Count Olaf is obsessed with eye imagery—the eyes represent the intense surveillance to which he submits the three Baudelaire children. From the eye painted on the front door to the eye tattooed on his ankle, Count Olaf’s house is literally covered in eyes. Though he is never in the house, Violet, Klaus, and Sunny always feel like he is watching them, paranoia that is justified by Count Olaf’s uncanny ability to always be one step ahead of them. For instance, by the time Klaus confronts Count Olaf about his plot to steal the children’s fortune, Olaf has already kidnapped Sunny––as though he had been monitoring Klaus’s every move. Similarly, when Violet uses a grappling hook to save Sunny from the tower, she finds that Olaf has already stationed one of his henchmen there to stop her. Thus, eyes in The Bad Beginning symbolize Count Olaf’s malevolent and ever-present gaze over Violet, Klaus, and Sunny.
Eyes Quotes in The Bad Beginning
They could see, in the space of pale skin between his tattered trouser cuff and his black shoe, that Count Olaf had an image of an eye tattooed on his ankle, matching the eye on his front door. They wondered how many other eyes were in Count Olaf’s house, and whether, for the rest of their lives, they would always feel as though Count Olaf were watching them even when he wasn’t nearby.
“Come on, friends,” Count Olaf said to his comrades. “We’ll be late for our own performance.”
“If I know you, Olaf,” said the man with the hook-hands, “you’ll figure out a way to get at that Baudelaire money.”
“We’ll see,” Count Olaf said, but his eyes were shining bright as if he already had an idea.