In Hans’s account, his passion—his obsession with “irrationality,” as he puts it—has not let to his personal freedom, as he initially hoped it would. It has not been a pleasurable experience that has improved his quality of life. Instead, it has figuratively lead to his death: consumed by unrequited passion, he becomes detached from reality, “the flatlands is entirely lost to [him] now, and in its eyes [he is] as good as dead.” What Hans fails to acknowledge, though, is that it’s not too late to resurrect himself, so to speak: he is free to leave the Berghof and re-enter society, just as he always has been.