Appearances vs. Reality
The relationship—and tension—between appearance and reality is a central theme in “Gabriel-Ernest,” influencing both events and how characters react to them. The author suggests that not only can appearances be deceiving, but that people will go to great lengths to ignore evidence that things are not what they seem. Van Cheele, as the owner of his woods, is highly concerned with how they appear to others, and much less interested in the actual state…
read analysis of Appearances vs. RealityWild vs. Domestic
Set in the English countryside, “Gabriel-Ernest” takes place in a natural environment which has been heavily reshaped by human life. The mystery of Gabriel-Ernest suggests that while humans may like to believe they control nature, the line between wild and domestic is actually thin and unpredictable .In fact, the very idea of a werewolf suggests that the clear division between wild and domestic is a false binary, and challenges the idea that humans can neatly…
read analysis of Wild vs. DomesticFear of the Unknown
Fear of the unknown underlies many of Van Cheele’s observations and deductions in “Gabriel-Ernest,” leading him to conclusions that, while probable, cannot actually be proven as fact. By showing how fear of the unknown can motivate—and distort—reasoning, the author demonstrates the limits of human knowledge and control of the world. Van Cheele is presented as a man of knowledge, but a man who wants to possess knowledge, not a man who truly wants to…
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Social Status and Hypocrisy
Closely intertwined with appearance and reality in “Gabriel-Ernest” are the themes of social status and hypocrisy. The efforts of the characters to protect their status and use it in self-serving ways lead almost directly to the story’s tragic and arguably avoidable conclusion. The narrator tells readers that Van Cheele is not only a local landowner, but a “parish councillor and justice of the peace.” Consequently, his primary concern upon encountering Gabriel-Ernest in the…
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