Loyalty, Conventionality, and Rebellion Theme Analysis

Winnie after the death of her father found considerable consolation in the feeling that she need no longer tremble for poor Stevie. She could not bear to see the boy hurt. It maddened her. As a little girl she had often faced with blazing eyes the irascible licensed victualler in defence of her brother. Nothing now in Mrs Verloc's appearance could lead one to suppose that she was capable of a passionate demonstration.

"I had to take the carving knife from the boy," Mrs Verloc continued, a little sleepily now. "He was shouting and stamping and sobbing. He can't stand the notion of any cruelty. He would have stuck that officer like a pig if he had seen him then. It's true, too! Some people don't deserve much mercy." Mrs Verloc's voice ceased, and the expression of her motionless eyes became more and more contemplative and veiled during the long pause. "Comfortable, dear?" she asked in a faint, faraway voice. "Shall I put out the light now?"

"I have the means to make myself deadly, but that by itself, you understand, is absolutely nothing in the way of protection. What is effective is the belief those people have in my will to use the means. […] Therefore I am deadly […] Their character is built upon conventional morality. It leans on the social order. Mine stands free from everything artificial. They are bound in all sorts of conventions. They depend on life, which, in this connection, is a historical fact surrounded by all sorts of restraints and considerations, a complex organised fact open to attack at every point; whereas I depend on death, which knows no restraint and cannot be attacked. My superiority is evident."

"You revolutionists," the other continued, with leisurely self-confidence, "are the slaves of the social convention, which is afraid of you; slaves of it as much as the very police that stands up in the defence of that convention. Clearly you are, since you want to revolutionise it. It governs your thought, of course, and your action too, and thus neither your thought nor your action can ever be conclusive […] The terrorist and the policeman both come from the same basket. Revolution, legality—counter moves in the same game […] at bottom identical.”

The way of even the most justifiable revolutions is prepared by personal impulses disguised into creeds. The Professor's indignation found in itself a final cause that absolved him from the sin of turning to destruction as the agent of his ambition. […] By exercising his agency with ruthless defiance he procured for himself the appearances of power and personal prestige. That was undeniable to his vengeful bitterness. It pacified its unrest; and in their own way the most ardent of revolutionaries are perhaps doing no more but seeking for peace in common with the rest of mankind—the peace of soothed vanity, of satisfied appetites, or perhaps of appeased conscience.

[Inspector Heat] could understand the mind of a burglar, because, as a matter of fact, the mind and the instincts of a burglar are of the same kind as the mind and the instincts of a police officer. Both recognise the same conventions, and have a working knowledge of each other's methods and of the routine of their respective trades. […] Products of the same machine, one classed as useful and the other as noxious, they take the machine for granted in different ways, but with a seriousness essentially the same. The mind of Chief Inspector Heat was inaccessible to ideas of revolt. But his thieves were not rebels.

The tears of that large female in a dark, dusty wig, and ancient silk dress festooned with dingy white cotton lace, were the tears of genuine distress. She had wept because she was heroic and unscrupulous and full of love for both her children. Girls frequently get sacrificed to the welfare of the boys. In this case she was sacrificing Winnie. By the suppression of truth she was slandering her. Of course, Winnie was independent, and need not care for the opinion of people that she would never see and who would never see her; whereas poor Stevie had nothing in the world he could call his own except his mother's heroism and unscrupulousness.

"You know you can trust me," Mr Verloc remarked […] with hoarse feeling.

Mrs Verloc turned slowly towards the cupboard, saying with deliberation:

"Oh yes. I can trust you."

And she went on with her methodical proceedings. She laid two plates, got the bread, the butter, going to and fro quietly between the table and the cupboard in the peace and silence of her home. On the point of taking out the jam, she reflected practically: "He will be feeling hungry, having been away all day," and she returned to the cupboard once more to get the cold beef. […] It was only when coming back, carving knife and fork in hand, that she spoke again.

"If I hadn't trusted you I wouldn't have married you."

She glanced all round the parlour, from the corner cupboard to the good fire in the grate. Ensconced cosily behind the shop of doubtful wares, with the mysteriously dim window, and its door suspiciously ajar in the obscure and narrow street, it was in all essentials of domestic propriety and domestic comfort a respectable home. […]

This was the boy's home too—the roof, the cupboard, the stoked grate. On this thought Mrs Verloc rose, and walking to the other end of the table, said in the fulness of her heart:

"And you are not tired of me."

"A genuine wife and a genuinely, respectably, marital relation. He told me that after his interview at the Embassy he would have thrown everything up, would have tried to sell his shop, and leave the country, only he felt certain that his wife would not even hear of going abroad. Nothing could be more characteristic of the respectable bond than that," went on, with a touch of grimness, the Assistant Commissioner […] "Yes, a genuine wife. And the victim was a genuine brother-in-law. From a certain point of view we are here in the presence of a domestic drama."

Like a peripatetic philosopher, Mr Verloc, strolling along the streets of London, had modified Stevie's view of the police by conversations full of subtle reasonings. Never had a sage a more attentive and admiring disciple. The submission and worship were so apparent that Mr Verloc had come to feel something like a liking for the boy. In any case, he had not foreseen the swift bringing home of his connection. That his wife should hit upon the precaution of sewing the boy's address inside his overcoat was the last thing Mr Verloc would have thought of. […] That was what she meant when she said that he need not worry if he lost Stevie during their walks. She had assured him that the boy would turn up all right. Well, he had turned up with a vengeance!

It was obviously unreasonable, the mere cry of exaggerated grief. He threw over it the mantle of his marital indulgence. The mind of Mr Verloc lacked profundity. Under the mistaken impression that the value of individuals consists in what they are in themselves, he could not possibly comprehend the value of Stevie in the eyes of Mrs Verloc. She was taking it confoundedly hard, he thought to himself. It was all the fault of that damned Heat. What did he want to upset the woman for? But she mustn't be allowed, for her own good, to carry on so till she got quite beside herself.

The lodger was Mr Verloc, indolent, and keeping late hours, sleepily jocular of a morning from under his bedclothes, but with gleams of infatuation in his heavy lidded eyes, and always with some money in his pockets. There was no sparkle of any kind on the lazy stream of his life. […] But his barque seemed a roomy craft, and his taciturn magnanimity accepted as a matter of course the presence of passengers.

Mrs Verloc pursued the visions of seven years' security for Stevie, loyally paid for on her part; of security growing into confidence, into a domestic feeling, stagnant and deep like a placid pool[.]

She started forward at once, as if she were still a loyal woman bound to that man by an unbroken contract. Her right hand skimmed slightly the end of the table, and when she had passed on towards the sofa the carving knife had vanished without the slightest sound from the side of the dish. […] But Mr Verloc did not see that. He was lying on his back and staring upwards. He saw partly on the ceiling and partly on the wall the moving shadow of an arm with a clenched hand holding a carving knife. It flickered up and down. Its movements were leisurely. They were leisurely enough for Mr Verloc to recognise the limb and the weapon.

The vast world created for the glory of man was only a vast blank to Mrs Verloc. She did not know which way to turn. Murderers had friends, relations, helpers—they had knowledge. She had nothing. She was the most lonely of murderers that ever struck a mortal blow. She was alone in London: and the whole town of marvels and mud, with its maze of streets and its mass of lights, was sunk in a hopeless night, rested at the bottom of a black abyss from which no unaided woman could hope to scramble out.