My Sister’s Keeper

My Sister’s Keeper

by

Jodi Picoult

My Sister’s Keeper: 5. Tuesday: Anna Summary & Analysis

Summary
Analysis
Anna recounts how she used to pretend that she was simply passing through her family, which felt plausible to her due to her lack of resemblance to her parents or siblings. She used to sit in the hospital cafeteria and look at nearby families, wondering which one of them would reunite with her and whisk her away to a more glamorous life in another country. Even so, Anna admits that the first person she would want to call and tell about this turn of fate would be Kate.
Anna’s fantasies of escaping her family illustrate her conflicted feelings towards them. The fact that she doesn’t even look like her family members exacerbates her sense of isolation from them, understandably driving her to wish she was in another family. However, her desire to stay close to Kate prevents her from fully emotionally divesting from her family.
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Anna accompanies Kate to her dialysis session, where Anna’s donated blood cycles through her body via a catheter in her chest. The procedure isn’t painful, but it is boring, so Kate sometimes plays games with Anna to pass the time. Today, she reads a magazine. Sara is reading a pamphlet about kidney transplants and tells Kate that they won’t take out her old kidney, just transplant in the new one. Kate is creeped out by this, imagining a coroner cutting into her and seeing three kidneys. Sara points out that the point of the transplant is so that no coroner will cut into her any time soon. Anna thinks about how the new kidney they’re discussing is hers. Although kidney donation is considered safe, there is a 1 in 3,000 chance of death and potential long-term complications.
In talking about Kate’s transplant, Sara inadvertently dehumanizes Anna by talking about her kidney as though it’s a standalone object rather than an organ that will have to be extracted from Anna’s body. More unsettling for Anna is Sara’s assumption that the transplant will absolutely happen, even though nobody has asked Anna if she wants it. This nonchalant assumption is juxtaposed with the small but real risk of death associated with kidney donation, highlighting how Sara has not even entertained potential arguments against forcing Anna to donate her kidney.
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Vern Stackhouse, the sheriff, enters the room. He’s quite close with the Fitzgeralds, having gotten Jesse out of trouble a few times. Sara receives him warmly, but the atmosphere in the room chances when Vern reveals that he’s come to serve her papers. Apologetically, he quickly hands over the papers and leaves. The document is Anna’s petition for medical emancipation. Sara moves to confront Anna, but Kate is suddenly overwhelmed with pain and cries for a nurse. Anna takes the opportunity to run out of the room.
The Fitzgeralds’ situation escalates quickly as soon as Vern enters the room. Just moments after Sara verbalizes her assumption that Anna will donate her kidney, this assumption is shattered by Anna’s petition. This disruption to Sara’s hope is underscored by Kate’s agony, which hints that her prospects of survival are growing even narrower.
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Anna hides in the maternity ward. There, she watches a new father talk happily on the phone about his new daughter’s measurements. Anna wonders if her parents did this when she came along, or if they only cared about her cord blood. Anna congratulates the new father, but what she really wants to tell him is to hold his baby tight so that she’ll never do what Anna has done to her parents. She calls Jesse to pick her up and, at the entrance, is met by Vern, who tells her that her mother’s worried about her. Anna tells him to tell her that she’s alright and then leaves with Jesse, who tells her that Sara paged Brian away from work. According to Jesse, the last time Sara did this was when Kate was diagnosed.
The new father’s excitement over his daughter is a direct contrast to Anna’s situation. Unlike Anna’s unconventional conception and birth, this father has had the “normal” experience of having a baby, where he’s full of pure joy over his daughter’s new life, rather than relief over useful cord blood. Anna envies this normalcy but knows that it is well beyond her grasp after what she’s done. Later, Jesse’s revelation that Sara has paged Brian underscores the gravity of Anna’s petition being served.
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Get the entire My Sister’s Keeper LitChart as a printable PDF.
My Sister’s Keeper PDF
Later, Sara, Brian, and Kate arrive home. Kate is sent upstairs, and Sara demands that Anna call her lawyer and retract her lawsuit. Brian comes between them, insisting they give Anna a chance to explain. Anna says that she doesn’t want to do it anymore, to which Sara says that none of them want to, but they don’t have a choice. Anna, however, knows that she does have a choice. Brian asks her if the three of them can talk without a lawyer having to be involved. Anna, who can smell smoke on him and knows he’s come from a fire for this, is ashamed. She tells him that she can’t and says she’s invisible. Sara slaps her.
Sara and Brian’s confrontation with Anna serves as an illustration of the two’s differing attitudes towards Anna. Brian, who is closer to Anna, has more compassion for her, while Sara keeps a harder line. In this way, Anna’s lawsuit causes a rift not only between herself and her parents but between Brian and Sara as they already start to disagree about their response to the lawsuit.
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Quotes
Anna recounts a flashback from when Kate was eight and she was five in which the two had a fight. Because the two girls share a room, they divide it in half, with Kate letting Anna pick a side. Anna picks the side with the Barbies and art supplies, which she thinks is a smart move until lunchtime, when Kate—with her side including the door—is able to leave and Anna is not. Anna stubbornly stays in the room until Sara comes up some time later. Anna protests at being picked up and carried out of the room, so Sara leaves and comes back with various towels and pillows, which she uses to make “lily pads.” Using this, Anna is able to jump onto the items and leave the room, following her mother out.
That this flashback comes immediately after Sara’s slapping Anna is significant, since it shows that their relationship was not always this strained. Although Sara often prioritizes Kate, in this fight between Kate and Anna, Sara stands up for the latter. Her compassion for Anna complicates her as a character, showing that she is capable of tenderness towards her younger daughter—even if she isn’t currently acting on it in the present day.
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In the present, while Anna is taking a shower, Kate comes in to talk to her. She says that Anna still has the opportunity to change her mind, and Anna says that she knows this. After some silence, Kate tearfully says that Anna is the only friend that she has. Although Anna denies it, she knows that it’s true; Kate hasn’t been able to keep a consistent friend group due to her time out of school and her struggle to relate to her healthy peers. Anna retorts that she’s not Kate’s friend, but her sister—to which Kate responds that she can bear to lose Anna as a sister, but not as a friend. Kate leaves, and Anna admits to herself that she can’t bear to lose Kate either.
This interaction is the first time Anna and Kate talk after the petition is served and illustrates the complicated emotions between the two. Unlike Sara, who is furious, Kate seems more worried about losing her bond with Anna. This is especially significant since, after all, Kate’s life is on the line, but she doesn’t seem especially concerned about dying. In other words, Kate seems to prioritize her sisterhood and friendship with Anna over her survival.
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When Kate falls asleep that night, Anna gets up and places her palm under Kate’s nose, thinking about how easily she could suffocate her and how it wouldn’t be much different from what she’s doing now. When she hears footsteps, she dives into bed and pretends to be asleep, eavesdropping on her parents. Sara says that Anna is just doing this for attention, but Brian suggests that maybe Anna has a point. When Anna hears the door close, she assumes her parents have gone, but Sara is by her bedside when she rolls over. When Anna says Sara must hate her, Sara denies it and hugs her, telling her they can talk to the judge and fix everything.
Anna’s thought of killing Kate illustrates the depth of her guilt. She loves Kate and doesn’t want to kill her, but what she’s doing doesn’t feel much different to her than suffocating her in her sleep. It is in this moment of intense guilt that Anna finds herself confronted by Sara, who tries to convince Anna to drop the lawsuit. With this in mind, it isn’t surprising that Anna is vulnerable to Sara’s manipulation.
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