Within the novel’s broader examination of racial identity, The Vanishing Half looks at who, exactly, gets to live a prosperous life in the United States. When Stella transitions into white society, her identity as a Black woman isn’t the only thing she leaves behind—she also leaves behind a life of rural poverty and steps into a world of privilege and opportunity. The fact that she ends up with Blake, a successful white man from a wealthy family, isn’t necessarily a coincidence. After all, when she starts presenting herself as a white woman, she suddenly has access to an entirely new world full of opportunities, and these opportunities quickly build on one another. First, Stella poses as a white woman and secures a well-paid job at a respectable marketing firm. And as a result, she becomes friendly with her new boss, Blake, developing a relationship that eventually leads to a life of riches and worldly comforts. The path she follows, in other words, all begins with her decision to pose as a white woman, since these opportunities wouldn’t have been available to her if she had been forthright about her racial identity. In turn, the novel suggests that white people in the United States have easier access to life-changing opportunities than Black people do, since wealth and social class are often directly related to the various privileges—or disadvantages—that come along with a person’s racial identity.
All of Stella’s reasons for passing as white can be traced back to the fact that racism and discrimination made it extraordinarily difficult for Black people to financially support themselves in the mid-20th century. The intersection of racism and economic class is apparent very early in The Vanishing Half, when Stella and Desiree have to quit school to help their mother earn money—all because a group of racist men murdered their father and thus made it much harder for the Vignes family to stay afloat financially. Then, while Stella and Desiree work as housecleaners, their white employer sexually abuses Stella. Because he’s a powerful white man, Stella doesn’t think she can tell anyone about what he does to her, so she does the only thing she can think to do: she flees. Once she and Desiree reach New Orleans, they find work at a laundromat, but Stella eventually gets fired. If she doesn’t find a new job, she and Desiree won’t be able to survive in the city, which is why she ends up applying to a job at an all-white marketing firm. The reason she starts passing as white, then, is because it’s a necessary means of survival. She doesn’t pose as a white woman just because she wants to try out a new identity, but because the racist environment of the United States in the mid-20th century has deprived her and Desiree of stability and success.
Having shown how hard Stella worked to secure wealth and opportunity, the novel emphasizes the fact that white people living in a racist society begin life with an automatic advantage. Stella’s own daughter is a good example of how whiteness often comes with inherent privileges. Because Kennedy looks white and was raised in a white community, she doesn’t face the same challenges that Stella faced as a child and teenager. Of course, it’s true that part of the discrepancy between their lives has to do with the fact that Stella grew up poor, but such concerns cannot be separated from a discussion of race. After all, Stella’s financial struggles began when a racist mob killed her father, thus hindering her family’s ability to support themselves. There are also systemic ways that racism impacts economic class, like the fact that well-paying jobs like the one Stella finds in New Orleans only hire white people. To that end, while there are many impoverished white people who face extremely difficult challenges, the fact remains that they—at the very least—don’t have to deal with racist discrimination and exclusion on top of everything else they’re facing. Kennedy, for instance, has both the privilege of presenting as a white person and the privilege of coming from a wealthy family. Consequently, she doesn’t have to work as hard as her mother in order to attain stability. When it’s time for her to attend college, it doesn’t matter that her grades are terrible, since her parents make large donations to USC in order to bribe the admissions office into admitting her as a student. The novel therefore spotlights the glaring discrepancy between what it takes for white and Black people to succeed in the United States, ultimately implying that white people have an easier path to prosperity than Black people do.
Class and Privilege ThemeTracker
Class and Privilege Quotes in The Vanishing Half
She wanted to go to college someday and of course she’d get into Spelman or Howard or wherever else she wanted to go. The thought had always terrified Desiree, Stella moving to Atlanta or D.C. without her. A small part of her felt relieved; now Stella couldn’t possibly leave her behind. Still, she hated to see her sister sad.
She’d finished quick, the deputy said, laughing a bit in amazement, might have been a record. He pulled out the answer guide from a manila folder to check her work. But first, he glanced at her full application, and when he saw her address listed in Mallard, his gaze frosted over. He slid the answer key back in the folder, returned to his chair.
“Leave that there, gal,” he said. “No use wasting my time.”
Stella needed to find a new job, so she’d responded to a listing in the newspaper for secretarial work in an office inside the Maison Blanche building. An office like that would never hire a colored girl, but they needed the money, living in the city and all, and why should the twins starve because Stella, perfectly capable of typing, became unfit as soon as anyone learned that she was colored? It wasn’t lying, she told Stella. How was it her fault if they thought she was white when they hired her? What sense did it make to correct them now?
She passed through the perfume aisle with the confidence of a woman who could buy any bottle she wished. She stopped to smell a few, as if she were considering a purchase. Admired the jewelry in the display case, glanced at the fine handbags, demurred when salesgirls approached her. In the lobby, the colored elevator operator gazed at the floor when she stepped on. She ignored him, the way Stella might have. She felt queasy at how simple it was. All there was to being white was acting like you were.
“I’m not one of them,” she would say. “I’m like you.”
“You’re colored,” Loretta would say. Not a question, but a statement of blunt fact. Stella would tell her because the woman was leaving; in hours, she’d vanish from this apart of the city and Stella’s life forever. She’d tell her because, in spite of everything, Loretta was her only friend in the world. Because she knew that, if it came down to her word versus Loretta’s, she would always be believed. And knowing this, she felt, for the first time, truly white.
Only a lazy girl would get caught, and her daughter was clever but lazy, blissfully unaware of how hard her mother worked to maintain the lie that was her life.
“You know I don’t mean anything by it. I’m just saying. Your men usually like the light girls, don’t they?”
Years later, she would always wonder what exactly pushed her. That sly smile, or the way she’d said your men so casually, as if it didn’t include her. Or maybe it was because Kennedy was right. She knew how lucky Jude felt to be loved. She knew, even though Jude tried to hide it, exactly how to hurt her.