, all talk of race and color was damned foolishness. She would probably have been surprised to learn that countless Americans at that moment were thinking the same thing.

“‘Well,” said Bunny, grinning, “it sure is good to be able to admit that you’re a jigwalk once more.”

“Yes, Bunny,” said old man Givens, “I guess we’re all niggers now.”

One Sunday morning Surgeon-General Crookman, in looking over the rotogravure section of his favorite newspaper, saw a photograph of a happy crowd of Americans arrayed in the latest abbreviated bathing suits on the sands at Cannes. In the group he recognized Hank Johnson, Chuck Foster, Bunny Brown and his real Negro wife, former Imperial Grand Wizard and Mrs. Givens and Matthew and Helen Fisher. All of them, he noticed, were quite as dusky as little Matthew Crookman Fisher, who played in a sandpile at their feet.

Dr. Crookman smiled wearily and passed the section to his wife.