The Machine Stops

by

E.M. Forster

Simulation vs. Experience Theme Analysis

Themes and Colors
Technology vs. Nature Theme Icon
Religion and Faith Theme Icon
Simulation vs. Experience Theme Icon
Human Connection Theme Icon
Emotion vs. Rationality Theme Icon
LitCharts assigns a color and icon to each theme in The Machine Stops, which you can use to track the themes throughout the work.
Simulation vs. Experience Theme Icon

“The Machine Stops” depicts a future society in which people, believing that Earth’s surface is no longer habitable, live underground in separate pods. Real-life experiences have been replaced by mere imitations via the Machine, a complex technological system that’s capable of producing anything (air, food, music, etc.). But, importantly, everything it produces is an artificial or simulated version of the real thing. For example, the Machine facilitates all communication in this society, but this is limited, as the Machine is incapable of transmitting the full depth of human emotion, such as facial expressions—it can only provide a general impression of people. And most people in the society have no interest in viewing the natural world above them, instead content to listen to lectures and discuss “ideas.” Yet these ideas are always secondhand, never drawn from direct experience. This is even seen as a virtue, as when a lecturer claims that their “tenth-hand” knowledge of the French Revolution, filtered through many secondary perspectives, is far more truthful than the knowledge of those who actually lived during the French Revolution. This attitude is what leads most people in the society to avoid travel, shun in-person interactions, and eventually to accept the abolition of respirators (protective equipment needed to breath the air aboveground), making it impossible to visit Earth’s surface.

Kuno, the central character Vashti’s son, is so unusual because unlike the vast majority of people in his society, he does want to experience things directly. He refuses to resign himself to a mere simulation of what human life used to be like. Kuno enjoys traveling on air-ships, wants to see Vashti in person rather than through the Machine, and wants to escape to Earth’s surface even at the risk of his own life. And the story seems to sympathize with Kuno’s viewpoint, at one point describing Vashti’s pod as a “prison” rather than a home that keeps her safe and fulfills her needs. In the end, when the Machine breaks down and everyone underground is dying, even Vashti comes around to her son’s worldview, weeping for the beauty of humanity and worrying that “some fool” might restart the Machine and cut humans off from the outside world again. The story thus suggests that human life is only worth living if it is filled with authentic experiences, and that people’s efforts to withdraw from the real world are self-destructive.

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Simulation vs. Experience ThemeTracker

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Simulation vs. Experience Quotes in The Machine Stops

Below you will find the important quotes in The Machine Stops related to the theme of Simulation vs. Experience.
Part 1: The Air-Ship Quotes

“I want to see you not through the Machine,” said Kuno. “I want to speak to you not through the wearisome Machine.”

“Oh, hush!” said his mother, vaguely shocked. “You mustn’t say anything against the Machine.”

“Why not?”

“One mustn’t.”

“You talk as if a god had made the Machine,” cried the other. “I believe that you pray to it when you are unhappy. Men made it, do not forget that. Great men, but men. The machine is much, but it is not everything. I see something like you in this plate, but I do not see you. I hear something like you through this telephone, but I do not hear you. That is why I want you to come. Pay me a visit, so that we can meet face to face, and talk about the hopes that are in my mind.”

Related Characters: Vashti (speaker), Kuno (speaker), The Machine
Page Number: 92
Explanation and Analysis:

“In the air-ship—” He broke off, and she fancied that he looked sad. She could not be sure, for the Machine did not transmit nuances of expression. It only gave a general idea of people—an idea that was good enough for all practical purposes, Vashti thought. The imponderable bloom, declared by a discredited philosophy to be the actual essence of intercourse, was rightly ignored by the Machine, just as the imponderable bloom of the grape was ignored by the manufacturers of artificial fruit. Something ‘good enough’ had long since been accepted by our race.

Related Characters: Kuno (speaker), The Machine , Vashti
Page Number: 93
Explanation and Analysis:

And of course she had studied the civilization that had immediately preceded her own—the civilization that had mistaken the functions of the system, and had used it for bringing people to things, instead of for bringing things to people. Those funny old days, when men went for change of air instead of changing the air in their rooms! And yet—she was frightened of the tunnel: she had not seen it since her last child was born. It curved—but not quite as she remembered; it was brilliant—but not quite as brilliant as a lecturer had suggested. Vashti was seized with the terrors of direct experience. She shrank back into the room, and the wall closed up again.

Related Characters: The Machine , Vashti , Kuno
Page Number: 96-97
Explanation and Analysis:

Few traveled in these days, for, thanks to the advance of science, the earth was exactly alike all over. Rapid intercourse, from which the previous civilization had hoped so much, had ended by defeating itself. What was the good of going to Peking when it was just like Shrewsbury? Why return to Shrewsbury when it would all be like Peking? Men seldom moved their bodies; all unrest was concentrated in the soul.

The air-ship service was a relic from the former age. It was kept up, because it was easier to keep it up than to stop it or to diminish it, but it now far exceeded the wants of the population.

Related Characters: The Machine , Vashti
Page Number: 98
Explanation and Analysis:

And, as often happens on clear nights, [the stars] seemed now to be in perspective, now on a plane; now piled tier beyond tier into the infinite heavens, now concealing infinity, a roof limiting for ever the visions of men. In either case they seemed intolerable. “Are we to travel in the dark?” called the passengers angrily, and the attendant, who had been careless, generated the light, and pulled down the blinds of pliable metal. When the air-ships had been built, the desire to look direct at things still lingered in the world. Hence the extraordinary number of skylights and windows, and the proportionate discomfort to those who were civilized and refined.

Related Characters: The Machine , Vashti , Kuno , The Flight Attendant
Related Literary Devices:
Page Number: 100
Explanation and Analysis:
Part 2: The Mending Apparatus Quotes

She might well declare that the visit was superfluous. The buttons, the knobs, the reading-desk with the Book, the temperature, the atmosphere, the illumination—all were exactly the same. And if Kuno himself, flesh of her flesh, stood close beside her at last, what profit was there in that? She was too well-bred to shake him by the hand.

Related Characters: The Machine , Vashti , Kuno , The Flight Attendant
Related Symbols: The Book
Page Number: 103
Explanation and Analysis:

“I did not get an Egression-permit.”

“Then how did you get out?”

“I found out a way of my own.”

The phrase conveyed no meaning to her, and he had to repeat it.

“A way of your own?” she whispered. “But that would be wrong.”

“Why?”

The question shocked her beyond measure.

“You are beginning to worship the Machine,” he said coldly. “You think it irreligious of me to have found out a way of my own. It was just what the Committee thought, when they threatened me with Homelessness.”

At this she grew angry. “I worship nothing!” she cried. “I am most advanced. I don’t think you irreligious, for there is no such thing as religion left. All the fear and the superstition that existed once have been destroyed by the machine. I only meant that to find out a way of your own was—Besides, there is no new way out.”

“So it is always supposed.”

“Except through the vomitories, for which one must have an Egression-permit, it is impossible to get out. The Book says so.”

“Well, the Book’s wrong, for I have been out on my feet.”

Related Characters: Vashti (speaker), Kuno (speaker), The Machine
Page Number: 104
Explanation and Analysis:

“You know that we have lost the sense of space. We say ‘space is annihilated,’ but we have annihilated not space, but the sense thereof. We have lost a part of ourselves. I determined to recover it, and I began by walking up and down the platform of the railway outside my room. Up and down, until I was tired, and so did recapture the meaning of ‘Near’ and ‘Far.’ ‘Near’ is a place to which I can get quickly on my feet, not a place to which the train or the air-ship will take me quickly. ‘Far’ is a place to which I cannot get quickly on my feet; the vomitory is ‘far,’ though I could be there in thirty-eight seconds by summoning the train. Man is the measure. That was my first lesson. Man’s feet are the measure for distance, his hands are the measure for ownership, his body is the measure for all that is lovable and desirable and strong.”

Related Characters: Kuno (speaker), The Machine , Vashti
Page Number: 105
Explanation and Analysis:

‘I loosened another tile, and put in my head, and shouted into the darkness: ‘I am coming, I shall do it yet,’ and my voice reverberated down endless passages. I seemed to hear the spirits of those dead workmen who had returned each evening to the starlight and to their wives, and all the generations who had lived in the open air called back to me, ‘You will do it yet, you are coming.’”

Related Characters: Kuno (speaker), The Machine , Vashti
Related Literary Devices:
Page Number: 106
Explanation and Analysis:

“The mortar had somehow rotted, and I soon pushed some more tiles in, and clambered after them into the darkness, and the spirits of the dead comforted me. I don’t know what I mean by that. I just say what I felt. I felt, for the first time, that a protest had been lodged against corruption, and that even as the dead were comforting me, so I was comforting the unborn. I felt that humanity existed, and that it existed without clothes. How can I possibly explain this? It was naked, humanity seemed naked, and all these tubes and buttons and machineries neither came into the world with us, nor will they follow us out, nor do they matter supremely while we are here. Had I been strong, I would have torn off every garment I had, and gone out into the outer air unswaddled. But this is not for me, nor perhaps for my generation. I climbed with my respirator and my hygienic clothes and my dietetic tabloids! Better thus than not at all.”

Related Characters: Kuno (speaker), The Machine , Vashti
Related Symbols: Respirators
Related Literary Devices:
Page Number: 107
Explanation and Analysis:

Tears gathered in his mother’s eyes. She knew that he was fated. If he did not die today he would die tomorrow. There was not room for such a person in the world. And with her pity disgust mingled. She was ashamed at having borne such a son, she who had always been so respectable and so full of ideas. Was he really the little boy to whom she had taught the use of his stops and buttons, and to whom she had given his first lessons in the Book? The very hair that disfigured his lip showed that he was reverting to some savage type. On atavism the Machine can have no mercy.

Related Characters: The Machine , Vashti , Kuno
Related Literary Devices:
Page Number: 108
Explanation and Analysis:

“Cannot you see, cannot all you lecturers see, that it is we that are dying, and that down here the only thing that really lives is the Machine? We created the Machine, to do our will, but we cannot make it do our will now. It has robbed us of the sense of space and of the sense of touch, it has blurred every human relation and narrowed down love to a carnal act, it has paralyzed our bodies and our wills, and now it compels us to worship it. The Machine develops—but not on our lives. The Machine proceeds—but not to our goal. We only exist as the blood corpuscules that course through its arteries, and if it could work without us, it would let us die. Oh, I have no remedy—or, at least, only one—to tell men again and again that I have seen the hills of Wessex as Aelfrid saw them when he overthrew the Danes.”

Related Characters: Kuno (speaker), The Machine , Vashti
Related Literary Devices:
Page Number: 110
Explanation and Analysis:
Part 3: The Homeless Quotes

They wept for humanity, those two, not for themselves. […] Man, the flower of all flesh, the noblest of all creatures visible, man who had once made god in his image, and had mirrored his strength on the constellations, beautiful naked man was dying, strangled in the garments that he had woven. Century after century had he toiled, and here was his reward. Truly the garment had seemed heavenly at first, shot with the colours of culture, sewn with the threads of self-denial. And heavenly it had been so long as it was a garment and no more, so long as man could shed it at will and live by the essence that is his soul, and the essence, equally divine, that is his body. The sin against the body—it was for that they wept in chief; the centuries of wrong against the muscles and the nerves, and those five portals by which we can alone apprehend—glozing it over with talk of evolution, until the body was white pap, the home of ideas as colourless, last sloshy stirrings of a spirit that had grasped the stars.

Related Characters: The Machine , Vashti , Kuno
Related Literary Devices:
Page Number: 122-123
Explanation and Analysis:

“Is there any hope, Kuno?”

“None for us.”

“Where are you?”

She crawled towards him over the bodies of the dead. His blood spurted over her hands.

“Quicker,” he gasped, “I am dying—but we touch, we talk, not through the Machine.”

He kissed her.

“We have come back to our own. We die, but we have recaptured life, as it was in Wessex, when Aelfrid overthrew the Danes. We know what they know outside, they who dwelt in the cloud that is the colour of a pearl.”

“But, Kuno, is it true? Are there still men on the surface of the earth? Is this—this tunnel, this poisoned darkness—really not the end?”

He replied:

“I have seen them, spoken to them, loved them. They are hiding in the mist and the ferns until our civilization stops. To-day they are the Homeless—to-morrow—”

“Oh, to-morrow—some fool will start the Machine again, to-morrow.”

“Never,” said Kuno, “never. Humanity has learnt its lesson.”

Related Characters: Vashti (speaker), Kuno (speaker), The Machine
Page Number: 123
Explanation and Analysis: