Girl with a Pearl Earring

by

Tracy Chevalier

Tanneke Character Analysis

Tanneke is Maria Thins’s maid, who fulfils the role of housekeeper for Catharina and Vermeer, although she doesn’t always do the best job with her duties. She has loyalty to these three above everyone else in the world. Despite her common, somewhat rough appearance, Vermeer used her as the model for one of his paintings, and she possesses a vanity that Griet uses to get on her good side. But when she sees that she or the family have been wronged, she can become mean and vindictive.

Tanneke Quotes in Girl with a Pearl Earring

The Girl with a Pearl Earring quotes below are all either spoken by Tanneke or refer to Tanneke. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Power of Art Theme Icon
).
Chapter 1: 1664 Quotes

The woman standing in the doorway had a broad face, pockmarked form an earlier illness. Her nose was bulbous and irregular, and her thick lips were pushed together to form a small mouth. Her eyes were light blue, as if she had caught the sky in them. She wore a grey-brown dress with a white chemise, a cap tied tight around her head, and an apron that was not as clean as mine. She stood blocking the doorway, so that Maertge and Cornelia had to push their way out round her, and she looked at me with crossed arms as if waiting for a challenge.

Already she feels threatened by me, I thought. She will bully me if I let her.

“My name is Griet,” I said, gazing at her levelly. “I am the new maid.”

Related Characters: Griet (speaker), Vermeer, Catharina, Cornelia , Tanneke, Maertge
Page Number: 16
Explanation and Analysis:

And Maria Thins, for all her fairness, did not defend Tanneke from Catharina. I never once heard Maria Thins berate her daughter for anything, though Catharina needed it at times.

There was also the matter of Tanneke’s housekeeping. Perhaps her loyalty made up for her sloppiness about the house—corners unmopped, meant burned on the outside and raw on the inside, pots not scrubbed thoroughly. I could not imagine what she had done to his studio when she tried to clean it. Though Maria Thins rarely scolded Tanneke, they both knew she ought to, and this kept Tanneke uncertain and quick to defend herself.

It became clear to me that in spite of her shrewd ways, Maria Thins was often soft on the people closest to her. Her judgement was not as sound as it appeared.

Related Characters: Griet (speaker), Cornelia , Maria Thins, Tanneke
Page Number: 51
Explanation and Analysis:

Great wheels of Gouda and Edam arrived, and artichokes and oranges and lemons and grapes and plums, and almonds and hazelnuts. Even a pineapple was sent, gift of a wealthy cousin of Maria Thins. I had never seen one before, and was not tempted by its rough, prickly skin. It was not for me to eat, anyway. None of the food was, except for the od taste Tanneke allowed us. She let me try a tiny bit of caviar, which I liked less than I admitted, for all its luxury, and some of the sweet wine, which was wonderfully spiced with cinnamon.

Related Characters: Griet (speaker), Maria Thins, Tanneke, Franciscus
Page Number: 80
Explanation and Analysis:
Chapter 2: 1665 Quotes

He did not treat me differently after the affair of the comb. When I thanked him for speaking up for me, he shook his head as if shooing away a fly that buzzed about him.

It was I who felt differently about him. I felt indebted. I felt that if he asked me to do something I could not say no. I did not know what he would ask that I would want to say no to, but nonetheless I did not like the position I had come to be in.

I was disappointed in him as well, though I did not like to think about it. I had wanted him to tell Catharina himself about my assisting him, to show that he was not afraid to tell her, that he supported me.

That is what I wanted.

Related Characters: Griet (speaker), Vermeer, Catharina, Cornelia , Maria Thins, Tanneke
Page Number: 151
Explanation and Analysis:
Chapter 3: 1666 Quotes

I did not pick up the knife. I turned and walked from the room, down the stairs and through the doorway, pushing past Tanneke. When I reached the street I did not look back at the children I knew must be sitting on the bench, nor at Tanneke, who would be frowning because I had pushed her, nor up at the windows where he might be standing. I got to the street and I began to run. I ran down the Oude Langendijck and across the bridge into Market Square […] I reached the center of the square and stopped in the circle of tiles with the eight-pointed star in the middle. Each point indicated a direction I could take. […] When I made my choice, the choice I knew I had to make, I set my feet carefully along the edge of the point and wen the way it told me, walking steadily.

Related Characters: Griet (speaker), Vermeer, Catharina, Tanneke
Related Symbols: Knives
Page Number: 215-216
Explanation and Analysis:
Chapter 4: 1676 Quotes

At first it was very hard for me. When I saw him I froze wherever I was, my chest tightened, and I could not get my breath. I had to hide my response from Pieter the father and son, from my mother, from the curious market gossips.

For a long time I thought I might still matter to him.

After a while, though, I admitted to myself that he had always cared more for the painting of me than for me.

It grew easier to accept when Jan was born. My son made me turn inward to my family, as I had done when I was a child, before I became a maid. I was so busy with him that I did not have time to look out and around me. […] When I saw my old master across the square my heart no longer squeezed itself like a fist.

Related Characters: Griet (speaker), Vermeer, Catharina, Pieter, Tanneke, Mother, Pieter the Butcher, Jan
Page Number: 223
Explanation and Analysis:
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Tanneke Quotes in Girl with a Pearl Earring

The Girl with a Pearl Earring quotes below are all either spoken by Tanneke or refer to Tanneke. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Power of Art Theme Icon
).
Chapter 1: 1664 Quotes

The woman standing in the doorway had a broad face, pockmarked form an earlier illness. Her nose was bulbous and irregular, and her thick lips were pushed together to form a small mouth. Her eyes were light blue, as if she had caught the sky in them. She wore a grey-brown dress with a white chemise, a cap tied tight around her head, and an apron that was not as clean as mine. She stood blocking the doorway, so that Maertge and Cornelia had to push their way out round her, and she looked at me with crossed arms as if waiting for a challenge.

Already she feels threatened by me, I thought. She will bully me if I let her.

“My name is Griet,” I said, gazing at her levelly. “I am the new maid.”

Related Characters: Griet (speaker), Vermeer, Catharina, Cornelia , Tanneke, Maertge
Page Number: 16
Explanation and Analysis:

And Maria Thins, for all her fairness, did not defend Tanneke from Catharina. I never once heard Maria Thins berate her daughter for anything, though Catharina needed it at times.

There was also the matter of Tanneke’s housekeeping. Perhaps her loyalty made up for her sloppiness about the house—corners unmopped, meant burned on the outside and raw on the inside, pots not scrubbed thoroughly. I could not imagine what she had done to his studio when she tried to clean it. Though Maria Thins rarely scolded Tanneke, they both knew she ought to, and this kept Tanneke uncertain and quick to defend herself.

It became clear to me that in spite of her shrewd ways, Maria Thins was often soft on the people closest to her. Her judgement was not as sound as it appeared.

Related Characters: Griet (speaker), Cornelia , Maria Thins, Tanneke
Page Number: 51
Explanation and Analysis:

Great wheels of Gouda and Edam arrived, and artichokes and oranges and lemons and grapes and plums, and almonds and hazelnuts. Even a pineapple was sent, gift of a wealthy cousin of Maria Thins. I had never seen one before, and was not tempted by its rough, prickly skin. It was not for me to eat, anyway. None of the food was, except for the od taste Tanneke allowed us. She let me try a tiny bit of caviar, which I liked less than I admitted, for all its luxury, and some of the sweet wine, which was wonderfully spiced with cinnamon.

Related Characters: Griet (speaker), Maria Thins, Tanneke, Franciscus
Page Number: 80
Explanation and Analysis:
Chapter 2: 1665 Quotes

He did not treat me differently after the affair of the comb. When I thanked him for speaking up for me, he shook his head as if shooing away a fly that buzzed about him.

It was I who felt differently about him. I felt indebted. I felt that if he asked me to do something I could not say no. I did not know what he would ask that I would want to say no to, but nonetheless I did not like the position I had come to be in.

I was disappointed in him as well, though I did not like to think about it. I had wanted him to tell Catharina himself about my assisting him, to show that he was not afraid to tell her, that he supported me.

That is what I wanted.

Related Characters: Griet (speaker), Vermeer, Catharina, Cornelia , Maria Thins, Tanneke
Page Number: 151
Explanation and Analysis:
Chapter 3: 1666 Quotes

I did not pick up the knife. I turned and walked from the room, down the stairs and through the doorway, pushing past Tanneke. When I reached the street I did not look back at the children I knew must be sitting on the bench, nor at Tanneke, who would be frowning because I had pushed her, nor up at the windows where he might be standing. I got to the street and I began to run. I ran down the Oude Langendijck and across the bridge into Market Square […] I reached the center of the square and stopped in the circle of tiles with the eight-pointed star in the middle. Each point indicated a direction I could take. […] When I made my choice, the choice I knew I had to make, I set my feet carefully along the edge of the point and wen the way it told me, walking steadily.

Related Characters: Griet (speaker), Vermeer, Catharina, Tanneke
Related Symbols: Knives
Page Number: 215-216
Explanation and Analysis:
Chapter 4: 1676 Quotes

At first it was very hard for me. When I saw him I froze wherever I was, my chest tightened, and I could not get my breath. I had to hide my response from Pieter the father and son, from my mother, from the curious market gossips.

For a long time I thought I might still matter to him.

After a while, though, I admitted to myself that he had always cared more for the painting of me than for me.

It grew easier to accept when Jan was born. My son made me turn inward to my family, as I had done when I was a child, before I became a maid. I was so busy with him that I did not have time to look out and around me. […] When I saw my old master across the square my heart no longer squeezed itself like a fist.

Related Characters: Griet (speaker), Vermeer, Catharina, Pieter, Tanneke, Mother, Pieter the Butcher, Jan
Page Number: 223
Explanation and Analysis: