Into the Beautiful North

by

Luis Alberto Urrea

García-García Character Analysis

García-García is the elderly owner of the cinema in Tres Camarones and is the only rich man in town. However, he's also frugal to a fault: he shuts off his air conditioning at home, leading his wife to escape to her sister's air-conditioned home in Mazatlán, and when his projectionist leaves for the United States, García-García does the job himself rather than hire a woman. When Irma becomes mayor, she bullies García-García into hiring Nayeli's mother as a projectionist and also insists he screen a Yul Brynner film festival. Though he complies, both are unthinkable for García-García, as he's extremely sexist and is the self-professed biggest Steve McQueen fan in Mexico.

García-García Quotes in Into the Beautiful North

The Into the Beautiful North quotes below are all either spoken by García-García or refer to García-García. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Borders and Ownership Theme Icon
).
Chapter 7 Quotes

"They took my house from me!"

She stood there in her tattered nightgown and curlers.

"Can I sleep here?" he asked.

Irma had only been in charge of the town for scant days, and already the troubles were starting.

Related Characters: García-García (speaker), Tía Irma
Page Number: 57
Explanation and Analysis:
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García-García Quotes in Into the Beautiful North

The Into the Beautiful North quotes below are all either spoken by García-García or refer to García-García. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Borders and Ownership Theme Icon
).
Chapter 7 Quotes

"They took my house from me!"

She stood there in her tattered nightgown and curlers.

"Can I sleep here?" he asked.

Irma had only been in charge of the town for scant days, and already the troubles were starting.

Related Characters: García-García (speaker), Tía Irma
Page Number: 57
Explanation and Analysis: