Dr. Maria Temple Character Analysis

As always, Mummy was scary. But the thing was, this time—for the first time ever—she’d actually sounded scared too.

Anger was good, she’d said, while I was putting my coat on. If I was finally getting in touch with my anger, then I was starting to do some important work, unpicking and addressing things that I’d buried too deep. I hadn’t thought about it before, but I suppose I’d never really been angry before now. Irritated, bored, sad, yes, but not actually angry.

The singer wasn’t ever the point, really; Maria Temple had helped me see that. In my eagerness to change, to connect with someone, I’d focused on the wrong thing, the wrong person. On the charge of being a catastrophic disaster, a failed human being, I was starting to find myself, with Maria’s help, not guilty.

The voice in my head—my own voice—was actually quite sensible, and rational, I’d begun to realize. It was Mummy’s voice that had done all the judging, and encouraged me to do so too. I was getting to quite like my own voice, my own thoughts. I wanted more of them. They made me feel good, calm even. They made me feel like me.

“People inherit all sorts of things from their parents, don’t they—varicose veins, heart disease. Can you inherit badness?”

“Good- bye, Mummy,” I said. The last word. My voice was firm, measured, certain. I wasn’t sad. I was sure. And, underneath it all, like an embryo forming—tiny, so tiny, barely a cluster of cells, the heartbeat as small as the head of a pin, there I was. Eleanor Oliphant. And, just like that, Mummy was gone.

As always, Mummy was scary. But the thing was, this time—for the first time ever—she’d actually sounded scared too.

Anger was good, she’d said, while I was putting my coat on. If I was finally getting in touch with my anger, then I was starting to do some important work, unpicking and addressing things that I’d buried too deep. I hadn’t thought about it before, but I suppose I’d never really been angry before now. Irritated, bored, sad, yes, but not actually angry.

The singer wasn’t ever the point, really; Maria Temple had helped me see that. In my eagerness to change, to connect with someone, I’d focused on the wrong thing, the wrong person. On the charge of being a catastrophic disaster, a failed human being, I was starting to find myself, with Maria’s help, not guilty.

The voice in my head—my own voice—was actually quite sensible, and rational, I’d begun to realize. It was Mummy’s voice that had done all the judging, and encouraged me to do so too. I was getting to quite like my own voice, my own thoughts. I wanted more of them. They made me feel good, calm even. They made me feel like me.

“People inherit all sorts of things from their parents, don’t they—varicose veins, heart disease. Can you inherit badness?”

“Good- bye, Mummy,” I said. The last word. My voice was firm, measured, certain. I wasn’t sad. I was sure. And, underneath it all, like an embryo forming—tiny, so tiny, barely a cluster of cells, the heartbeat as small as the head of a pin, there I was. Eleanor Oliphant. And, just like that, Mummy was gone.