Quick Lamb Character Analysis

The war’s over, he knows, but he picks up sadness like he’s got a radar for it. The whole world’s trying to get back to peace but somewhere, always somewhere there’s craters and rubble and still the lists and the stories coming home as though it’ll never let itself be over. There’s families still on this street who’ve lost men, and while they remember the war will still be on.

The sky, packed with stars, rests just above his head, and when Quick looks over the side he sees the river is full of sky as well. There’s stars and swirl and space down there and it’s not water anymore—it doesn’t even feel wet. Quick stabs his fingers in. There’s nothing there. There’s no lights ashore now. No, there’s no shore at all, not that he can see. There’s only sky out there, above and below, everywhere to be seen. Except for Fish’s giggling, there’s no sound at all.

He wondered what he’d done to turn Quick away. He secretly hoped for an end to it like the return of the son in the story and it made him wonder if he wasn’t still half believing. Those Bible stories and words weren’t the kind you forgot. It was like they’d happened to you all along, that they were your own memories. You didn’t always know what they meant, but you did know how they felt.

He knows he’s not crazy, he’s convinced of it, and he’s right. But he’s not firing on all six, that’s for sure, because as he lies there, buckled and ready to stop breathing at any moment, he knows he can’t decide how he feels—enlightened or endangered, happy or sad, old or young, Quick or Lamb.

The strong are here to look after the weak, son, and the weak are here to teach the strong.

What are we here to teach you, mum?

Too early to say.

Every important thing that happened to him, it seemed, had to do with a river. It was insistent, quietly forceful like the force of his own blood. Sometimes he thought of it as the land’s blood: it roiled with life and living. But at other moments, when a dead sheep floated past, when the water was pink with storm mud, when jellyfish blew up against the beaches in great stinking piles, Quick wondered if it was the land’s sewer. The city had begun to pile up over it as the old buildings went and the ugly towers grew. But it resisted, all the same, having life, giving life, reflecting it.

She felt the Shadow in her, this dark eating thing inside, like an anger, and sensed that it’d always be with her. But Quick would hold her up beyond reason, even when it went into stupidmindedness. It wasn’t just the fact that she knew he could do it for her that made her love him. It was her certainty that he would.

The room goes quiet. The spirits on the wall are fading, fading, finally being forced on their way to oblivion, free of the house, freeing the house, leaving a warm, clean sweet space among the living, among the good and hopeful.

But it’s not us and them anymore. It’s us and us and us. It’s always us. That’s what they never tell you. Geez, Rose, I just want to do right. But there’s no monsters, only people like us. Funny, but it hurts.

Don’t you want to be independent?

Quick, I don’t even know what it means anymore. If it means being alone, I won’t want it. If I’m gunna be independent do you think I need a husband? And a kid? And a mother and father, and inlaws and friends and neighbors? When I want to be independent I retire. I go skinny and puke. You’ve seen me like that. I just begin to disappear. But I want to live, I want to be with people, Quick. I want to battle it out. I don’t want our new house. I want the life we have.

The war’s over, he knows, but he picks up sadness like he’s got a radar for it. The whole world’s trying to get back to peace but somewhere, always somewhere there’s craters and rubble and still the lists and the stories coming home as though it’ll never let itself be over. There’s families still on this street who’ve lost men, and while they remember the war will still be on.

The sky, packed with stars, rests just above his head, and when Quick looks over the side he sees the river is full of sky as well. There’s stars and swirl and space down there and it’s not water anymore—it doesn’t even feel wet. Quick stabs his fingers in. There’s nothing there. There’s no lights ashore now. No, there’s no shore at all, not that he can see. There’s only sky out there, above and below, everywhere to be seen. Except for Fish’s giggling, there’s no sound at all.

He wondered what he’d done to turn Quick away. He secretly hoped for an end to it like the return of the son in the story and it made him wonder if he wasn’t still half believing. Those Bible stories and words weren’t the kind you forgot. It was like they’d happened to you all along, that they were your own memories. You didn’t always know what they meant, but you did know how they felt.

He knows he’s not crazy, he’s convinced of it, and he’s right. But he’s not firing on all six, that’s for sure, because as he lies there, buckled and ready to stop breathing at any moment, he knows he can’t decide how he feels—enlightened or endangered, happy or sad, old or young, Quick or Lamb.

The strong are here to look after the weak, son, and the weak are here to teach the strong.

What are we here to teach you, mum?

Too early to say.

Every important thing that happened to him, it seemed, had to do with a river. It was insistent, quietly forceful like the force of his own blood. Sometimes he thought of it as the land’s blood: it roiled with life and living. But at other moments, when a dead sheep floated past, when the water was pink with storm mud, when jellyfish blew up against the beaches in great stinking piles, Quick wondered if it was the land’s sewer. The city had begun to pile up over it as the old buildings went and the ugly towers grew. But it resisted, all the same, having life, giving life, reflecting it.

She felt the Shadow in her, this dark eating thing inside, like an anger, and sensed that it’d always be with her. But Quick would hold her up beyond reason, even when it went into stupidmindedness. It wasn’t just the fact that she knew he could do it for her that made her love him. It was her certainty that he would.

The room goes quiet. The spirits on the wall are fading, fading, finally being forced on their way to oblivion, free of the house, freeing the house, leaving a warm, clean sweet space among the living, among the good and hopeful.

But it’s not us and them anymore. It’s us and us and us. It’s always us. That’s what they never tell you. Geez, Rose, I just want to do right. But there’s no monsters, only people like us. Funny, but it hurts.

Don’t you want to be independent?

Quick, I don’t even know what it means anymore. If it means being alone, I won’t want it. If I’m gunna be independent do you think I need a husband? And a kid? And a mother and father, and inlaws and friends and neighbors? When I want to be independent I retire. I go skinny and puke. You’ve seen me like that. I just begin to disappear. But I want to live, I want to be with people, Quick. I want to battle it out. I don’t want our new house. I want the life we have.