Cab Driver Character Analysis

On the box, Stevie shut his vacant mouth first, in order to ejaculate earnestly: "Don't."

The driver, holding high the reins twisted around the hook, took no notice. Perhaps he had not heard. Stevie's breast heaved. […]

"You mustn’t," stammered out Stevie violently. "It hurts."

"Mustn't whip," queried the other in a thoughtful whisper, and immediately whipped. He did this, not because his soul was cruel and his heart evil, but because he had to earn his fare. […] But on the bridge there was a commotion. Stevie suddenly proceeded to get down from the box.

"Poor! Poor!" stammered out Stevie, pushing his hands deeper into his pockets with convulsive sympathy. He could say nothing; for the tenderness to all pain and all misery, the desire to make the horse happy and the cabman happy, had reached the point of a bizarre longing to take them to bed with him. And that, he knew, was impossible. For Stevie was not mad. It was, as it were, a symbolic longing; and at the same time it was very distinct, because springing from experience, the mother of wisdom. […] To be taken into a bed of compassion was the supreme remedy, with the only one disadvantage of being difficult of application on a large scale. And looking at the cabman, Stevie perceived this clearly, because he was reasonable.

Mrs Verloc, his only sister, guardian, and protector, could not pretend to such depths of insight. […] And she said placidly:

"Come along, Stevie. You can't help that."

The docile Stevie went along; but now he went along without pride, shamblingly, and muttering half words, and even words that would have been whole if they had not been made up of halves that did not belong to each other. It was as though he had been trying to fit all the words he could remember to his sentiments in order to get some sort of corresponding idea. And, as a matter of fact, he got it at last. He hung back to utter it at once. "Bad world for poor people."

On the box, Stevie shut his vacant mouth first, in order to ejaculate earnestly: "Don't."

The driver, holding high the reins twisted around the hook, took no notice. Perhaps he had not heard. Stevie's breast heaved. […]

"You mustn’t," stammered out Stevie violently. "It hurts."

"Mustn't whip," queried the other in a thoughtful whisper, and immediately whipped. He did this, not because his soul was cruel and his heart evil, but because he had to earn his fare. […] But on the bridge there was a commotion. Stevie suddenly proceeded to get down from the box.

"Poor! Poor!" stammered out Stevie, pushing his hands deeper into his pockets with convulsive sympathy. He could say nothing; for the tenderness to all pain and all misery, the desire to make the horse happy and the cabman happy, had reached the point of a bizarre longing to take them to bed with him. And that, he knew, was impossible. For Stevie was not mad. It was, as it were, a symbolic longing; and at the same time it was very distinct, because springing from experience, the mother of wisdom. […] To be taken into a bed of compassion was the supreme remedy, with the only one disadvantage of being difficult of application on a large scale. And looking at the cabman, Stevie perceived this clearly, because he was reasonable.

Mrs Verloc, his only sister, guardian, and protector, could not pretend to such depths of insight. […] And she said placidly:

"Come along, Stevie. You can't help that."

The docile Stevie went along; but now he went along without pride, shamblingly, and muttering half words, and even words that would have been whole if they had not been made up of halves that did not belong to each other. It was as though he had been trying to fit all the words he could remember to his sentiments in order to get some sort of corresponding idea. And, as a matter of fact, he got it at last. He hung back to utter it at once. "Bad world for poor people."