Moll Flanders

by

Daniel Defoe

Moll Flanders: Moll and the Gentleman Summary & Analysis

Summary
Analysis
Moll’s return trip to England is smooth, and they reach the coast of England in 32 days, but a series of rough storms sends them off course to Ireland. After 13 days, they return to sea, but rough waters again blow the ship off course. The ship makes port in Wales, far from its intended destination, but Moll refuses to get back on the water. The ship sets sail for Bristol with Moll’s belongings, and she heads for London. She arrives weeks later and is told the ship was tossed by considerable weather on its way to Bristol and lost much of its cargo. Without her belongings, Moll is reduced to around £300 in her bank with no hope for more.  
Moll is again destitute. She only has enough money to see her through the immediate future—if she stretches her money she may make it last a few years—and the only legal ways to increase her wealth are to get married or go into Service. Moll refuses to go into Service, so she will have to find another husband (even though she’s still technically married to the linen-draper) or resort to other illegal means.
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Moll decides to go to Bristol anyway, but she stops in Bath along the way. Bath is a “Place of Gallantry” and is “full of Snares,” and since Moll is still a young woman, she decides to take her chances there. But, Moll says, Bath is where men go to find a Mistress, not a Wife, and she has little luck finding a suitable man. She befriends a landlady, who lets Moll lodge at her house. The landlady does not “keep an ill House,” but she doesn’t have “the best Principles” either. Moll is sad and a bit lonely living in Bath, but it is inexpensive, so she stays.
Bath is a fashionable tourist destination known for its public spas, but it is also known for its vice, which is reflected in Moll’s description of the city as “full of Snares.” There is much temptation in Bath—men, money, and likely alcohol and gambling. Moll implies that her landlady isn’t running a brothel (“an ill House”), but she suggests the landlady herself is a prostitute, as she doesn’t have “the best Principles.”
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Moll tells the landlady that she lost her fortune at sea, which indeed cost Moll nearly £500. She has written to her mother and brother in Virginia, Moll says, and she is waiting for them to send more goods for her to the port in Bristol. The landlady takes pity on Moll and reduces her rent to an even cheaper rate, and then she introduces Moll to a gentleman. The gentleman believes Moll is a widow, and she knows that he has a mad wife, whom he left under the care of her family so he wouldn’t be accused of “mismanaging her Cure.” 
Again, it was common during this time for husbands to place their wives in mental hospitals just to be rid of them. The gentleman turns his wife’s care over so it doesn’t appear as if he had her committed just so he could see other women. This again reflects the sexist nature of society.
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The gentleman treats Moll with the utmost respect, honor, and virtue, and even though he occasionally visits her in her room, he never offers more than a kiss. One day, he asks Moll how she manages to live and cover her expenses, and she assures him that she manages well enough while she waits for goods from her family in Virginia. He tells Moll that he asks not because he is curious, but because he wishes to help her, if she needs it. Moll says she is not looking for his assistance, but he makes her promise that if she should find herself in need of money, she will ask him for help as freely as he has just offered it. 
It was not uncommon for platonic friends to receive each other in their bedrooms, or in bed for that matter, and at this point the gentleman appears to be a genuinely respectful person. He treats Moll well and doesn’t make any sexual advances toward her, even when he has the opportunity. He appears to want to help Moll with no strings attached, but she isn’t interested. Moll likely denies him because the gentleman isn’t free to marry, since his wife is still alive.  
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The next day, the gentleman calls Moll to his room while he is still in bed. He tells Moll to empty her purse. She has three and a half Guineas, and he asks if that is all she has. Moll says no, and he tells her to go to her room and fetch all her money. She returns with six more Guineas and some silver, which the gentleman places, without counting, into a drawer. Then he gives Moll a key and tells her to open a wooden box on the table. The box is full of gold, and the gentleman pushes Moll’s hand into the box, forcing her to pick up as much as she can hold. Then he dumps the drawer with Moll’s six Guineas into her lap and tells her to take her money to her room.
Even though it isn’t uncommon for friends to receive each other while in bed, the gentleman’s questions about Moll’s wealth and the gift of money he gives her while lying in bed has sexual connotations, and it furthers the connection between money and sex within the novel. The gentleman could have easily talked with Moll and offered her money after he was up and dressed, but he doesn’t, hinting that his motivations might not be so honorable as they initially appeared.
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The gentleman begins to spend lots of money on Moll, buying her new clothes and lace, and he even hires her a maid. His kindness is a gift, the gentleman says, and he does not wish for Moll to pay him back. Soon, he falls ill, and Moll cares for him for five weeks with as much attention as a loving wife. Once he is better, the gentleman presents Moll with 50 Guineas for her care and tells her he has the sincerest affection for her. He claims he will always preserve her virtue as if it were his own, and even “if he was naked in Bed with [her],” he would not violate her virtue. 
While the gentleman does seem sincere, it is possible his sincerity is just a ploy to get Moll to let her guard down and invite him in, at which time he will more easily be able to take advantage of her. Like the older brother, the gentleman equates his affection for Moll with money, so it isn’t a stretch to imagine that he might equates sex with money as well.
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Moll soon has reason to go to Bristol, and the gentleman offers to travel with her. When they arrive at the Inn, the innkeeper only has one room with two beds. When they’re alone in the room, the gentleman tells Moll that he has occasion to prove to her that he can lie with her without violating her virtue. He climbs into bed with her and holds her all night long, without the least inappropriate touch. They return to Bath and live together for two whole years, until, after a bit too much wine, Moll offers to give him her virtue for one night. He takes her immediately, and with that, Moll becomes, in her words, his “WHORE.”
Again, Moll equates unmarried sex with being a whore, which reinforces the sexist nature of her society. Furthermore, the fact that the gentleman so quickly gives in to Moll’s desires suggests that he isn’t so concerned with her virtue after all. If he were, it is likely that he wouldn’t allow Moll to endanger it, no matter how badly he wanted her.
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Both Moll and the gentleman regret their decision, but there is no going back, so they continue their sexual relationship. Moll is soon pregnant, and the landlady helps her to find a midwife and nurse. As Moll gets closer to giving birth, the landlady convinces the Parish Officers that there is a woman “Lying Inn” at her residence, but the woman’s husband is a wealthy man from London and has covered all expenses. The Parish Officers are satisfied, and Moll saves as much of the gentleman’s money as she can. She gives birth to a handsome boy, and the gentleman relocates both Moll and the baby to London.
During the 17th century, the sight of pregnant women was considered obscene (pregnancy, after all, is evidence of sex), so women were expected to remove themselves from society in for a period of time that was called “lying in.” Churches would assume the cost of unmarried pregnant women and automatically take charge of them, but the landlady convinces them that Moll is married and covered financially. Both the need for “lying in” and the church’s interference further highlight how tightly constrained women’s rights are at this time.
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Moll lives in London at the height of her wealth, and she wishes nothing more than to be the gentleman’s wife. Moll knows marrying the gentleman is unlikely, and she also knows that men only keep mistresses for so long, so she continues to hide money away in her bank whenever she can. Moll admits that from the moment she met the gentleman, she vowed to “let him lye with [her] if he offer’d.” She needed his help and “knew no other way of securing him.” So, “as Poverty brought [her] into it, so fear of Poverty kept [her] in it,” and she lives six years with him. During this time, Moll has two more children, but, sadly, both children die. 
While Moll doesn’t explicitly state it here, she again implies that her relationship with the gentleman—in which he takes care of her and she has sex with him—makes her a whore. Moll again looks to sex as a sort of currency to give her security and wealth. She’s terrified of poverty, so she trades her body and sex for security. Moll has limited options for making money on her own, and she doesn’t know any other way to take care of herself.
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One day, Moll comes home to a letter that says the gentleman has again fallen ill. He is at home with his wife’s family, and it isn’t appropriate for Moll to come to him. Time passes without word, so, out of curiosity, Moll disguises herself as a servant and goes to his house and inquires as to his condition. A maid tells her the gentleman is suffering with pleurisy and a fever, and he isn’t expected to live. Moll returns home and soon learns that his condition is slowly improving. She writes him several letters, and after much time, he finally writes back.
Pleurisy is a painful respiratory illness that was often fatal during Moll’s time, and it further reflects how precarious Moll’s situation is. Without the gentleman, Moll is destitute, and she won’t be entitled to any money upon his death since they aren’t legally married. Moll’s life has been going well, but it is still just one disaster away from completely falling apart and leaving her on the street. 
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The gentleman writes that being so near death has made him genuinely reflect on the time he has spent with Moll, and he now sees the sin they have committed. He encloses £50 so Moll can return to Bath, and he says he can no longer see her. She is free to take their child or leave him; if she leaves the child, the gentleman says, he will care for the boy. Moll is heartbroken. She is aware of their sin herself, and she has often thought it would have been a lesser offense to stay in Virginia as her brother’s wife. And all this time, Moll has been married to the linen-draper too, which means she has been living as a “Whore and an Adultress” since he left.  
The gentleman’s sudden attack of conscience underscores the immorality of his relationship with Moll, which aligns with Defoe’s claim that Moll’s story is useful moral instruction. By pointing out the sin Moll is guilty of, it warns readers away from making similar choices. In giving Moll money to go away, the gentleman again equates sex with mone; it’s as if this final sum is his last payment to her for the relationship they’ve had.
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Moll has no intention of returning to Bath, but she doesn’t know what to do about the child. The thought of leaving him causes her pain, but so does the thought of trying to care for him on her own and being unable to, so she leaves him. She again writes the gentleman and asks him to send her £50 more, so she can go back to her family in Virginia, even though she has no intention of leaving England. He agrees, and Moll again finds herself alone. With the additional £50 from the gentleman, she has nearly £400 in her bank, including some silver, clothes, and linen.
Moll’s son with the gentleman is just one of the 12 children Moll abandons, which makes her appear immoral; however, Defoe implies that Moll isn’t entirely to blame for this awful situation. Birth control doesn’t exist, and Moll has few options to support a child. Plus, she is forced into sexual situations in order to survive. In this way, children can’t be avoided, and Moll can only do her best to take care of them for as long as she can.
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Now, Moll isn’t the same woman she was when she set out alone for the first time 20 years ago. She is 42 years old now, and the years have been hard on her. She has no friends and no one to advise her, which is one of the worst conditions a woman can find herself in. Moll says “woman,” she points out, because men are their own advisers, and they don’t have to worry about “being wrong’d and deciev’d.” A woman alone with no adviser is like “a Bag of Money, or a Jewel dropt on the Highway.” Moll wants to settle down to a quiet life, and if she had a husband, she would be true and faithful. But, Moll says, vice comes in “always at the Door of Necessity, not at the Door of Inclination.” 
Moll changes as her life progresses, which illustrates the evolving nature of identity. Her comment that women are susceptible to deception because they lack advisers again underscores the sexist nature of society. Women are considered helpless and easy prey for men who are only looking for money, and a woman alone like Moll is a prime target. Moll again suggests that she only acts immorally (doing things like having sex and abandoning her children) because she is desperately poor and has no other options.
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Quotes
Literary Devices
Moll lives as frugally as she can and decides to move to the North Country, where a neighbor talks her into moving again to Liverpool. There, Moll must decide what to do with her money. She considers the bank, but she has no one to help her, and she doesn’t trust “Bank Bills” and “Talleys.” Still, she worries she may be robbed or murdered for her gold, so she decides to go the bank anyway. Moll tells the man at the bank her situation, and he directs her to a second banker, who he is sure will be able to help Moll manage her money and affairs.
During this time, paper money and bank receipts (now known as checks) were a relatively new concept, and Moll has a hard time trusting them. Plus, if Moll puts her money in a bank and it goes bankrupt, she will lose all her money. Keeping her money on her isn’t realistic either, it is heavy and bulky, and she might get robbed. Despite the risk, putting her money in a bank is her safest option.
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