Winnie’s Mother Character Analysis

On the box, Stevie shut his vacant mouth first, in order to ejaculate earnestly: "Don't."

The driver, holding high the reins twisted around the hook, took no notice. Perhaps he had not heard. Stevie's breast heaved. […]

"You mustn’t," stammered out Stevie violently. "It hurts."

"Mustn't whip," queried the other in a thoughtful whisper, and immediately whipped. He did this, not because his soul was cruel and his heart evil, but because he had to earn his fare. […] But on the bridge there was a commotion. Stevie suddenly proceeded to get down from the box.

The tears of that large female in a dark, dusty wig, and ancient silk dress festooned with dingy white cotton lace, were the tears of genuine distress. She had wept because she was heroic and unscrupulous and full of love for both her children. Girls frequently get sacrificed to the welfare of the boys. In this case she was sacrificing Winnie. By the suppression of truth she was slandering her. Of course, Winnie was independent, and need not care for the opinion of people that she would never see and who would never see her; whereas poor Stevie had nothing in the world he could call his own except his mother's heroism and unscrupulousness.

"Poor! Poor!" stammered out Stevie, pushing his hands deeper into his pockets with convulsive sympathy. He could say nothing; for the tenderness to all pain and all misery, the desire to make the horse happy and the cabman happy, had reached the point of a bizarre longing to take them to bed with him. And that, he knew, was impossible. For Stevie was not mad. It was, as it were, a symbolic longing; and at the same time it was very distinct, because springing from experience, the mother of wisdom. […] To be taken into a bed of compassion was the supreme remedy, with the only one disadvantage of being difficult of application on a large scale. And looking at the cabman, Stevie perceived this clearly, because he was reasonable.

Like a peripatetic philosopher, Mr Verloc, strolling along the streets of London, had modified Stevie's view of the police by conversations full of subtle reasonings. Never had a sage a more attentive and admiring disciple. The submission and worship were so apparent that Mr Verloc had come to feel something like a liking for the boy. In any case, he had not foreseen the swift bringing home of his connection. That his wife should hit upon the precaution of sewing the boy's address inside his overcoat was the last thing Mr Verloc would have thought of. […] That was what she meant when she said that he need not worry if he lost Stevie during their walks. She had assured him that the boy would turn up all right. Well, he had turned up with a vengeance!

The lodger was Mr Verloc, indolent, and keeping late hours, sleepily jocular of a morning from under his bedclothes, but with gleams of infatuation in his heavy lidded eyes, and always with some money in his pockets. There was no sparkle of any kind on the lazy stream of his life. […] But his barque seemed a roomy craft, and his taciturn magnanimity accepted as a matter of course the presence of passengers.

Mrs Verloc pursued the visions of seven years' security for Stevie, loyally paid for on her part; of security growing into confidence, into a domestic feeling, stagnant and deep like a placid pool[.]

On the box, Stevie shut his vacant mouth first, in order to ejaculate earnestly: "Don't."

The driver, holding high the reins twisted around the hook, took no notice. Perhaps he had not heard. Stevie's breast heaved. […]

"You mustn’t," stammered out Stevie violently. "It hurts."

"Mustn't whip," queried the other in a thoughtful whisper, and immediately whipped. He did this, not because his soul was cruel and his heart evil, but because he had to earn his fare. […] But on the bridge there was a commotion. Stevie suddenly proceeded to get down from the box.

The tears of that large female in a dark, dusty wig, and ancient silk dress festooned with dingy white cotton lace, were the tears of genuine distress. She had wept because she was heroic and unscrupulous and full of love for both her children. Girls frequently get sacrificed to the welfare of the boys. In this case she was sacrificing Winnie. By the suppression of truth she was slandering her. Of course, Winnie was independent, and need not care for the opinion of people that she would never see and who would never see her; whereas poor Stevie had nothing in the world he could call his own except his mother's heroism and unscrupulousness.

"Poor! Poor!" stammered out Stevie, pushing his hands deeper into his pockets with convulsive sympathy. He could say nothing; for the tenderness to all pain and all misery, the desire to make the horse happy and the cabman happy, had reached the point of a bizarre longing to take them to bed with him. And that, he knew, was impossible. For Stevie was not mad. It was, as it were, a symbolic longing; and at the same time it was very distinct, because springing from experience, the mother of wisdom. […] To be taken into a bed of compassion was the supreme remedy, with the only one disadvantage of being difficult of application on a large scale. And looking at the cabman, Stevie perceived this clearly, because he was reasonable.

Like a peripatetic philosopher, Mr Verloc, strolling along the streets of London, had modified Stevie's view of the police by conversations full of subtle reasonings. Never had a sage a more attentive and admiring disciple. The submission and worship were so apparent that Mr Verloc had come to feel something like a liking for the boy. In any case, he had not foreseen the swift bringing home of his connection. That his wife should hit upon the precaution of sewing the boy's address inside his overcoat was the last thing Mr Verloc would have thought of. […] That was what she meant when she said that he need not worry if he lost Stevie during their walks. She had assured him that the boy would turn up all right. Well, he had turned up with a vengeance!

The lodger was Mr Verloc, indolent, and keeping late hours, sleepily jocular of a morning from under his bedclothes, but with gleams of infatuation in his heavy lidded eyes, and always with some money in his pockets. There was no sparkle of any kind on the lazy stream of his life. […] But his barque seemed a roomy craft, and his taciturn magnanimity accepted as a matter of course the presence of passengers.

Mrs Verloc pursued the visions of seven years' security for Stevie, loyally paid for on her part; of security growing into confidence, into a domestic feeling, stagnant and deep like a placid pool[.]