Cloudstreet

by

Tim Winton

Cloudstreet: Chapter 9 Summary & Analysis

Summary
Analysis
Cloudstreet is quiet for days after the wedding, except for the noise of construction workers digging in the street outside to install new water pipes. On the way back from their honeymoon, Quick and Rose discuss their plans for the immediate future. Rose insists she wants a new house of their own that no one’s ever lived in, as she’s tired of old houses. Quick points out that they’ll need a lot more money, and he resolves to find a job or two. Despite Rose’s protests, he has his sights set on becoming a policeman. He thinks about all the unfortunate people in photos on his wall, and he likes the idea of fighting evil.
Quick and Rose’s plans indicate that they’re both beginning to fall back into old habits despite their new lease on life. Rose still wants to leave Cloudstreet and avoid old houses in general, as she holds onto her desire for independence and freedom from her family. Quick, meanwhile, continues to dwell on the newspaper clippings he hung on his wall when he was a child. This reveals that he’s still struggling with his own personal trauma and feels an urge to fight the injustices of the world to put his own inner world at peace.
Themes
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Trauma and Guilt Theme Icon
Quick and Rose sign up for a place at the State Housing center, but they choose to live in a small flat until they’ve saved enough money and until their new house has been built. The flat is behind a house owned by a woman named Mrs. Manners. Rose doesn’t like how old the flat is, but they’re usually too busy to spend much time there anyway. Rose continues working at Bairds, while Quick makes deliveries in the truck as he trains to become a constable. Rose and the Lambs attend Quick’s graduation ceremony and watch with pride as he officially becomes an officer of the law. Afterwards, Rose lets Quick know that she’s pregnant.
As they become more independent from their families back at Cloudstreet, Quick and Rose try to adjust to the self-sufficient life they’ve imagined for themselves. While the other members of the Lamb and Pickles families are sometimes present for important events such as Quick’s graduation ceremony, the couple makes an effort to distance themselves from their families and pasts. Rose’s pregnancy seems to be a sure sign that the two of them are establishing themselves as an independent couple at last.
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Quick soon realizes that his career as a police officer isn’t as exciting as he’d expected it to be. He doesn’t encounter any violent or serious crime on the streets, and he guiltily starts to wish that some real evil would come along so that he could stop it. Instead, he merely patrols the uneventful streets and handles minor tasks, feeling more like a boy scout than a constable. Rose keeps working at Bairds, even during her pregnancy. As they’re both so busy, the two of them are eager to reach a point where they can see each other more often. Quick imagines all their future together, and Rose is still keen on having their own house.
Echoing his mother’s attempts to run G. M. Clay out of business, Quick is eager for some external threat to appear in his life. This would allow him to take out his lingering trauma and frustrations on something outside of himself, rather than looking inward to find peace. Quick’s urge to fight evil is just one of many complications that arise at this point in Quick and Rose’s development. As they strive to become fully independent, they’re facing the new difficulties that the adult world has to offer.
Themes
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Trauma and Guilt Theme Icon
Sam wakes up one morning and feels an intense tingling in his stump, knowing for certain that the Shifty Shadow is lurking. He learned his lesson from last time and doesn’t get out of bed, feeling that this round of bad luck is stronger than any he can remember. Later that morning, Dolly falls down a flight of stairs and breaks her leg. Oriel is out in her tent, staring at the names of three of her children who were stillborn or miscarriages, which she’s written in her Bible. She hurries to the house when she hears Dolly’s screams, and Dolly has her broken leg plastered at the hospital.
Sam once again proves that his instinct for detecting bad luck is extremely accurate, though as usual, it doesn’t seem to do him much good. It’s notable that Sam’s ability to sense bad luck doesn’t allow him to stop it, only to see it coming. This feeds into the idea that Sam’s ability is some cosmic joke, though he’s mostly made peace with it at this point. The names in Oriel’s Bible only appear briefly, but they shed more light on the traumas and tragedies that have shaped Oriel into the guilt-ridden and protective woman she is today.
Themes
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Trauma and Guilt Theme Icon
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That same day, a small man in a sauna somewhere falls over and dies of heart failure. Meanwhile, Fish pounds on the piano keys in the library, but no matter which keys he presses, the piano only emits a loud, booming middle C, over and over again. He has an angry outburst and throws the stool at a pair of hateful ghosts. He tells them he hates them, and that this is his house. This gives the dark spirits a moment of pause after Fish leaves the room, but the droning middle C noise continues all the same.
These ominous events are further proof of Sam’s ability to sense the arrival of bad luck. The piano only emitting middle C represents how trauma can restrict a person and prevent them from changing or moving on. No matter how Fish tries to play a new song, he can only play an echo of the house’s previous owner dying at the keyboard. Likewise, the residents of Cloudstreet are constantly held back by their own past traumas, making it difficult for them to find fresh, new ways to live.
Themes
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Trauma and Guilt Theme Icon
Religion and the Supernatural Theme Icon
That night, Quick rushes home on his police bike, as Rose seems to be having a miscarriage. He quickly asks Mrs. Manners for help and stops his neighbor’s car so he can use it to rush Rose to the hospital. After the miscarriage, Rose wakes up in the hospital to see Sam and Quick in the room with her. Sam bears even more bad news: Ted died of heart failure today in the sauna, after pushing himself too hard. Rose has an oddly calm reaction to this news and to the fact of her own miscarriage. She steels herself and tries to keep a strong attitude, as she doesn’t want Quick or her father to know how much she’s hurting. Back at Cloudstreet, Dolly is devastated by the news of Ted’s death, and the shadows in the library dance.
Rose’s miscarriage and the news of Ted’s death are the final, tragic results of this sudden surge of terrible luck. Rose behaves much like Oriel in the face of the miscarriage, an event that was foreshadowed by Oriel’s Bible earlier that morning. Rose’s calm reaction to her miscarriage is a sign that she’s already dealing with her trauma in an unhealthy way, blocking out her emotions rather than sharing them with those around her. On the other hand, Dolly’s more extreme reaction to Ted’s death lets her face her emotions head-on, though it doesn’t make them any less painful.
Themes
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In the months following Ted’s death and the miscarriage, Rose becomes more gaunt, tired, and withdrawn, despite Quick’s attempts to comfort her. She keeps working at Bairds until she becomes too tired and listless to make it through a workday anymore. Quick wonders if he’s the one who’s bringing all this misfortune on the people around him. Lester visits him at the police station one night and shows him a massive fish he’d just caught. Lester tells Quick that Cloudstreet has become unusually quiet, and he shows him two silver coins that he found in the fish. They’re both from the year Fish was born, and he plans to give them to Fish as a gift. Before leaving, he tells Quick to take care of Rose.
As Rose’s unhealthy coping mechanisms begin to catch up with her, Quick also starts sliding into a depressive mood. Like his mother, he’s wracked with survivor’s guilt, blaming himself for the suffering of those around him. In the midst of this difficult time, Lester’s conversation with Quick represents the presence of family calling out to Quick and Rose, reminding them that complete independence might be making them weaker. The miraculous coins are another reminder that the mysterious forces of fate watching over the families haven’t given up on them yet.
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Religion and the Supernatural Theme Icon
Sam continues working at the mint and losing most of his money to gambling as usual, but he feels strangely reassured by his losing streaks, as he knows and accepts that his chaotic life is governed by the whims of luck. Dolly is almost never home anymore, but he doesn’t have the heart to get angry with her. One morning, while looking for his lost hat before heading out for work, he finds Fish in the library. Fish is wearing nothing but Sam’s hat and a pair of silver coins fashioned into a necklace, and he’s banging his fists into the wall and crying out. Sam is even more terrified when he catches a glimpse of a pale, severe old woman watching him, but she soon disappears. Fish tells Sam that “she won’t let him play,” and Sam fetches Elaine to try and calm her brother down.
Sam’s attitude about his waves of good and bad luck demonstrates that he’s beginning to make peace with his place in the universe. While Oriel fights the current every day to control her life as much as possible, Sam finds equal contentment in letting fate and chance carry him wherever it will. This way, he can assure himself that whatever happens to him was meant to happen. This sense of peace is rattled by his encounter with Fish, who reminds him that there are still lingering traumas that must be faced before Cloudstreet can ever truly be at rest.
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As her physical and mental health deteriorates, Rose falls back into her old habit of vomiting up most of the food she tries to eat, and she can feel herself becoming cold and bitter. She’s surprised to see Sam show up at the flat one day, and she’s angry to learn that he’s here to enlist her help in finding Dolly, who’s been missing for a few days. Rose refuses, reminding her father of how Dolly robbed her of her childhood, as Rose constantly had to drag Dolly back home from pubs and clean her up. Sam fights back and tells Rose not to be needlessly cruel to a woman whose life is already practically over. He reminds Rose that she’s young and still has her whole life ahead of her, and he describes the pain of losing his family in his own old age.
Despite her new home and more independent life with Quick, Rose is clearly regressing back to her unhealthier teenage years. Isolation is partly the cause of this, but she balks at Sam’s attempts to reconnect with her, still convinced that independence from her family is what will save her. In this moment, Rose is unwilling to forgive Dolly for the trauma she caused, and refuses to even see things from Dolly’s point of view. Despite the progress she made earlier, Rose is ironically kept in the past by ignoring the past and pushing it away.
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Lying miserably in her bed later, Rose flashes back to noises she heard behind the door of her mother’s room, way back when they lived in Joel’s pub. She realizes with disgust that Dolly had been having sex with the pilot that had brought Sam back home after the accident that claimed his hand. As she regrets recalling this memory, Quick rushes in and brings her to a taxi. Rose asks if he’s bringing her to the hospital. He says he probably should, but he explains that they’re going to Cloudstreet, as Dolly has been found and taken there. Someone told Sam about it and Sam contacted Quick, who assumed Rose would want to come along and see her mother.
Rose’s sudden recollection of this distant memory only intensifies her hatred of Dolly. This primes Rose to continue avoiding her mother at all costs, making Quick’s timing particularly unfortunate. From Rose’s point of view, that childhood memory confirms her suspicions about Dolly being a terrible person. Rose feels more justified than ever in her hatred of Dolly, blaming Dolly for all of the trauma that Rose experienced growing up.
Themes
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As Dolly’s drunk yelling echoes through Cloudstreet, Rose furiously tells Quick that she doesn’t want to go through with this. Rose insists that she’s her own woman now and she doesn’t want anything to do with Dolly anymore. Quick awkwardly tries to change her mind, telling her that Dolly wants her. After Quick leaves, Dolly sees Rose enter the room through a haze of hallucinations. After Dolly’s episode wears off, Rose angrily confronts her about the childhood innocence she stole from her, and refuses to sympathize when Dolly asks Rose not to hate her. Nonetheless, Dolly implores Rose to visit her again tomorrow, just to talk. Lester also encourages a second visit, warning that Rose’s hatred is self-destructive, and he couldn’t stand to lose her.
Even with Dolly in a state of complete misery, Rose still finds it difficult to feel sympathy for her. The memory of Dolly having sex with the Catalina pilot is still fresh on Rose’s mind, making her especially disinclined to see Dolly as anything other than a monster. In Rose’s own desperate state, it’s easy to blame Dolly for all of the trauma that’s still affecting Rose and making her miserable in her life with Quick. While Rose insists on becoming her own person, completely independent from Dolly, Lester reminds her of the importance of family. His words hold even more weight as he considers Rose a member of his own family in this moment, implying that family is more than just blood relation.
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Rose visits Cloudstreet the next morning and waits around the house until Dolly wakes up. Rose feels strangely timid and unprepared this time, as if most of her anger has left her. She sits by the bed as Dolly asks when Rose will be pregnant again, fantasizing about having grandchildren and spoiling them. She asks Rose if she would have cared about Ted more if he'd been a sister rather than a brother. Dolly tells Rose she’s lucky to have never had sisters, and she finally shares the truth with her daughter. One of Dolly’s sisters was also her mother; Dolly was born of incest. Shocked, Rose comforts her distraught mother, and the two women weep on the bed together.
Rose’s second visit finally allows Rose and Dolly to reconcile. With Rose’s anger gone and Dolly with nothing left to lose, they face each other more openly than before, prompting Dolly to reveal the truth about her own traumatic past. What ultimately heals both Rose and Dolly is sharing their sorrow with each other, reaching a deeper understanding by acknowledging how difficult both of their lives have been. This is a major turning point for both characters, as they realize that they can only move on together. Forgiveness doesn’t erase what Dolly put Rose through, but it does allow both of them to heal and live their lives in peace.
Themes
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Shared Humanity Theme Icon
Gradually, things start getting better. Rose continues to visit Dolly every day or two, and she realizes that her mother is often just cursing and nagging to entertain herself, without any real malicious intent behind it. Being able to love Dolly again and feeling love in return feels like a healing tonic for Rose, who starts eating and becoming healthy again. Quick and Rose spend more time together, and Lester gets them a car. Rose is pregnant again by Christmas, and she imagines a brighter future for them, with their own house (which is still being built) and a steady income. Their prospects look better than ever.
This period of peace and happiness is a direct result of Rose’s reconciliation with Dolly. Rose’s health throughout the novel seems connected to her family relationships, and this is no exception. As she reconnects with Dolly, she realizes once again that she needs her family just as much as they need her. Life’s hardships don’t magically vanish after Rose has made peace with Dolly, but sharing her experiences with other people has made her challenges much easier to bear.
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Quotes
At Cloudstreet one day, Lon walks into the kitchen with a black eye and a bruised face. Oriel asks him what happened, and he tells her that another man hit him in public. Immediately suspicious, Oriel asks if he deserved it, and Lon admits that he’s gotten a girl pregnant. Oriel reacts in shock, while the Lamb girls tease him. He’s married to the pregnant girl, Pansy Mullet, within two weeks. At the wedding, Oriel mutters “he does” when the priest asks Lon if he takes Pansy as his lawfully wedded wife. Lon and Pansy start living in a room in Cloudstreet, and they seem miserable together.
Lon is a perfect contrast to Rose at this point in the novel, as Rose becomes the best version of herself while Lon goes through immature growing pains. His attempts to live a wild and independent life ironically made him more dependent on his mother than ever. His bad decisions are mostly played for laughs, but they also highlight how the difficult cycles of mistakes and personal growth repeat over and over with each generation.
Themes
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Sam, Oriel, and Quick each seem to receive an ominous premonition. Feeling something bad coming isn’t unusual for Sam, but as he feels his stump tingling painfully in bed one night, he knows that whatever dark event is approaching feels like doom. Oriel, meanwhile, has a dream of the city burning. She sees people fleeing from the flames towards the river, but they stop at the water, afraid, and are consumed by the fire chasing them. Quick visits the new house being constructed for him and Rose, and he encounters the mysterious Black man he’s seen many times before. The man tells Quick that this is not his home, and that he should go back to his real home. Quick turns to leave and the man disappears.
Oriel’s dream is full of symbolism she’s familiar with, but she’s unable to guess what it might mean. It’s possible that the people in her dream fearing the river and dying as a result could point towards a hesitation that needs to be overcome. This idea is supported by Quick’s encounter with the Black man. While Quick and Rose are determined to stay in the city and live their new lives there, the spirit world seems to be telling them to return home to their families. And sure enough, nothing is more associated with the Lamb family than the river.
Themes
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After a hot and muggy Christmas, a hateful and merciless killer begins stalking the streets of Perth at night, murdering innocent people seemingly at random. Another officer named Murphy brings Quick up to speed about what had happened the night before: the murderer shot a total of five people in various parts of town and killed most of them, including a sleeping child. Murphy calls it madness, but Quick thinks he’s finally dealing with pure evil. Sam reads about the killings in the newspaper and figures the Shifty Shadow is hanging over the whole town now. The town becomes tense, and no one goes out at night. No one can guess at the killer’s motives, or where he might strike next.
As much as Quick had hoped for a chance to fight evil, he’s still shaken by what he finds in the serial killer’s wake. Rather than letting Quick deal with his inner demons by fighting an external threat, the killer poses a slow and frustrating challenge that only intensifies Quick’s trauma and unsettles him further. Meanwhile, Sam attributing the killings to another whim of the Shifty Shadow is consistent with his luck-based worldview. Ultimately, he believes that even the most terrible things happen for no reason beyond random chance.
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Quotes
The police force increases their efforts and Quick patrols the streets at night, but they come no closer to catching the murderer. Quick and Rose’s new house is practically ready for them to move in, but Rose is too afraid of the killer to move yet, knowing that she’ll be on her own most of the time. Quick tries to reassure her, but the police make little progress on the case, and someone else is killed despite everyone’s increased level of caution. The killer approaches Oriel’s tent one night, but he’s scared off by the mad squealing of the pig in the dark. During a night of patrolling, Quick encounters the strange Black man again, who tells him to go back to his real home. Quick glimpses dozens of Black men beneath the trees on his way home.
Oriel’s life is saved by the pig that she almost got rid of years ago, but whether this is an act of God or a whim of luck is open to interpretation. Either way, it’s significant that none of the characters ever become aware of this narrow escape from death. It seems as though miracles might affect the Lamb family after all, but not in a way that they can perceive. Meanwhile, the Black man’s intervention in Quick’s life is much more clear-cut and unambiguous. While it’s still unclear what spiritual force is communicating with Quick, it’s giving him a very clear warning.
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Sam, Lester, and Oriel meet in the Lambs’ kitchen one morning, all of them seeming to have had the same idea at once. They agree that they should try to get Quick and Rose to live at Cloudstreet again, if only for a little while, so that they’ll be safer from the killer. To their surprise, Quick and Rose show up of their own accord and ask to stay for a while before the parents can even put their plan into motion. Quick feels safer among family, but he and Rose sleep in the disquieting, windowless library, where Quick often sees the two ghosts hating each other in the dead of night and assumes he’s hallucinating from exhaustion.
Quick and Rose arriving at Cloudstreet just as the others were about to call them is a sign that all of them have been getting similar bad feelings and premonitions lately. This supports the general trend of supernatural occurrences ramping up more than ever, possibly brought about by the murderers. While the circumstances are extreme, temporarily moving back into Cloudstreet coincidentally allows Quick and Rose to become even closer with their families again.
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Oriel sits in her tent at night and knows there’s only a bit of fabric between her and her potential death, but she doesn’t let herself be afraid. She hears Fish sobbing and wailing inside the house, but she knows that Fish doesn’t perceive her, and she feels that going inside at night would be a surrender on her part. She still feels unwelcome in the house for a reason she can’t quite place. A few streets away, the murderer kills a young woman in her bed and defiles her body, taking twisted joy in fully knowing that what he’s doing is depraved. He feels like he’s finally “winning.” He heads home to his wife and kids after pushing the girl’s body into a neighbor’s yard.
Oriel’s reasons for staying in the tent stem from her inability to move on. Her discomfort in the house is personified by Cloudstreet’s ghosts, but the main reason is Fish himself. After all, moving past her trauma is bound to be difficult when the object of her trauma is always present in the house. Meanwhile, the killer’s motives strangely mirror those of Sam, but they are much more twisted. Sam similarly feels like a perpetual loser at times, and is obsessed with winning through gambling. The killer takes this attitude to the extreme, seeking violent vengeance against the society that considered him a loser in the first place. The fact that he has a family emphasizes how easily a “normal” person can be driven to the brink of sanity by misfortune.
Themes
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Quotes
An exhausted Quick stands by the river that morning and thinks that the town will never be the same after all this killing. He’s frustrated that they can’t seem to catch the murderer, only clean up after him. In spite of himself, he’s looking for the Black man, desperate for some help. The town reacts furiously to the news of the latest murders. One day, Quick saws a large window into the wall of the library, finally letting some light and fresh air into the usually stuffy and sickening room. Fish sees the two ghostly women staring at the new window in horror, and he tells Rose that “the ladies won’t like” her new baby. Rose and Quick assume he’s talking about Dolly and Oriel. Dolly visits Sam at the train station on his way home from work.
As Quick struggles to find answers, he realizes that the town of Perth itself will be forever traumatized by the killings. Just as his family’s misfortunes have left them feeling perpetually hurt and lost, now the town of Perth will be reeling from these murders for years. But these comparisons only raise more concerns about how the town will ever recover, as Quick hasn’t even figured out how to deal with his small, personal traumas yet. On a lighter note, Dolly meeting Sam at the train station is a hopeful sign that she’s willing to love him again. Now that she’s found peace with Rose and possibly herself, she’s begun to feel grateful for Sam, rather than trapped with him.
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As autumn comes around, Quick and Rose are still living at Cloudstreet, having truly made themselves at home there again. To her surprise, Rose feels happy living there, despite it feeling like a surrender after all her plans of moving far away and having nothing to do with Cloudstreet or her family anymore. She feels safe and comfortable amid the noise and bustle of the big house, and she still enjoys spending time with Dolly. Quick seems happy as well, though he’s still troubled by the police’s lack of progress on the murder case. The killer soon strikes again, murdering a babysitter this time, and Quick feels himself slipping into a depressingly familiar sense of despair and hopelessness. He knows he’s losing the fight against evil every day.
Rose’s character arc nears its conclusion as she realizes how much she enjoys living at Cloudstreet. While she’s still only staying there to feel safer from the serial killer, she has to acknowledge that she values her family’s company more than ever. After years of longing to leave her family behind, independence from Dolly and the others begins to seem less and less enticing. To her surprise, sharing her life with Dolly and the others brings her joy rather than pain. Quick, on the other hand, can’t seem to find peace until the killer is brought to justice. Once again, his trauma threatens to consume him despite his life improving. Like his mother, Quick fixates on his inner struggles more than anything that’s happening in the external world.
Themes
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The police receive a tip and successfully set a trap for the killer, catching him at last. Quick can hardly let himself believe it when Murphy breaks the news to him, as Quick had let himself believe that the killer would be giving them trouble forever. Shortly after hearing of the murderer’s capture, the sergeant tells Quick to hurry home, as Rose is giving birth. On the drive to Cloudstreet, Murphy says it’ll be in the papers, and Quick distractedly asks if he means the birth. But Murphy was talking about the murderer’s capture, which turns out to be strangely disappointing for the officers who haul him to jail. They expected to feel like they defeated a monster, but the killer looks like nothing more than a small, scared, frustrated man who’s no longer winning.
The fact that Quick himself didn’t catch the killer adds to the realism of the situation and gives Quick room for character growth. With the killer’s capture, Quick no longer has an unhealthy outlet for his trauma, and his fantasies of defeating evil are replaced by an almost mundane ending to the killing spree. Additionally, now that the murderer is behind bars, Quick can focus all of his attention on what’s truly important to him: Rose. The killer being surprisingly human is the main reason why the authorities feel disappointed about his capture. It’s possible that his apparent normalcy makes them uncomfortable, as they realize that the killer could have been any one of them.
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Quick arrives at Cloudstreet as fast as he can and offers to take Rose to the hospital, but she tells everyone not to bother starting up a vehicle, as she feels like she’s about to have the baby right now, in their room. Oriel hurries upstairs to help Rose give birth, and Rose has never been happier to see her. The two families and the two ghosts tensely watch while Fish sings and babbles. The birth goes off without a hitch, and Dolly is a grandmother. Quick suggests that they call the newborn boy Harry, to Rose’s laughing disagreement. The two spirits fade from the house as Rose gives birth, released from their bindings forever. The house itself seems to breathe a sigh of relief as the families celebrate the birth and the town celebrates the killer’s capture.
The birth of Rose’s child is a major turning point not only for Rose herself, but for every inhabitant of Cloudstreet, living and dead. As the birth brings both families together, they share in the unbridled joy of the event, becoming more unified than ever. Rose’s reaction to Oriel’s help is a sharp contrast to Rose’s resentment towards Oriel earlier in the novel. Before, Rose was insecure about Oriel’s helpfulness, but now it’s clear that independence from Oriel would only make things more difficult. And at last, the arrival of new life banishes the ghosts from Cloudstreet, symbolizing how both families have healed from their trauma and are ready to face the future together.
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Quotes