Cloudstreet

by

Tim Winton

Cloudstreet: Chapter 4 Summary & Analysis

Summary
Analysis
Riding on the wave of positive energy brought about by the nationwide celebrations, Sam Pickles heads out to seek his fortune, feeling that luck will surely be on his side this time. He disappears from Cloudstreet for a couple of days. This begins to worry Rose, who doesn’t like the idea of being stuck with her angry mother for much longer. But one day after school, Rose comes home to find her father sitting at the bottom of the stairs and grinning. He tells her that he’s gotten a job at the mint; he gambled with a union boss and put the boss in so much debt that the man had to give Sam a job. Sam tells Rose and Dolly about the job over dinner, and Rose finds it easier to imagine loving her father and living happily here.
Sam’s new job represents one of the first times that his luck seems to have changed for the better. Naturally, Rose is much more willing to entertain the idea of accepting her father when he’s succeeding. This reinforces the idea that everything in Sam’s life, including his family’s opinion of him, comes down to random chance. This also marks the beginning of heightened tensions between Rose and Dolly, as Rose begins to favor her father over her mother more than ever. Her shift in attitude is possibly due to Sam making an effort to take his life into his own hands, in his own strange way.
Themes
Chance, Choice, and Personal Responsibility Theme Icon
Family vs. Independence Theme Icon
For the next few months, Sam makes frequent visits to the racetrack and bets on a horse named Blackbutt, who seems to almost always win or at least place highly. Sam often comes home with his pockets full of money, the Pickles family is excited at this change of fortune, and Sam even buys gifts for his children like it’s an early Christmas. Even Dolly warms up to him, though she still often sits alone in the dark after they have sex. Sam also wins a pet bird named Stan in a bet. Stan can say a few phrases in his ridiculous screeching voice, which both annoys and entertains the residents of Cloudstreet and their neighbors.
As Sam’s sudden streak of good luck continues, his family rallies around him and feels more unified than before. Once again, Sam’s relationships are defined by his luck more than anything else, but he doesn’t see this as a downside. Instead, he interprets his winning streak as confirmation of his odd philosophy on life. His bad luck—past and future—is much easier to tolerate when he can rely on good fortune as well. From Dolly’s reaction, it’s clear she doesn’t quite feel the same way.
Themes
Chance, Choice, and Personal Responsibility Theme Icon
Family vs. Independence Theme Icon
Meanwhile, Quick Lamb continues to struggle with his gloomy misery, which he always seems to pick up from people around him like radar. Despite the war being over, he still finds news clippings describing unfortunate people and he keeps putting pictures of them up on his wall. He even feels sorry for the poor kids he knows at school, such as Wogga McBride and his little brother Darren. They only pretend to eat sandwiches at lunch, possibly to avoid the embarrassment of everyone knowing they don’t really have any food. Quick watches them and offers them some of his own food when he can, though he keeps his distance and doesn’t quite become friends with the two of them.
Quick’s “sadness radar” becomes more intense as he continues to struggle with his guilt and trauma over Fish’s accident. But rather than withdrawing into himself, Quick projects his inner turmoil onto the world around him. His constant search for people who share in a similar misery is a sign that he wants to make a connection with another person to lessen the weight of his own burdens. But Quick’s inability to become friends with the McBride siblings reveals that he’s not ready to fully form a connection or share his grief just yet.
Themes
Trauma and Guilt Theme Icon
Shared Humanity Theme Icon
Quotes
Quick continues to watch the McBride boys and speculate about what their lives must be like. He rarely sees them laugh until he watches them from a distance one evening as they run and play with a dog by the train tracks. Quick finds himself wanting to join in their fun as he enjoys the sound of their laughter, but the sight quickly becomes a nightmare as a train approaches and Wogga McBride stumbles into the speeding engine. The train crushes him before their eyes, and screaming fills the air. Panicked men emerge from the train as Darren McBride screams in openmouthed horror. Quick rushes home, climbs under the covers of his bed, and tries to hold his ears shut. Fish watches him, uncomprehending.
This incident compounds Quick’s trauma by introducing a new disaster the moment he thinks about opening up to someone. By watching this horrific tragedy unfold, Quick learns (however incorrectly) that any attempt to make his life better or heal from his trauma will only result in more trauma. This reinforces his growing belief that the world is full of misery, and gives him an excuse to retreat further into himself and his grief, rather than sharing it with others.
Themes
Trauma and Guilt Theme Icon
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Quick becomes withdrawn and despondent, hardly ever wanting to get out of bed after what he saw. His father Lester often sits on the edge of his bed and tries to ask him about what’s bothering him, to no avail. Eventually, Lester finds out what might be the matter. One day, he brings in a newspaper clipping about Wogga McBride’s gruesome death, and he tells Quick that the funeral is tomorrow. He tells Quick to attend despite Quick’s protests, and Lester angrily reminds Quick that the two of them owe Fish a debt for letting him almost drown. Fish has been worried about Quick’s behavior lately, and Lester insists that Quick owes Fish some happiness. Showing up to the funeral would be a sign that Quick is willing to get out of his room and start living again. That night, Quick awakens to see the newspaper images fly off the walls and dance over his bed. Terrified, he runs into Fish and Lon’s room and sleeps in Fish’s bed.
Quick’s behavior is a result of the fresh trauma he experienced, which compels him to avoid the world around him for fear that it will only make him more miserable. On the other hand, Lester gives Quick another chance to open up and connect with others by reminding him of how Fish needs him. The divide between Quick and his father in this moment reinforces the theme of family vs. independence, as the two of them are desperate to deal with their grief in two different ways: connection and isolation. The appearance of the ghostly newspaper images is a sign that their presence might be supernatural, or at least a figment of Quick’s anxious imagination. At this point, whether the ghosts are real or not is irrelevant to Quick’s experience of them.
Themes
Family vs. Independence Theme Icon
Trauma and Guilt Theme Icon
Religion and the Supernatural Theme Icon
Oriel wakes up the next morning to find that Lester has gotten up before her and left the house early, which seems very unusual. She lets her mind wander to the subject of men in general, and then to her father. She thinks about the bushfire that destroyed her childhood home and killed her mother and sisters, leaving only Oriel and her father alive. She remembers how she practically had to nurse his mental health herself, as the tragedy very nearly broke him. Oriel worked and fought hard to rebuild their lives and save her own father from fading away. She knows that Lester must be doing something he’s not supposed to this morning, but she decides to wait for him. She doesn’t have the patience to deal with men today.
With more of Oriel’s backstory revealed, it becomes clear that Fish’s accident was far from the first life-altering trauma she’s experienced. Her memory of tending to her father’s mental health after the fire is a stark contrast to her earlier conversation with Quick, when she mentioned how her father had nursed her wounds. In reality, Oriel took care of her parental figure far more than he took care of her. This fact explains where Oriel’s strong sense of responsibility comes from. In her opinion, she’s only a member of the family insofar as she can independently take care of everyone else.
Themes
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Trauma and Guilt Theme Icon
During the previous night, Sam had reached out to Lester as the two of them stood on their respective sides of the backyard. They talked to each other somewhat awkwardly at first, but soon became friendly with each other. Their conversation led them to the subject of luck, and Sam insisted that he was on a winning streak, offering to show Lester what he means. Rose hears them leave as they walk towards the truck at dawn. She knows that whatever her father is doing is bound to be foolish, but she goes back to bed and resolves not to tell on him.
This moment is one of the few early points of contact between the Lamb and Pickles families. Sam and Lester’s easy friendship reveals that the two families might not be so different after all, but there’s still an underlying tension to their conversation. Rose’s concerns aren’t without cause, but her decision not to tell anyone about her father and Lester’s meeting reveals that she isn’t too worried, nonetheless. It’s notable that Sam and Lester initially bond over a discussion of luck, a strong common thread between the two families.
Themes
Chance, Choice, and Personal Responsibility Theme Icon
Shared Humanity Theme Icon
Sam and Lester go to the racetrack, where they enjoy themselves and become closer friends. At first, Lester has misgivings about the idea of drinking and gambling, and he feels guilty about putting so much of his family’s money at risk. He feels almost like a thief. But Sam eventually gets him to loosen up, explaining how the two of them will bet on the horse Blackbutt and insisting that the Shifty Shadow will see them through. He explains that he believes in luck much more than God or any man-made institutions, as luck gives a man what he wants, which is what he really needs. The two of them get drunk and Lester finds himself beyond thrilled as he watches the close race unfold. He lets go of his cares and feels as though anything is possible here. Sure enough, Blackbutt wins the race.
At this point, the Lambs’ and Pickles’ shared experiences with luck come to a head, as Sam and Lester forge an unlikely bond over gambling. Sam’s insistence that luck is more reliable than God or the government allows Lester to glimpse a new kind of life that isn’t soured by his disappointment with religion. While Lester still hesitates to fully accept Sam’s philosophy, their day at the races begins to change Lester’s attitude about what to expect from life. The two of them don’t speak openly about their experiences with terrible luck, but their bonding over gambling connects them much more deeply than before, without either of them needing to discuss specifics.
Themes
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Religion and the Supernatural Theme Icon
Shared Humanity Theme Icon
Quotes
Tension slowly builds back at Cloudstreet, where Oriel shoos Quick out of bed and downstairs. Fish is delighted to finally see Quick out of his room, but Quick keeps himself busy as he wonders where his father is. The day wears on and Lester doesn’t return; Oriel grows more and more tense. Meanwhile, Rose tries unsuccessfully to fetch her mother from the pub where she’s been drinking. But Dolly would much rather stay and get more drunk than go with her daughter. Rose is left to sit outside and seethe as she waits, hating Dolly and her own life more every moment. The bar patrons make Rose uncomfortable, and she wanders angrily to King’s Park to wait this out and bring her mother home later.
This is far from the first time Rose has tried to bring a drunk Dolly home from the pub, but this time in particular is the tipping point for Rose. After enduring the trauma of being raised by an alcoholic for years, Rose begins to give up on her family at this point. Her anger towards Dolly—and to a lesser extent, Sam—builds upon her growing desire for independence and self-sufficiency. The conflict between this desire and family obligations will define her development as a character from here on. Rather than facing her trauma head-on by confronting her family, Rose would rather run from it and become her own person.
Themes
Family vs. Independence Theme Icon
Trauma and Guilt Theme Icon
Cloudstreet is quiet when Sam and Lester finally return that night. Rose has already brought home Dolly, who’s asleep on the bed. Rose shoots an angry glare at her father as he enters, and he sheepishly draws himself a bath. On the Lamb side of the house, Lester shows everyone his prize money at the quiet kitchen table, but Oriel quickly tells him to put it in the till, as “money has no place at the dinner table.” Despite the tension that’s been building in the house all day, no one shouts or erupts in anger, and the day’s unusual events are put to bed silently.
While there aren’t any dramatic confrontations during this night, the underlying tension in both families reveals their discomfort about the two families mingling. Both Rose and Oriel consider the men’s behavior irresponsible, even if they did win money at the races. The fact that Sam and Lester went to the races at all is the problem, at least in Rose and Oriel’s opinion. Ironically, the men’s guilt in this moment means they might as well have lost at the races instead; the outcome at home would be the same either way.
Themes
Chance, Choice, and Personal Responsibility Theme Icon
Trauma and Guilt Theme Icon
The next morning, Quick notices that Lester is in a cheerful mood. Lester tells the family that they should all come with him to relax for a day on the beach at Fremantle, as he’s eager to use yesterday’s windfall to have a fun day out. Oriel agrees to come along with everyone else, despite her quietly judgmental attitude about the whole business. The Lambs ride out to the riverside to enjoy themselves, and Quick feels relieved that his father is in a better mood now. They spend the day at the beach as planned, though Oriel is still dubious about Lester’s gambling and newfound friendship with Sam.
Lester’s insistence that the Lamb family enjoy a fun day at the beach serves two purposes for him. First, it helps him deal with his guilt about gambling with Sam yesterday. His family can hardly stay angry with him if he treats them to a day’s vacation with his winnings, after all. Secondly, this outing is Lester’s attempt to try out Sam’s more carefree lifestyle. Despite Oriel’s skepticism, Lester still feels connected to Sam since their day at the races and wants to share in his happy-go-lucky philosophy, if only to see if it works for him, too. However, the presence of the river, which has been established as an ambivalent symbol, implies that things might not go as well as he hopes.
Themes
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Trauma and Guilt Theme Icon
Shared Humanity Theme Icon
That afternoon, Lester buys a boat on impulse. It isn’t long before everyone realizes that the boat is far too big to fit in the bed of their truck. Lester suggests that Quick should row it all the way up the river to bring it home, and Oriel simply walks to truck and climbs in, slamming the door behind her. All of the children balk at Lester’s idea, but Quick finds himself wanting to defend his father from the disbelieving look Hattie is giving him. Quick agrees to row the boat home on the condition that Fish comes with him, and Lester reluctantly agrees. The two boys set off down the river in the afternoon sun, passing by wharfs and under bridges. Quick is secretly afraid of being out here practically on his own, but Fish is delighted simply to watch the river.
Quick’s sudden willingness to defend Lester’s irresponsible choices is a sign that Quick is slowly becoming more willing to connect with his family, or at least to empathize with them. His insistence on bringing Fish with him reveals that Quick agrees with Lester’s earlier speech about the Lambs owing Fish after the accident. Despite what’s happened to Fish, Quick still wants to believe that Fish can have a happy life, even if Quick himself can’t. Quick is still becoming more withdrawn, but this moment is a brief exception to that trend.
Themes
Family vs. Independence Theme Icon
Back at Cloudstreet, Oriel angrily washes dishes in the kitchen and almost contemplates murder, furious with Lester for all the foolish decisions he’s made in the past couple of days. Nervously, Lester begins to sing a tune behind her, only for her to turn around and throw a gravy boat at him in a moment of fury. Lester has the wind knocked out of him as he falls to the floor, and Oriel asks him if her life has really been that useless. Still winded, Lester is unable to reply, but his struggling doesn’t give Oriel the satisfaction she was hoping for. Quick continues rowing up the river as the sun sets, starting to seriously doubt if the two of them can make it. Quick and Fish start to share the rowing to conserve Quick’s energy.
After seeing what Lester has done and what Quick is becoming, Oriel can’t help but wonder if she’s failed in her responsibilities as a wife and a mother. Despite the constant pressure she puts on the other Lambs, she feels that they’re slipping away from her, and her angry outburst in this moment is the culmination of these feelings rising inside her for a long time. She’s tried to make the Lambs just as responsible as she is, but from her point of view, they’ve already given up and surrendered to the whims of luck. Meanwhile, Quick’s nervousness is fueled in part by the fact that he and Fish are on the river again, an image that will always summon the trauma of the accident into Quick’s mind.
Themes
Chance, Choice, and Personal Responsibility Theme Icon
Family vs. Independence Theme Icon
Trauma and Guilt Theme Icon
Lester drives out in the truck in the early evening to look for Quick and Fish, but to no avail. He looks out into the dark water and figures that they could be anywhere, out there in the night with no idea which direction to go. He curses himself and cries on the sand by the river, knowing that this is all his fault and promising to stop gambling and no longer be such a fool. He revisits the memory of Fish almost drowning beneath the net on that awful night, and he wishes he had learned his lesson about rivers. He feels panic rising in him, hoping desperately that the river won’t take two of his sons this time.
This is the turning point in the changes that Lester has experienced during this chapter. His experiment of trying out Sam’s lifestyle has clearly failed, and his guilt over gambling weakens his newfound connection to Sam. Lester discovers that he can’t trust luck in the same way that Sam does—not if it puts his family in jeopardy. Recalling the trauma of Fish’s accident makes his guilt even harder to bear, but he can’t blame luck this time; he can only blame himself.
Themes
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Trauma and Guilt Theme Icon
Out on the river in the middle of the night, an exhausted Quick stops rowing as Fish lies curled up at his feet. They start singing to keep themselves awake, and it isn’t long before Fish stands up and laughs madly holding out his arms and staring out of the boat gleefully. When Quick looks over the side of the boat, he sees that the river is full of stars. It’s not just reflecting the stars above; it looks as though the boat is drifting through outer space. Quick can’t feel any water below them and knows this must be a dream, despite him feeling very much awake. Fish refers to the sky as the water, still seeming overjoyed.
In this strange moment, Quick finally glimpses the world as Fish sees it. Fish has been almost unintelligible to the other Lambs since his accident gave him brain damage, but at this point, he gives Quick a chance to connect with him and understand him more than ever. The fact that their trip through the stars definitely isn’t a dream implies that there’s something truly supernatural going on, and that Fish is somehow attuned to it. While Quick doesn’t attempt to explain this moment to himself or anyone else, he’s presented with the possibility that Fish’s condition opens his eyes to things beyond the ordinary world.
Themes
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Shared Humanity Theme Icon
Quotes
The two of them continue floating through this strange sea of stars for a while until they suddenly find themselves on the dark river again, just like before. Fish starts sobbing, disappointed that “the water” is gone. Quick holds his brother and once again feels despair over the once-clever Fish now acting like such a child. They drift off to sleep. Lester finds them at dawn, with the boat having run aground in the shallows at Nedlands. He’s overjoyed to find them, hardly able to speak as he lets out a cry of relief and dances on the sand. When they come home singing in the truck later that morning, Oriel feels as though they’re foreigners, related to her by blood but lost to her forever. But she still holds them close, relieved that they’re all safe.
Quick’s sorrow over Fish crying is a sign that Quick has already started to forget or ignore the supernatural event he’s just witnessed. Even after sharing an unexplainable experience with his brother, Quick still misses the Fish he knew and grew up with. Ultimately, the mystery of Fish’s new, heightened senses doesn’t outweigh the grief Quick still feels over Fish’s accident. Meanwhile, Oriel’s continued feeling of isolation from her family reflects her obsession with responsibility. Because of her unwavering efforts to take control of her life, she’s become so independent that she no longer feels a connection to the family she’s sworn to protect.
Themes
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Trauma and Guilt Theme Icon
On Guy Fawkes night, Oriel invites Dolly and the rest of the Pickles family to join the Lambs in their half of the backyard to celebrate with them. Everyone enjoys themselves as they light crackers and socialize with each other, regardless of which family they come from. Rose feels especially happy as she gets along with the Lamb children and enjoys the cheerful noise of it all. But when Lester sets fire to their Guy Fawkes effigy made of flourbags, Fish starts crying and tells him not to “burn the man.” Everyone laughs at first, but as the effigy burns and falls apart, Fish cries louder and more sincerely. Oriel takes Fish inside and the party becomes awkwardly silent.
The brief celebration shared by the Lamb and Pickles families is a glimpse of what their lives could be if they set aside their differences and joined together as one unit. Unfortunately, Fish’s interruption cuts their good time short, making them once again aware of the divide between the families. Fish’s crying represents the lingering trauma shared by both families. Even at the happiest of times, their trauma is always present, reminding them of the past and preventing them from moving forward together.
Themes
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Shared Humanity Theme Icon
Quick drags the crying Fish up the stairs, feeling pretty miserable himself. He keeps telling Fish that it’s not a real man they’re burning, but this doesn’t do anything to calm Fish down. Oriel tells Quick to leave him be, but Quick senses none of the usual conviction in her voice. Quick brings Fish into the musty, windowless room and lets him sit at the piano. Quick leaves Fish to pound on the keys and sees his mother crying on the landing with her head against the banister. The subdued party continues for a bit before everyone heads to bed. Everyone can hear the middle C key from the piano pounding all through the night, but no one speaks of it.
Fish’s extreme reaction to the burning man is yet another reminder of his accident. He constantly talks about how much he loves the water and wants to return to it, and this might explain his aversion to fire. This reminder of trauma affects Oriel especially strongly during Guy Fawkes Night, as she’s forced to accept that Fish is more distant from her than anyone else. The pounding of middle C represents trauma’s continued presence throughout the night, but it also confirms that the ghost of the house’s previous owner (whose face hit the same piano key when she died) truly is haunting Cloudstreet.
Themes
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Religion and the Supernatural Theme Icon
Over the holidays, Rose keeps things on her desk organized despite having no school, and imagines what it’s like to have her own house to maintain. She feels that she’s already almost a fully grown woman, especially as she’s taught herself to cook for herself and her brothers—Dolly is always too drunk to cook and Sam often gets home from work late. Rose and her brothers play around a bit, but she still looks down on them and thinks it’s inevitable that they act like fools, as they’re only boys. Sam begins losing at the racetrack again, Dolly continues to be absent from the house, and Rose is discouraged by the family’s luck seeming to take a downturn.
During this period, Rose develops and intensifies her desire to become independent from her family. Her opinions about luck and responsibility also begin to diverge from those of her father, as she relies less on him and more on herself. As she sees it, luck is unpredictable and unreliable, while becoming independent would allow her to make her own way in life and decide what happens to her. Like Quick, she grows distant from her family as she feels that they bring her down and tie her to the past.
Themes
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Family vs. Independence Theme Icon
Drunk and exhausted, Dolly walks along the railway tracks one night and wishes she could fall asleep on the rails and sleep as the whole mess of a world disappears around her. She once again flashes back to memories of her childhood, and her father who wasn’t really her father. She pictures one of her sisters wearing an engagement ring, and Dolly remembers hating her. She wonders why she didn’t spit in her eye when she had the chance, and she passes out. Rose finds her soon after and takes her home, where Dolly vomits for hours and Oriel tries to help. After Dolly finally passes out again, Oriel decides to thoroughly clean the entire Pickles side of the house. Rose is furious and ashamed when she finds everything cleaned up by someone else’s mother.
While the details of Dolly’s past are still vague at this point, it’s clear that she has trauma of her own that drives her to drink. Like her daughter, Dolly herself desperately wanted to become independent from a family she hated. But by dealing with her bitter memories through alcohol, she’s only passing on her trauma to the next generation, making Rose hate Dolly just as much as Dolly hated her own family. Meanwhile, Rose begins to share in Dolly’s resentment of Oriel after Oriel cleans the Pickles side of the house. Both Rose and Dolly feel insecure about Oriel’s helpfulness, as the implication is that they’re weak people who need her help.
Themes
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Trauma and Guilt Theme Icon
Life at Cloudstreet seems to speed up to a feverish pace as summer arrives, and several things happen in quick succession just before Christmas. The girls are all coming of age, and even Ted has his first kiss on the beach. Hattie becomes the marbles champion of the neighborhood, and Red still proudly considers herself the tomboy of the family. As he comes back home from a successful fishing trip, Quick notices that Rose might have feelings for Fish. Oriel buys a tent and keeps a closer eye on the family’s finances. Sam wins a pig in a pub raffle and donates it to the Lambs to express his thanks for them helping his wife, but Dolly herself decides never to speak to Oriel again.
As the children grow older and pursue their own interests and romance, they all start becoming more independent from their families. At this point, however, they still very much belong to Cloudstreet, and none of them are striving for independence as deliberately as Rose. There are also a few more points of contact between the two families during these days, but any meaningful connection is stifled by the ongoing resentment Dolly holds for Oriel. Regardless, Rose’s crush on Fish hints at potential connections to be made in the future.
Themes
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One day, Fish is left alone with the new pig in the backyard. The pig talks to Fish and he understands it, hearing it ask him to spray it with a hose and create a mud puddle for it to roll around in. Fish giggles and grants the pig’s request, and when Lester comes outside to stop Fish from wasting water, he also hears the pig speak. Unlike Fish, Lester can’t understand the creature, but it still sounds like it’s talking, almost speaking in tongues. He fetches Oriel and tells her that the pig talks. It fails to do so in her presence, and she resolves to get rid of the pig, as she doesn’t want a gambling prize on her property. Lester insists that they keep it, since Fish has grown attached to it, but Oriel remains steadfast.
The talking pig is yet another ironic “miracle” in the lives of the Lamb family. While strange things often seem to happen to them, none of these supernatural events ever do them any good. While a talking pig is technically miraculous, it’s just another reminder that exceptional events are random, impartial, and seemingly useless at best. Oriel’s reluctance to keep the pig reflects her determination to ignore the strange luck that follows them, and her scorn for the pig might be why it doesn’t speak to her.
Themes
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Religion and the Supernatural Theme Icon
On a tip from Sam, Lester buys a horse with the intention of setting up a delivery cart for the shop. He imagines himself riding around the neighborhood selling and delivering the family’s wares, more excited by the social possibilities than the business side of things. But not long after he loads up the cart with food and rides off, the horse goes wild and rushes down the streets at an incredible speed. Lester tumbles out of the cart and follows the trail of fallen food that the out-of-control cart has left in its wake. When he finds the horse and cart at last, he sells them and sheepishly gives the whole thing up.
This incident is another indication that Sam might be a bad influence on Lester, however unintentionally. While Sam practically makes his living from his wild ideas and all-or-nothing gambling schemes, Lester seems fated to live a more straightforward and honest life. His failed venture also highlights how he doesn’t match up to Oriel’s extreme level of competence and business skills, a fact he admits to himself.
Themes
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When Lester returns home, he finds Oriel silently setting up her tent in the Lamb half of the backyard. Quick lets him know that she isn’t happy, but that the pig has somehow gotten away with staying in the yard for the time being. On New Year’s Day of 1949, Oriel Lamb moves furniture and other essentials into the tent, where she’s decided to start sleeping every night from now on. Everyone in the neighborhood watches her move out to the tent and speculates about why she’s doing it. Oriel wonders why herself. She isn’t sure if it’s because Fish has forgotten her, because of the house’s claustrophobia, or some other reason. But one way or another, Oriel feels like the house itself doesn’t want her living inside it.
Moving out into the tent is a major turning point for Oriel—a quiet admission of the growing divide between her and the other Lambs. While she still lives at Cloudstreet and takes care of her family, living in the tent is a symbolic gesture of independence, mostly for her own benefit. By moving out, she signals to everyone that she doesn’t feel welcome in the house, and that she needs space to process her trauma. It’s possible that the ghosts haunting Cloudstreet are one reason for her discomfort, but even the spirits are only another manifestation of the inner turmoil that keeps Oriel awake at night.
Themes
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Trauma and Guilt Theme Icon
Religion and the Supernatural Theme Icon