1Am I a stone, and not a sheep,
2That I can stand, O Christ, beneath Thy cross,
3To number drop by drop Thy blood's slow loss,
4And yet not weep?
5Not so those women loved
6Who with exceeding grief lamented Thee;
7Not so fallen Peter, weeping bitterly;
8Not so the thief was moved;
9Not so the Sun and Moon
10Which hid their faces in a starless sky,
11A horror of great darkness at broad noon—
12I, only I.
13Yet give not o'er,
14But seek Thy sheep, true Shepherd of the flock;
15Greater than Moses, turn and look once more
16And smite a rock.
1Am I a stone, and not a sheep,
2That I can stand, O Christ, beneath Thy cross,
3To number drop by drop Thy blood's slow loss,
4And yet not weep?
5Not so those women loved
6Who with exceeding grief lamented Thee;
7Not so fallen Peter, weeping bitterly;
8Not so the thief was moved;
9Not so the Sun and Moon
10Which hid their faces in a starless sky,
11A horror of great darkness at broad noon—
12I, only I.
13Yet give not o'er,
14But seek Thy sheep, true Shepherd of the flock;
15Greater than Moses, turn and look once more
16And smite a rock.
Am I a stone, and not a sheep,
That I can stand, O Christ, beneath Thy cross,
To number drop by drop Thy blood's slow loss,
And yet not weep?
Not so those women loved
Who with exceeding grief lamented Thee;
Not so fallen Peter, weeping bitterly;
Not so the thief was moved;
Not so the Sun and Moon
Which hid their faces in a starless sky,
A horror of great darkness at broad noon—
I, only I.
Yet give not o'er,
But seek Thy sheep, true Shepherd of the flock;
Greater than Moses, turn and look once more
And smite a rock.
Select any word below to get its definition in the context of the poem. The words are listed in the order in which they appear in the poem.
The Poem Out Loud — Listen to a reading of the poem.
Rossetti at the Victorian Web — Visit the Victorian Web to find a treasure trove of information on Rossetti.
A Brief Biography — Read the Poetry Foundation's short essay on Rossetti's life and work.
A Contemporary Response — Read critic William Sharp's admiring reminiscence of Rossetti, written not long after her death.
Portraits of Rossetti — See some images of Rossetti via London's National Portrait Gallery.
"Why Is Good Friday Called 'Good Friday'?" — A Slate article discussing why this solemn Christian holiday has such a "good" title.