Mother Character Analysis

[Little Boy] felt that the circumstances of his family’s life operated against his need to see things and go places. For instance he had conceived an enormous interest in the works and career of Harry Houdini, the escape artist. But he had not been taken to a performance. Houdini was a headliner in the top vaudeville circuits. His audiences were poor people—carriers, peddlers, policemen, children. His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped form bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, […] a rolltop desk, a sausage skin.

One week later he took the girl down to the railroad station. She was in a contingent of two hundred going to Philadelphia. She was wearing a new cloak and a hat that kept her ears warm. He kept stealing glances at her. She was beautiful. She had a naturally regal posture. She was enjoying her new clothes. He was casual with her and tried not to be hurt. She had accepted the idea of leaving him without one word of protest. Of course, this was good for all concerned. But if she found it so easy, what would the future bring? She attracted people. […] Tateh was proud, but frightened too.

So the young black woman and her child were installed in a room on the top floor. Mother made numbers of phone calls. She cancelled her service league meeting. She walked back and forth in the parlor. She was very agitated. She felt keenly her husband’s absence and condemned herself for so readily endorsing his travels. There was no way to communicate with him any of the problems and concerns of her life. She would not hear from him till the following summer. She stared at the ceiling as if to see through it. the Negro girl and her baby had carried into the house a sense of misfortune, chaos, and now this feeling resided here like some sort of contamination. She was frightened.

They were not discreet in their intercourse. They cohabited without even undressing, through vents in their furs, and they went at it with grunts and shouts of fierce joy. One day Father came upon a couple and was shocked to see the wife thrusting her hips upwards to the thrusts of her husband. An uncanny animal song came from her throat. This was something he could not write in his journal except in a kind of code. The woman was actually pushing back. It stunned him that she could react this way. This filthy toothless Esquimo woman with the flat brow and the eyes pressed upwards by her cheekbones, singing her song and pushing back. He thought of Mother’s fastidiousness, her grooming and her intelligence, and found himself resenting this primitive woman’s claim to the gender.

It was apparent to them both that this time he’d stayed away too long. Downstairs Birgit put a record on the Victrola, wound the rank and sat in the parlor smoking a cigarette and listening […] She was doing what she could to lose her place. She was no longer efficient or respectful. Mother marked this change to the arrival of the colored girl. Father related it to the degrees of turn in the moral planet. He saw it everywhere, this new season, and it bewildered him. At his office he was told that the seamstresses in the flag department had joined a New York union. He put on clothes from his closet that ballooned from him as shapeless as the furs he had worn for a year.

Nobody knew Sarah’s last name or thought to ask. Where had she been born, and where had she lived, this impoverished uneducated black girl with such absolute conviction of the way human beings ought to conduct their lives? In the few weeks of her happiness, between that time she accepted Coalhouse’s proposal and the first fears that her marriage would never happen, she had been transformed to the point of having a new, different face. Grief and anger had been a kind of physical pathology masking her true looks. Mother was awed by her beauty. She laughed and spoke in a mellifluous voice. […] She laughed in joy of her own being. Her happiness flowed in the milk of her breasts and her baby grew quickly. […] She was a girl of perhaps eighteen or nineteen years, now satisfied that the circumstances of life gave reason to live.

He’d always thought of himself as progressive. He believed in the perfectability of the republic. He thought, for instance, there was no reason the Negro could not with proper guidance carry every burden of human achievement. He did not believe in aristocracy except of the individual effort and vision. He felt his father’s loss of fortune had the advantage of saving him from the uncritical adoption of the prejudices of his class. But the air in this ball park open under the sky smelled like the back room of a saloon. Cigar smoke filled the stadium and, lit by the oblique rays of the afternoon sun, indicated the voluminous cavern of air in which he sat pressed upon as if by a foul universe, with the breathless wind of a ten-thousand-throated chorus in his ears shouting its praise and abuse.

Always she had intuited a different future for them, as if the life they led was a kind of preparation, when the manufacturer of flags and fireworks and his wife would life themselves from their respectable existence and discover a life of genius. She didn’t know of what it would consist, she never had. But she now no longer waited for it. […] she was coming to the realization that whereas once, in his courtship, Father might have embodied he infinite possibilities of loving, he had aged and gone dull, made stupid, perhaps, by his travels and his work, so that more and more he only demonstrated his limits, that he had reached them, and that he would never move beyond them.

[Little Boy] felt that the circumstances of his family’s life operated against his need to see things and go places. For instance he had conceived an enormous interest in the works and career of Harry Houdini, the escape artist. But he had not been taken to a performance. Houdini was a headliner in the top vaudeville circuits. His audiences were poor people—carriers, peddlers, policemen, children. His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped form bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, […] a rolltop desk, a sausage skin.

One week later he took the girl down to the railroad station. She was in a contingent of two hundred going to Philadelphia. She was wearing a new cloak and a hat that kept her ears warm. He kept stealing glances at her. She was beautiful. She had a naturally regal posture. She was enjoying her new clothes. He was casual with her and tried not to be hurt. She had accepted the idea of leaving him without one word of protest. Of course, this was good for all concerned. But if she found it so easy, what would the future bring? She attracted people. […] Tateh was proud, but frightened too.

So the young black woman and her child were installed in a room on the top floor. Mother made numbers of phone calls. She cancelled her service league meeting. She walked back and forth in the parlor. She was very agitated. She felt keenly her husband’s absence and condemned herself for so readily endorsing his travels. There was no way to communicate with him any of the problems and concerns of her life. She would not hear from him till the following summer. She stared at the ceiling as if to see through it. the Negro girl and her baby had carried into the house a sense of misfortune, chaos, and now this feeling resided here like some sort of contamination. She was frightened.

They were not discreet in their intercourse. They cohabited without even undressing, through vents in their furs, and they went at it with grunts and shouts of fierce joy. One day Father came upon a couple and was shocked to see the wife thrusting her hips upwards to the thrusts of her husband. An uncanny animal song came from her throat. This was something he could not write in his journal except in a kind of code. The woman was actually pushing back. It stunned him that she could react this way. This filthy toothless Esquimo woman with the flat brow and the eyes pressed upwards by her cheekbones, singing her song and pushing back. He thought of Mother’s fastidiousness, her grooming and her intelligence, and found himself resenting this primitive woman’s claim to the gender.

It was apparent to them both that this time he’d stayed away too long. Downstairs Birgit put a record on the Victrola, wound the rank and sat in the parlor smoking a cigarette and listening […] She was doing what she could to lose her place. She was no longer efficient or respectful. Mother marked this change to the arrival of the colored girl. Father related it to the degrees of turn in the moral planet. He saw it everywhere, this new season, and it bewildered him. At his office he was told that the seamstresses in the flag department had joined a New York union. He put on clothes from his closet that ballooned from him as shapeless as the furs he had worn for a year.

Nobody knew Sarah’s last name or thought to ask. Where had she been born, and where had she lived, this impoverished uneducated black girl with such absolute conviction of the way human beings ought to conduct their lives? In the few weeks of her happiness, between that time she accepted Coalhouse’s proposal and the first fears that her marriage would never happen, she had been transformed to the point of having a new, different face. Grief and anger had been a kind of physical pathology masking her true looks. Mother was awed by her beauty. She laughed and spoke in a mellifluous voice. […] She laughed in joy of her own being. Her happiness flowed in the milk of her breasts and her baby grew quickly. […] She was a girl of perhaps eighteen or nineteen years, now satisfied that the circumstances of life gave reason to live.

He’d always thought of himself as progressive. He believed in the perfectability of the republic. He thought, for instance, there was no reason the Negro could not with proper guidance carry every burden of human achievement. He did not believe in aristocracy except of the individual effort and vision. He felt his father’s loss of fortune had the advantage of saving him from the uncritical adoption of the prejudices of his class. But the air in this ball park open under the sky smelled like the back room of a saloon. Cigar smoke filled the stadium and, lit by the oblique rays of the afternoon sun, indicated the voluminous cavern of air in which he sat pressed upon as if by a foul universe, with the breathless wind of a ten-thousand-throated chorus in his ears shouting its praise and abuse.

Always she had intuited a different future for them, as if the life they led was a kind of preparation, when the manufacturer of flags and fireworks and his wife would life themselves from their respectable existence and discover a life of genius. She didn’t know of what it would consist, she never had. But she now no longer waited for it. […] she was coming to the realization that whereas once, in his courtship, Father might have embodied he infinite possibilities of loving, he had aged and gone dull, made stupid, perhaps, by his travels and his work, so that more and more he only demonstrated his limits, that he had reached them, and that he would never move beyond them.