Reality and dreams intermingle throughout David Almond’s Skellig. When Michael first discovers Skellig—the sickly creature lurking in his family’s garage—he cannot believe what he has found and thinks he must be dreaming. Michael is thrilled when his new friend Mina can also see Skellig, because this assures him that he is not dreaming; however, dreams and reality continue to blend as Michael and Mina interact with Skellig. Often, it is unclear whether they are dreaming when they sneak out at night to see Skellig. Even if they are imagined excursions, Michael’s actual dreams are suggestive of something true in reality. For instance, he once dreams that his baby sister is being tended by the blackbird in a nest, a dream that suggests there is a similarity between the baby and the blackbird chicks whom Michael and Mina watch struggling to fly. Then, one night when Mina and Michael take their dreamlike visit to Skellig, they have a transformative experience: when they hold hands and dance with Skellig, they elevate off the ground and translucent wings sprout from their shoulders. After this experience, Michael can’t help but often see wings on both his sister’s and Mina’s backs. The relationship between dream and reality is really questioned when Michael’s two worlds—the real world of his sick baby sister and the dreamlike world of Skellig—are brought together: Michael’s Mum has a vision of Skellig entering the hospital and holding the baby in his arms and thereby healing her. Whether imagination or reality, these experiences have a real effect on Michael’s faith that the world is full of magic. The close blending of imagination and reality throughout Skellig suggests that there is no such thing as a distinction between them: rather, imagination operates so strongly upon reality that the world becomes magical.
Imagination, Magic, and Faith ThemeTracker
Imagination, Magic, and Faith Quotes in Skellig
All the way round the house it had been the same. Just see it in your mind’s eye. Just imagine what could be done. All the way round I kept thinking of the old man, Ernie Myers, that had lived here on his own for years. He’d been dead nearly a week before they found him under the table in the kitchen.
The garden was another place that was supposed to be wonderful. There were going to be benches and a table and a swing. There were going to be goalposts painted on one of the walls by the house. There was going to be a pond with fish and frogs in it. But there was none of that. There were just nettles and thistles and weeds and half-bricks and lumps of stone.
I thought he was dead. He was sitting with his legs stretched out and his head tipped back against the wall. He was covered in dust and webs like everything else and his face was thin and pale. Dead bluebottles were scattered on his hair and shoulders. I shined the flashlight on his white face and his black suit.
I dreamed that the baby was in the blackbird’s nest in Mina’s garden. The blackbird fed her on flies and spiders and she got stronger and stronger until she flew out of the tree and over the rooftops and onto the garage roof.
“They say that shoulder blades are where your wings were, when you were an angel,” she said. “They say they’re where your wings will grow again one day.”
“It’s just a story, though,” I said. “A fairy tale for little kids. Isn’t it?”
“Who knows? But maybe one day we all had wings and one day we’ll all have wings again.”
“D’you think the baby had wings?”
“Oh I’m sure that she had wings. Just take one look at her. Sometimes I think she’s never quite left Heaven and never quite made it all the way here to Earth.”
“There’s something I could show you as well,” I said. “Like you showed me the owls.”
“What is it?”
“I don’t know. I don’t even know if it’s true or if it’s a dream.”
“That’s all right. Truth and dreams are always getting muddled.”
I was with the baby. We were tucked up together in the blackbird’s nest. Her body was covered in feathers and she was soft and warm. The blackbird was on the house roof, flapping its wings, squawking. Dr. MacNabola and Dr. Death were beneath us in the garden. They had a table filled with knives and scissors and saws. Dr. Death had a great syringe in his fist.
“Bring her down!” he yelled. “We’ll make her good as new!”
The baby squeaked and squealed in fright. She stood at the edge of the nest, flapping her wings, trying for the first time to fly. I saw the great bare patches on her skin: She didn’t have enough feathers yet, her wings weren’t strong enough yet.
I felt Skellig and Mina’s hearts beating along with my own. […] All I knew were the hands in mine, the faces turning through the light and the dark, and for a moment I saw ghostly wings at Mina’s back, I felt the feathers and delicate bones rising from my own shoulders, and I was lifted from the floor with Skellig and Mina.
[Mrs. McKee] talked about the way spring made the world burst into life after months of apparent death. She told us about the goddess called Persephone, who was forced to spend half a year in the darkness deep underground. Winter happened when she was trapped inside the earth. […] Spring came when she was released and made her slow way up to the world again.
[…]
“An old myth,” I said.
“Yes,” she said. “But maybe it’s a myth that’s nearly true. Look around you, Michael. Fledglings and blooms and bright sunshine. Maybe what we see around us is the whole world welcoming Persephone home.”
“And then he reached right down with both hands and lifted her up. She was wide awake. They stared and stared into each other’s eyes. He started slowly to turn around…”
“Like they were dancing,” I said.
“That’s right, like they were dancing.
[…]
“And the strangest thing of all was, there were wings on the baby’s back. Not solid wings. Transparent, ghostly, hardly visible, but there they were.”
I waited, looking out into the empty space left by Mr. Batley and his sons. Even the cracked concrete floor was gone now. There was a wooden fence instead of the back wall. I imagined the garden, filled it with all the shrubs and flowers and the grass that would soon be growing where the ragged yard had been.