The Road to Character

by

David Brooks

The Road to Character: Chapter 7: Love Summary & Analysis

Summary
Analysis
Mary Anne Evans, whose pen name was George Eliot, was born on November 22, 1819 in Warwickshire, England. Her home was situated between rural farmlands and grimy new coal mines. Her father, whom Mary Anne loved, grew to be a successful land agent. Her mother suffered from ill health and sent her children to boarding school so as not to strain her condition. In response to the lack of her mother’s affection, Mary Anne became needy for love and was afraid of being abandoned. She followed her brother around incessantly and begged him to play. When he got older, he abandoned her for other interests, and Mary Anne was devastated.
Situated between farmland and ugly new industrial views, Mary Anne Evans was born during a time when a more scientific worldview was competing with religion’s validity. Mary Anne’s childhood was defined by her need for attention and love. Her relationship with her brother showed that, from an early age, she desired human love and attention rather than an otherworldly spirituality. This became a signature part of her moral philosophy later in life, as she searched for love and moral improvement through other people rather than focusing on her inner self.
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In 1835, her mother fell ill and Mary Anne, 16, came home from school to care for her. When her mother died, Mary Anne stayed home to supervise the house. Later on, Mary Anne would write in her famous novel Middlemarch that many women experience a crisis of vocation; their yearning to be heroic makes them want more than what any outlet can give them.
Mary Anne had difficulty finding a vocation because she lived during a time when most women were limited to domestic work. This delayed her from finding her true purpose for a long time. She wanted more than what most women could hope for in the mid-19th century, and she had no examples around her of women with vocations.
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Mary Anne had moral fervor, and it took a religious form in her youth. During this time, scientific advancement threatened Christianity’s validity. Everywhere, people were doubting God’s existence. In response, some people clung more fiercely to religious precepts, while others looked for ways to reinterpret religion. Mary Anne adhered to Christianity’s strictest aspects, denying herself music and fiction. She wanted to lead a life of martyrdom, but her self-renunciation was artificial and narcissistic.
At first, Mary Anne’s intense passion prevented her from seeing the logical holes in religion. Her passion was seeking an outlet, and she first poured it into a traditional expression of religion. She was using religion’s strict traditions to make herself feel like a martyr, but really she only had herself in mind. She wanted to feel like a martyr, but she wasn’t one. Like Dorothy Day, narcissism was a sign that Mary Anne had not yet found her vocation.
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Mary Anne’s intelligence kept her from getting stuck in this artificial religion. She started reading poetry and learning Greek and German. A book by Charles Hennell called An Inquiry Concerning the Origin of Christianity persuaded her that there is no evidence to prove that Jesus was divinely born. Mary Anne then met Hennell’s sister and her husband Charles Bray, who happened to live nearby, and they all became friends. Bray believed that God made the world but is not active in it, and that it is up to man to discover God’s rules and improve the world accordingly. Therefore, he believed in social reform.
Mary Anne’s intelligence eventually led her to see the logical holes in religion. Although a cold, scientific view of the world would also not become her vocation, her disavowal of religion was an important step in her realizing her true commitments. Eventually, she would advocate for worldly morality and familial love to replace the gaping hole left by religion. Her extreme religiosity and then her extreme agnosticism would eventually temper into something in between.
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Mary Anne still believed in God, but she renounced Christian teachings. She loved life and didn’t want to believe the human world is subordinated to a more perfect one. Instead, she wanted to make moral choices and live virtuously. She told her father she wouldn’t attend church anymore. He warned her about the isolation she would face if she abandoned religion; she would be ostracized, and no one would marry her. She argued that it would be hypocritical to attend church since she didn’t believe.
Mary Anne felt that Christian teachings were debasing the beauty of human life, and she didn’t want to ignore the good that she saw around her in the human world. She stopped going to church because it tried to instill the notion that a realm more heavenly than Earth existed, but this decision required the sacrifice of her relationships and reputation.
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Mary Anne even told her father she was willing to leave his home because she didn’t want her lack of faith to continue hurting him. This shows her bravery, her desire to strengthen her character, and her passion for living according to the truth. Eventually, she and her father reconciled, agreeing that he would respect her agnosticism if she continued to attend church.
Mary Anne was courageous about the sacrifices required for her pursuit of character. However, her reconciliation with her father is important because it showed Mary Anne’s desire for morality in interpersonal relationships rather than in grand gestures.
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In making this compromise, Mary Anne acknowledged some of her self-indulgence in the feud. She regretted the feud, knowing she took secret delight in creating a scandal. She concluded it was her moral duty to moderate her impulses so as to protect society’s feelings. She was brave and radical but grew to also respect conventions. She believed society was held together by small restraints on personal impulses, and that destroying these restraints would be selfish. From this point on, she cloaked her radicalism in respectability.
Mary Anne’s reconciliation with her father also showed her that narcissism had played a huge role in her rebellious decisions. She started to develop the idea that she needed to control herself in order to make the moral changes she wanted to see in society. She cared about relationships too much to sacrifice them for her own grand, abstract visions.
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Although she is intellectually mature, Mary Anne was a bit of an emotional mess. She was notorious for falling in love with everyone she met. She would engage in intense conversation with someone, mistake it for romantic love, and hope that the other’s love would fill some void in her. Her romantic pursuits always failed. She was not conventionally pretty, and the men she was interested in were usually married or otherwise unavailable. She would go to stay with friends, become intimately attached to the father of the household, and then be made to leave in disgrace.
Mary Anne’s romantic restlessness shows that she was looking for something she did not know the nature of. She was looking for love but, not knowing what it felt like to actually love someone, she interpreted every sign of interest from another person as a sign of love. She looked for love from others without stopping to assess if she truly loved those she engaged with, and in this way she was passionate but unstable.
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Once, Mary Anne went to live with John Chapman, an editor, and his wife and mistress. Drama ensued as the women competed for Chapman. Eventually, the mistress and wife banded together against Mary Anne, and she left among whispers of scandal. Some say the absence of motherly affection in Mary Anne made her desperate for love. However, her desire for love also had narcissism in it: she loved her own love and flights of passion. As of yet, she had no one to attach her passion to and give it shape.
Brooks suggests that Mary Anne’s romantic restlessness was the result of narcissism, as she chased after the way lust made her feel. This resembles how Dorothy Day chased after solutions to her restlessness but was never able to fulfill herself through her own will. Similarly, Frances Perkins didn’t choose what she wanted from life—rather, an external event drew her to a certain way of life. This, Brooks implies, is what Mary Anne needed.
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In 1852, when she was 32, Mary Anne fell in love with philosopher Herbert Spencer. She wrote him a letter in which she pleaded for his love and also asserted her own for him. This letter signified that she was maturing and taking charge of her life. Although Spencer rejected her, she was beginning to live by her own inner criteria. She became steadier in her passion.
When Mary Anne wrote to Spencer, she showed confidence, determination, and a readiness to commit to something. In the way that Helen Winnemore’s confession of love started to steady Rustin, Mary Anne’s own steady declaration of love for another was the beginning of her transition into stability and personal fulfillment.
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This was an “agency moment” for Mary Anne. The agency moment can happen at any age, or never, in a person’s life. Sometimes, a person is so blown about by things outside of their control that they lose faith in their own agency. They don’t believe they can take control of their lives. Agency develops in a person after great effort. In order to have agency, one must have a deeply engraved inner criteria that guides their action.
Without having an inner goal, Mary Anne was a victim to outside forces. Brooks describes agency as something that works from the inside out: once a person has inner criteria, they can attain what it is they want. But if they try to attain what they want in order to fulfill their inner criteria, they will always feel that they have no control in their life.
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Quotes
Mary Anne’s emotional agency came to fruition when she fell in love with George Lewes. Lewes had a chaotic and poor upbringing. He educated himself in Europe, then returned to London to make a living as a freelance journalist. He is described in mixed terms as an unreliable writer, an adventurer, and a freethinker. He was notoriously ugly. He married a woman named Agnes who later had an affair. By the time he met Mary Anne, he and Agnes were separated.
Brooks characterizes George Lewes as unremarkable to most people. This helps to conceal his and Mary Anne’s love story, making it a mystery to everyone except them why they were in love. It also shows that one sees something much deeper than the external when they fall in love.
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Lewes and Mary Anne met in a bookstore on October 6, 1851. At first, she was not impressed with him, but over time, his geniality and wit grew on her. The full story of how they fell in love is unknown, but Lewes was gradually rising in Mary Anne’s estimation. They were interested in the same books and ideas. They both believed that love and morality fill the void left by a religion neither could really believe in anymore. 
The way Mary Anne fell in love with George Lewes was very different from the way she fell in love with the men before him: she slowly and gradually grew to love Lewes. They shared the unique belief that morality could replace religion, which Lewes would later encourage her to illustrate in her novels.
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Since the events of Mary Anne and Lewes’s love story are unknown, Brooks tells the story of Isaiah Berlin and Anna Akhmatova, which he thinks is similar. Akhmatova was a pre-revolutionary poet who’d been prevented from publishing by the Soviets. Her husband had been executed in 1921 and her son imprisoned in 1938. Berlin was visiting Leningrad in 1945 and was introduced to Akhmatova by a friend. They sat on opposite sides of the room and shared life stories, talked about favorite authors, bared their souls, and confessed their loneliness. It was 11 o’clock the next day before they parted. Berlin flung himself into bed and said to himself that he was in love.
Brooks compares Mary Anne and Lewes’s love story to another intellectual and emotional love story. Berlin and Akhmatova fell in love by discussing their favorite authors and confessing their deepest hopes and dreams. In being totally emotionally vulnerable with each other, they developed a connection. Connecting this way required their honesty and fearlessness. Significantly, their love wasn’t physical—rather, it was a passionate meeting of the minds.
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Berlin and Akhmatova’s night together represents the ideal communication, shared by two people who believe in the moral, emotional, and existential wisdom found in books, culture, and art. Their communication was one in which intellectual compatibility turned into an emotional connection. Their communion was spiritual, intellectual, and emotional, combining friendship and love. Like them, Mary Anne and Lewes experienced love as a moral force.
Brooks explains that Berlin and Akhmatova’s intellectual connection turned into an emotional connection. This suggests that when a person meets someone who is their intellectual equal, that person is also their emotional equal. For Mary Anne and Lewes, love was a “moral force” because they connected over their values and the truths they believed in.
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According to Brooks, love reorients the soul. First, it humbles a person and reminds them that they aren’t in control of anything, even themselves. Love invades a person little by little, rearranging their energies, desires, and focuses. Love is also a surrender. It makes a person give up their illusions of self-mastery and become vulnerable. It turns a person away from their self-love and makes them love another. A person in love seeks fusion with another and finds that happiness is in someone outside of themselves. Love removes the difference between giving and receiving. A lover isn’t altruistic, because what they give is a piece of themselves.
Brooks breaks down the transformative process of love. He emphasizes that since love comes unannounced and unbidden to a person, it takes them out of themselves and their illusions. Love completes a person desire to be serving because, when one is in love, the distinction between giving and receiving disappears. In becoming one with another person, one gives to the other naturally. This is similar to how a person might sacrifice their happiness to become one with their vocation.
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Secondly, love endows a person with a poetic temperament. Without love, a person lives like Adam I with a utilitarian logic. With love, however, a person experiences feelings they can’t explain. A person in love surrenders to its power without calculating what they’ll lose. Also, a person never falls in love with someone who is useful to them. Rather, they fall in love with whomever stands out to them and is harmonious with them. Moreover, people in love don’t choose each other as a means for happiness.
Brooks explains how love causes a person to understand Adam II’s language, which might initially seem paradoxical and counterintuitive. Since love makes a person do things without calculating cost or hoping to gain anything in return, they realize what Adam II means by the mysterious claim that sacrifice brings reward.
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Love opens a person to spiritual awareness. Their love makes them feel that they are glimpsing a “wordless mystery beyond the human plane.” More practically, love opens a person up to more love. Ultimately, love motivates people to serve others. The person in love engages in selfless and daily acts of care. Sometimes, the passionate period of someone’s relationship engraves such a strong commitment in a person that they naturally offer love without asking for a return. Lewes loved Mary Anne in this way; he celebrated, nurtured, and lifted her above himself.
Brooks explains that love is not a closed circuit. When a person is in love, there is no limit to their desire to care for and serve others. Brooks also explains that love makes a deep impression on a person’s inner self, steadying them and giving them the “inner criteria” that allows them to go through life selflessly giving to others. Love is such a complete gift that once a person receives it, they can give for the rest of their lives.
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Quotes
Mary Anne and Lewes’s decision to be together was life-altering. In society’s eyes, their relationship was adultery because Lewes was technically married. By 1853, Mary Anne realized that Lewes was her soul mate. She’d been reading Feuerbach, whose ideas convinced her that marriage is not a legal arrangement but a moral arrangement. In this vein, she knew her relationship with Lewes was of a higher order than his marriage with his estranged wife. On July 20, 1854, Mary Anne and Lewes got on a ship for Europe and began their life together as a married couple. Their decision was an act of bravery and commitment.
Mary Anne believed her marriage was a moral rather than a legal arrangement because her and Lewes’s values were so deeply aligned. Their moral marriage stood out from his legal marriage as something deeper and more-character-altering. A legal marriage can be seen as part of Adam I’s journey of success, whereas a moral marriage can be seen as part of Adam II’s journey toward moral character. 
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Mary Anne and Lewes’s marriage fulfilled both of their lives. In London, however, Mary Anne was known as a homewrecker, and her family and friends disowned her. Despite this, the couple lived as traditional man and wife. Society’s reaction to their marriage helped them see society’s true colors. Ultimately, their love was worth the cost: they were exclusive, committed, and devoted to one another. For Mary Anne’s part, she could now approach life with confidence.
Mary Anne and Lewes had to sacrifice societal conformity and their reputations in order to be together. However, through these sacrifices, they realized that society too heavily emphasized the external. Mary Anne also gained great confidence after her sacrifices.
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Lewes encouraged Mary Anne to write fiction. She hadn’t yet tried her hand at plots and dialogue, but she already had a talent for characterization. She started to write, showing Lewes her work at night. Lewes became her consultant, editor, and publisher. When she started publishing, she took the pseudonym George Eliot to hide her scandalous identity. When her true identity was discovered, Lewes protected her from the public by cutting out all criticism of her from the newspapers before they reached the masses.
Lewes gave Mary Anne the idea for an outlet for her moral fervor. He also provided all the means for being a writer that women were typically denied in Eliot’s time. In this way, he facilitated her vocation: his love provided her with ideas, means, and encouragement to channel her passion toward something useful for the world.
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Although Eliot’s masterpiece, Middlemarch, is mostly about unhappy marriages, Eliot and Lewes were happy together. However, they were not content with life as a whole: they both suffered from depression and illness and were restlessly compelled to improve themselves morally. As Eliot matured, her writing took on the fits of passion that she’d grown out of. She felt deeply and thought acutely, so she had to suffer through writing each book, bearing them like children.
George Eliot channeled her restless passion into her writing. Now that she had a stable relationship, she was able to address the problems she herself had had before she’d met her husband. She wrote about unhappy marriages and relationships as if she now understood what was wrong with her pursuit of men before finding love. In this way, she used her own happy life to shed light on unhappy situations.
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Eliot’s books weren’t written for the purpose of making a point. Rather, they create worlds for readers to experience; she wrote about the everyday world and ordinary people. Her novels seem to suggest that a person thrives when they work within present reality or attend to a particular person, and not when they filter what is immediate through lofty or abstract ideas. After her self-centered childhood, she shows amazing sympathy in her novels. She writes about lack of sympathy and lack of communication as the worst moral flaws.
Eliot also critiqued her past narcissism and loftiness with her novels. Her marriage showed her all that had been lacking from her previous self—sympathy, practicality, and communication with others. In this way, love caused her to step out of herself so she could see what was making her so unsatisfied before. Her novels explain that a person does the most good when they focus on whatever is right in front of them.
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Eliot doesn’t believe in big, transformational change but in small, gradual change. She believes progress happens subtly through daily effort. Many of her monumental characters, such as Middlemarch’s Dorothea, have an ardent moral drive. Over time, they realize their goals are unrealistic and learn to focus their attention on small moral improvements instead. Eliot believes holiness isn’t otherworldly, but that it’s in the world at hand. Therefore, one has daily opportunities for self-sacrifice and service.
Eliot’s characters show how people slowly develop over time. Her own moral transformation happened gradually as she descended from the height of lofty, self-centered ideals into the real world of relationships and small improvements. Her marriage was something that grounded her and opened her eyes to the daily opportunities for service.
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Eliot’s own life is a testimony of a person realizing that their moral ambitions are self-centered and lofty. She learned she could do good in the particular and mundane, such as in her marriage. The most significant event in her life was her relationship with George Lewes: it deepened and steadied her.
Eliot and Lewes’s relationship illustrates Brooks’s point that character can be built through love alternatively to self-confrontation. Love brought Eliot out of herself so she could forget her lofty ideals and ground herself in the real world where there was possibility for moral improvement.
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