Dune Messiah

by

Frank Herbert

Dune Messiah: Chapter 10 Summary & Analysis

Summary
Analysis
Alia kneels in the sand, examining the remains of a dead body. Hayt and a few mortuary assistants stand behind her. Paul sent Alia to examine this strange occurrence: a 20-year-old Fremen woman, addicted to semuta music and dead from a Tleilaxu poison. Alia only feels the mysteriousness of the situation and wants to get back in her ‘thopter (plane) and fly away. She looks at Hayt, longing to replace a piece of hair falling loose from his stillsuit and wondering if he knows anything about the dead woman. Hayt meets Alia’s gaze with his metal eyes, and she trembles.
The dead woman in the desert bears all the signs of Otheym’s daughter whom Scytale kidnapped a few chapters earlier—she is addicted to semuta music and imbibed with Tleilaxu poison. However, it is unclear why Scytale would have kidnapped Otheym’s daughter, killing Otheym, only to end up murdering her and abandoning her in the desert. Scytale seems to have his own plan, separate from the Guild.
Themes
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Puzzling again over the dead woman, Alia resents that Paul perpetuates the false notion that she can figure out anything; because of religion, she and Paul aren’t considered human. Alia asks Hayt what he thinks. Hayt says that the body is too decayed to be identified. Alia agrees that the body is too decayed for the Tleilaxu to revive it the way they revived Hayt. She asks Hayt to take her back to the city.
This passage reveals more information about how gholas are made. A ghola cannot be revived from any dead flesh, but only from flesh that has just died or has been preserved. In other words, there is an urgency to making a ghola, and the circumstances must be carefully controlled.
Themes
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When Alia and Hayt are airborne in their ‘thopter, Alia remarks that Hayt flies like Duncan Idaho. Alia then asks what Hayt is thinking. When he deflects her question, she says she wants to compare her uneasy reaction to the dead woman to his. Hayt says he wasn’t thinking about the dead woman but was registering the emotions he feels when people mention Duncan Idaho; he feels eagerness, uneasiness, and has flashes of memories. However, he is worried that he is not who people believe he is. Alia says that Hayt is Duncan Idaho. Hayt says Duncan Idaho is only his “primary computation.” Alia is infuriated that Hayt addresses her familiarly as Alia.
Hayt is having an identity crisis. Duncan Idaho is his “primary computation,” but he does not feel that Duncan Idaho is yet his identity, suggesting a difference between one’s computation and one’s identity. Hayt teeters on the edge of being two people. One of them is connected to the past and to his “primary computation.” The other is a potential new identity divorced from his past identity.
Themes
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Alia and Hayt fly over the place where Alia’s father died. Hayt voices his desire to see this place in hopes of recapturing some of Duncan Idaho’s memories. Seeing how strong he desires to know himself, Alia tells Hayt to steer the ‘thopter towards the place. As they approach, Alia questions Hayt’s loyalty to Paul. She is shocked to see Hayt shed a tear, and she touches his wet cheek. She calls him Duncan twice, and then Hayt explains that he felt a ghost’s an arm on his shoulders—a friend. Alia radios her attendants, explains her and Hayt’s detour, and tells Hayt to head for the city. As Hayt turns the plane, Alia suggests that the arm he felt was her father’s.
Hayt’s chances of becoming Duncan Idaho are connected to the power of past events. Only monuments of the past—such as Paul’s father’s grave—have the power to jolt Hayt into identifying as Duncan Idaho. In this way, Hayt’s trustworthiness is contingent on the past rather than the future. While Paul and Alia’s powers lead them toward the future and their fate, Hayt’s contingent character suggests that the past might be more powerful than the future—and more likely to save Paul than the future is.
Themes
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Alia tells Hayt that she gained Reverend Mother awareness while in her mother’s womb and that she knows and remembers her father as her mother did. Hayt says that he asked Paul all about this; as a mentat, he wanted data. Alia looks down at the hidden valleys in the dunes and says they remind her of the human mind with its “concealments.” Hayt assumes that Alia is wondering what his mind conceals. Alia accuses him of having no respect for her prescience. Hayt says that he does respect her powers but thinks she’s become careless with them. When Alia rebukes his daring, Hayt says that he dares more than the Tleilaxu anticipated.
As a character whose true identity is unknown, Hayt reveals the flawed nature of prescience. Neither Paul or Alia is able to foresee who Hayt really is or which of his two potential identities he will become. In this way, Hayt undermines the power of prescience, but he also occasions a feeling of hope that prescience cannot provide. When their prescience is absolute, Alia and Paul feel doomed; but when something remains hidden from them, they are able to hope that the unexpected will be a pleasant surprise.
Themes
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Alia wonders if Hayt is a product of the Tleilaxu’s intentions, or if he is more than this. Grasping her knife, she asks Hayt why he was given to her brother. Hayt says that she knows the answer: he is to destroy Paul. Hayt then asserts that the gift of the ghola wasn’t necessary because Paul is already destroying himself. Changing subjects rapidly, Alia asks how she is careless with her powers. Then she asks how Paul is destroying himself. Hayt laughs at her lack of reason, and Alia demands that he reason for her.
Hayt’s arrival in Paul and Alia’s lives creates uncertainty where none existed before. Hayt’s assertion that Paul is already destroying himself on his own causes Paul and Alia to question the stability of their powers, therefore destabilizing themselves. On the other hand, the uncertainty that Hayt brings is also positive: it seems to excite Alia, who was becoming bored and hopeless in her static life of power. 
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Quotes
Hayt says that it is strange that the Fremen gave Paul an “official Panegyrist”—Korba—to surround Paul with flattery and servility and cause everyone to view him as a religious savior. Alia says that Hayt would be killed if others heard what he is saying. She also claims that Paul rules by “the natural law of heaven.” Hayt asserts that Alia does not believe this. He says that Alia and Paul were taught to govern and instilled with a thirst for power, but that these things have nothing to do with a natural law. Hayt says that he is a servant of Atreides and speaks the truth. Alia says that Paul has disciples, not servants.
Hayt makes a distinction between natural law and the thirst for personal power. As a human motivation, the thirst for personal power is not as complete and commanding as the natural laws. In this way, although Paul and Alia have gained an enormous amount of power, they themselves are still subject to the natural laws. As long as their rule is not ordained by “the natural laws of heaven,” it will always be imperfect and incomplete.
Themes
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When Hayt addresses her as “child,” Alia starts to unsheathe her knife. Hayt says that Alia’s new womanhood has disturbed her child’s flesh. Feeling frustrated, Alia lets go of her knife and says that Hayt is the most complex creature she’s ever met. Hayt says he was made with the freedom to mold himself. When Hayt says he has already told all this to Paul, Alia asks how Hayt is still alive and free. Hayt says that Paul agreed he was destroying himself, and Hayt promised to understand and help him.
Although Hayt continuously offends both Paul and Alia, neither of them can go through with killing him, even though they are often tempted. Hayt’s mysteriousness protects him from their revenge; as well as undermining them, he makes them long for the familiar wisdom of an old friend. Hayt goes against Paul and Alia’s better judgement in a simultaneously threatening yet comforting way.
Themes
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Alia demands the exact words of Hayt’s exchange with Paul. Hayt lands the ‘thopter and then says that he told Paul that enduring oneself is the hardest task of the universe. Alia stutters and then says that that is “bitter nonsense.” Hayt says that the highest and lowest of people experience the same problem, and that no one can solve it for anyone else. Alia whirls away and then feels that she has betrayed her feelings. When she asks, Hayt says that he instructed Paul to protect his friends and destroy his enemies; since justice means nothing when there are two sides to every collision, all Paul can do is keep order.
Hayt points out that Paul’s internal turmoil is both a consequence of power and a consequence of being human. In Hayt’s opinion, Paul’s power has not elevated him above human concerns. One might think that the greatest threat to a person, especially to a person in power, is external, but Hayt claims that it is rather a person’s emotions that most threaten them.
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Alia says Hayt is dangerous because he has mastered his passions. Hayt concurs that he is dangerous, but that this is not why. He grips her chin and kisses her familiarly. Alia touches her lips and accuses Hayt of being presumptuous. Hayt steps out of the ‘thopter and Alia follows, saying she will tell Paul everything he said and did. Hayt says that Alia wanted the kiss, and she realizes that he is right. Alia says that Hayt’s truthfulness makes him dangerous. Pleased that Alia has returned to sense, Hayt asks about the dead woman in the desert. Alia grabs Hayt’s arm and says she keeps thinking about Face Dancers. Hayt says that perhaps no young Fremen woman is missing.
In his precarious state of identity, Hayt’s actions can be seen as either positive or negative. Hayt’s kiss could have been motivated by one of his two potential identities. On the one hand, Hayt could be beguiling Alia on the behalf of the Guild, drawing her in to make her vulnerable to an attack. On the other hand, Hayt could have kissed Alia as Duncan Idaho. Therefore, the success or failure of the Guild rests on who Hayt is—and who he will become.
Themes
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