It’s notable that this passage emphasizes Clavdia’s eyes. Hans has repeatedly compared Clavdia’s eyes to those of Hippe, the boy for whom he developed an irrational obsession as a child. Hans relates the distinct, slanted shape of both characters’ eyes to their Eastern origins. When he focuses on Clavdia’s eyes in this scene, then, it reinforces that Hans is most attracted to Clavdia’s “Eastern” traits, which in the book amounts to her idleness, her decadence, and her irrationality, to name a few traits.