In addition to its association with Ancient Egyptian culture, the Sphinx symbolizes transition, specifically Cleopatra’s transition from innocent girl to adult queen and Egypt’s transition to Roman rule. In the Ancient Greek tradition, the Sphinx was a mythical creature with a woman’s head, a lion’s body, and a bird’s wings. The Greek Sphinx is a ruthless antagonist who will kill and eat those incapable of solving her riddle. Unlike the Greek Sphinx, the Egyptian Sphinx is typically masculine. In addition, Egyptians considered the Sphinx to be a powerful but benevolent and protective force. The Sphinx of Shaw’s Caesar and Cleopatra evokes characteristics of the Greek and Egyptian Sphinx. Like the Greek Sphinx, the Sphinx that Cleopatra flees to in Act I has the head of a woman. Yet, Cleopatra’s decision to go to the Sphinx for refuge from the approaching Roman army implies that she views the Sphinx as a protector, which is characteristic of the Egyptian Sphinx.
In many ways, the Sphinx functions as Cleopatra’s double. Like the Sphinx, which is half animal and half-beast, 16-year-old Cleopatra exhibits qualities of girlhood and queenhood, childish naivete and experience. While she longs to reclaim her royal throne, she’s too distracted by the foolish spat with her brother, her naive beliefs about Roman barbarians, and her childish infatuation with Caesar to become a competent, effective leader. Just as the Sphinx exists simultaneously as human and beast, so, too, does it appear during the play’s critical moments of transition. Caesar and Cleopatra meet and begin their political relationship at the Sphinx, symbolizing Egypt’s transition from Egyptian to Roman rule. Later on, at the dinner party in Act IV, Cleopatra uses a miniature sphinx figurine and incense to facilitate communication with Father Nile, an Egyptian deity. Almost immediately after Cleopatra uses the Sphinx to summon the spirit, the dinner guests hear the frenzied shouts of Pothinus’s assassination. The Sphinx appears at this critical moment when Cleopatra defies Caesar by ordering Pothinus’s assassination, demarking Cleopatra’s shift from a young girl too eager to please Caesar to even consider going against him to a ruthless, competent leader capable of advancing her own political goals.
The Sphinx Quotes in Caesar and Cleopatra
In the little world yonder, Sphinx, my place is as high as yours in this great desert; only I wander, and you sit still; I conquer, and you endure; I work and wonder, you watch and wait; I look up and am dazzled, look down and am darkened, look round and am puzzled, whilst your eyes never turn from looking out—out of the world—to the lost region—the home from which we have strayed. Sphinx, you and I, strangers to the race of men, are no strangers to one another: have I not been conscious of you and of this place since I was born? Rome is a madman's dream: this is my Reality.
Of course not: I am the Queen; and I shall live in the palace at Alexandria when I have killed my brother, who drove me out of it. When I am old enough I shall do just what I like. I shall be able to poison the slaves and see them wriggle, and pretend to Ftatateeta that she is going to be put into the fiery furnace.
CLEOPATRA [very seriously] Oh, they would eat us if they caught us. They are barbarians. Their chief is called Julius Caesar. His father was a tiger and his mother a burning mountain; and his nose is like an elephant’s trunk [Caesar involuntarily rubs his nose]. They all have long noses, and ivory tusks, and little tails, and seven arms with a hundred arrows in each; and they live on human flesh.
CAESAR. Cleopatra: I really think I must eat you, after all.
CLEOPATRA (kneeling beside him and looking at him with eager interest, half real, half affected to show how intelligent she is). You must not talk to me now as if I were a child.
CAESAR. You have been growing up since the Sphinx introduced us the other night; and you think you know more than I do already.
CLEOPATRA (taken down, and anxious to justify herself). No: that would be very silly of me: of course I know that. But, (suddenly) are you angry with me?
CAESAR. No.
CLEOPATRA (only half believing him). Then why are you so thoughtful?
CAESAR (rising). I have work to do, Cleopatra.
CLEOPATRA (drawing back). Work! (Offended) You are tired of talking to me; and that is your excuse to get away from me.