Hamnet

by

Maggie O'Farrell

Hamnet: Chapter 8 Summary & Analysis

Summary
Analysis
In the 1580s, long after midnight on her wedding night, Agnes stands at the window. She cannot sleep; her head is swirling with thoughts. Her new home is just two stacked rooms topped by a slope-roofed attic. John had been using it for storage—of wool, she thinks, based on the faint animal smell that lingers in the rooms. That afternoon, he was as reluctant to hand over the key as the tutor was to take it; Agnes thinks that the living arrangements must have to do with the terms Bartholomew set for the marriage. She and Bartholomew silently observed the awkwardness between John and the tutor at the threshold, John slapping her husband forcefully rather than merrily, and the tutor springing into a defensive posture as if he feared more blows.
In the previous chapter, Agnes and Mary walked up the stairs to nurse Judith; because the narration abruptly returns to Agnes’s wedding night it gives a sensation that she ascended the staircase into the past. This suggests that what is happening in the present has been fate’s plan for a long time. At the time of her marriage, both Agnes and Bartholomew seem to have had reservations about her joining Shakespeare’s family, given his father’s unsavory reputation. But the previous chapter demonstrated that they need not have worried; in a crisis, the family members (other than John) support each other with love.
Themes
Fate and Fortune Theme Icon
The Power of Love  Theme Icon
As Agnes’s warm breath fogs the cool glass of the windowpane, she realizes that the house is shaped like an “A.” She cannot read, but the farmer taught her to recognize the letter that begins her name. She falls into a comforting memory of sitting on the ground between her mother’s knees and watching him scratch an “A” into the mud. Agnes takes the shape of the house, the way it echoes the first letter of her name, as her sign. She ignores the rest: the ominous call of a nearby owl, Mary’s obvious displeasure, her husband’s youth, John’s temper, and the constrained quarters. She is unpacking her small bundle of possessions when her new husband wakes and calls her back to bed. 
In choosing to ignore the potentially ominous signs and focus on the one positive one, Agnes models a way to face an uncertain world. She doesn’t worry about the things that lie outside her control and chooses to make the best of the circumstances in which she finds herself, drawing on her own inner strength. She did this when she forced her marriage to the tutor, and she gives readers no reason to doubt she will do so at other key moments too.
Themes
Fate and Fortune Theme Icon
Agnes tells her husband about the A-shaped house, telling him she cannot sleep on the cross-stroke of the A, floating in the air so far from the ground. He promises that they will be doing something other than sleeping in the bed. He begins to empty her hands of her possessions—her gloves, her wedding crown, two books. One, a book describing the medicinal qualities of plants written in Latin, catches his eye. Agnes explains that a kindly neighbor left it to her in her will. She asks if he will read it to her, and he promises he will—later.
The tutor takes out of Agnes’s hands the things that mark her participation in conventional life: the gloves that represent society, the wedding crown that signifies their legally sanctioned relationship. The fact that these things don’t interest him, but her unconventional vision of their house does, emphasizes how suited the couple are to each other.
Themes
Freedom, Restraint, and Genius Theme Icon
The Power of Love  Theme Icon
During the first week of her marriage, Agnes observes everything around her. She watches the maids rise early to complete their morning chores. She notices how little work there is to do—there are no fences to mend or animals to tend or hungry farm-men to feed at midday. Instead, there are visits and deliveries to be made and to be received. She sees that Mary rules the house, assigning tasks to the maids and staying occupied with needlework. She notices that John is often out. Her husband sometimes goes out to give lessons or visit the tavern. When he’s home, he skulks in their bedroom, reading and staring out the window.
It's clear from this description that Agnes has traded her own imperfect family for another imperfect family. As harsh and unyielding as Joan was in her childhood, John’s abuse exists on an entirely different level. Misery, this suggests, is a fact of human existence. Agnes’s attention and sensitivity to detail also aligns her with her sister-in-law Eliza and daughter, Susanna, both of whom have shown themselves to be shrewd observers of the people around them in previous chapters.
Themes
Loss and Grief Theme Icon
The Power of Love  Theme Icon
Get the entire Hamnet LitChart as a printable PDF.
Hamnet PDF
Agnes begins to insert herself into the rhythms of the household. She rises before the maids one morning to bake the bread herself, adding sweet herbs and making sure it doesn’t burn. She trims the candle wicks and changes the table linens and polishes the floors. After a week or so, Mary realizes that things are being done without her having to remind the maids. Then, she finds Agnes in the washhouse with Eliza and the maids, making soap with lavender buds pressed into it so that it will smell sweet. When Mary sees that Agnes is unperturbed by this hard, physical work, despite her pregnancy, she feels a stab of jealousy over Agnes’s youth and fertility. 
Agnes quickly makes herself indispensable in the household affairs. Although the previous chapter made glancing reference to the differences of opinion and arguments between Agnes and Mary, now readers can see the kind of effort and work that Agnes put into forging a working alliance with her mother-in-law. Still, she retains her own strong sense of autonomy—note how she does things in her own unique way but still wins Mary’s approval (and jealousy).
Themes
Freedom, Restraint, and Genius Theme Icon
The Power of Love  Theme Icon
And all the while, Agnes continues to make observations about her new in-laws. She sees that John likes strong, pugnacious Gilbert the best among his children, while Mary favors Richard. She sees that the baby, Edmond, idolizes his brother, her husband, and she knows that he is destined to live a short but bright and happy life. She sees that all six children flinch if John makes a sudden move. One night, John grows irate with Edmond, who’s too tired and cranky to sit quietly at supper. When he hits John with a piece of piecrust, John explodes from his stool. But before he can reach the baby, the tutor confronts him, scuffling with him to hold him back. Agnes scoops up Edmond and flees with him to the yard.
Anne Hathaway is known to history for little more than her marriage to the great William Shakespeare. But the book centers her experience and sidelines his, suggesting that while artistic genius has its place, the truly important things in life mainly happen on a much smaller, more domestic scale. And Agnes is sensitively attuned to domestic arrangements. Although the book has mentioned John’s abusive nature in passing, it’s only under Agnes’s watchful eyes that readers get to see this example of it.
Themes
Freedom, Restraint, and Genius Theme Icon
The Power of Love  Theme Icon
After a while, her husband comes to Agnes and Edmond in the yard. He slips his arm around her. She thinks about the gloves hanging in the workshop, how the skins from which they are made come from living animals. She thinks about how much must be discarded from a creature to make a glove that fits so smoothly and tightly around a person’s hand; she thinks about the violence of the tools used to cut, pierce, and stretch the leather into shape. She thinks about how a glover will only ever want the surface layer of a creature and how he will discard and disregard the rest. And she thinks about the depths she saw in the tutor on the day they first met. She wonders how long they can stay here before they must fly to freedom elsewhere.
Agnes’s reflection on the gloves connects them to the violence and constraints John imposes on his family—gloves, in this view, are wild things stripped of all that makes them vital and beautiful and turned into limp accessories for the rich. Her ruminations intimate that John will do the same thing to all wild and free creatures, including her husband and even, possibly, Agnes herself, if they allow him to. For the first time, she truly, fully understands what it is her husband yearns so desperately to escape—and she resolves to help him flee.
Themes
Freedom, Restraint, and Genius Theme Icon
The Power of Love  Theme Icon
Quotes
Eliza comes into the yard to fetch Edmond; Agnes and her husband go through their own door. Agnes realizes, in this moment, that her husband is split into two. In their small home, he is the man she married. In his parents’ house, he is another person entirely. He is snappish and aggravating. He bristles against his parents’ expectations. She wondered why; now, after what she saw at supper, she understands. She leads him to a chair and rubs her fingers through his hair until he relaxes under her hands.
Moments earlier, Agnes was contemplating the escape she and her husband might make from his family; now she senses a split in his character that suggests the urgency of the matter. The two versions of her husband cannot coexist forever; one must win out in the end. They’ll have to make a choice at some point if he is to survive and reach his full potential.
Themes
Freedom, Restraint, and Genius Theme Icon
The Power of Love  Theme Icon
Identity, Choice, and Sacrifice Theme Icon